Hortense And The Shadow

"Through the dark and wolfish woods, through the white and silent snow, lived a small girl called Hortense. Though kind and brave, she was sad as an owl because of one thing . . . Hortense hated her shadow." A beautifully illustrated dark fairy tale that will remind you of the fables you read as a child. A treasure not to be missed.

A man wakes in the wilderness, amid scattered corpses and inquisitive crows. He has no memory of who he is or how he came to be there. The only clues to his former existence lie in his apparent skill with a sword and the fragmented dreams that permeate his sleep. Alone in a hostile world he moves from village to village, masquerading as a god to obtain food and shelter. But the shadow of his past pursues him relentlessly. It whispers to him a riddle far more complex than he could ever have imagined - and a truth he may not wish to believe. Look out for more information about this book and others at www.orbitbooks.co.uk

Paul Czanne, Claude Monet, and Auguste Rodin. The names of these brilliant nineteenth-century artists are known throughout the world. But what is remembered of their wives? What were these unknown women like? What roles did they play in the lives and the art of their famous husbands? In this remarkable book of discovery, art historian Ruth Butler coaxes three shadowy women out of obscurity and introduces them for the first time as individuals. Through unprecedented research, Butler has been able to create portraits of Hortense Fiquet, Camille Doncieux, and Rose Beuretthe models, and later the wives, respectively, of Czanne, Monet, and Rodin, three of the most famous French artists of their generation. The book tells the stories of three ordinary women who faced issues of a dramatically changing society as well as the challenges of life with a striving genius. Butler illuminates the ways in which these model-wives figured in their husbands achievements and provides new analyses of familiar works of art. Filled with captivating detail, the book recovers the lives of Hortense, Camille, and Rose, and recognizes with new insight how their unique relationships enriched the quality of their husbands artistic endeavors."

"O Bandit Queen!" the bandits cried. "Little horror! Poison weed! We'll give you everything a queen could ever need..." The bandits give their queen treasure, tigers, mischief and mayhem. But sometimes a little girl needs something more... A beautiful book about finding family in unexpected places, from the creators of Hortense and the Shadow.

For Napoleon's stepdaughter, nothing is simple -- especially love. Paris, 1798. Hortense de Beauharnais is engrossed in her studies at a boarding school for aristocratic girls, most of whom suffered tragic losses during the tumultuous days of the French Revolution. She loves to play and compose music, read and paint, and daydream about Christophe, her brother's dashing fellow officer. But Hortense is not an ordinary girl. Her beautiful, charming mother Josephine has married Napoleon Bonaparte, soon to become the most powerful man in France, but viewed by Hortense as a coarse, unworthy successor to her elegant father, who was guillotined during the Terror. Where will Hortense's future lie? Inspired by Hortense's real-life autobiography with charming glimpses of teen life long ago, this is the story of a girl chosen by fate to play a role she didn't choose.

Hauntingly told and sumptuously illustrated, this wintry modern fairy tale is perfect for holiday sharing. When Frindleswylde is near, the wind trembles, the sun pales, and the wild things hide. When he enters Cora and Granny's house in the woods, Frindleswylde steals the light from their lantern, so Granny can’t find her way home after work in the dark. And when a determined Cora chases the mysterious boy down a hole in the fishpond to his frozen kingdom, he sets her three Impossible Tasks. If she completes them, she can take her light and go, or so he says. But can Cora resist the urge to forget? As fresh and sparkling as sunlight on ice, this beautifully illustrated tale of enchantment—reminiscent of Hans Christian Andersen’s “The Snow Queen”—celebrates the transformative power of love in the darkest of times, the unbreakable bond between grandparent and child, and the bright promise of springtime.

A case for literary critics and other humanists to stop wallowing in their aestheticized helplessness and instead turn to poetry, comedy, and love. Literary criticism is an agent of despair, and its poster child is Walter Benjamin. Critics have spent decades stewing in his melancholy. What if instead we dared to love poetry? To choose comedy over Hamlet’s tragedy, romance over Benjamin’s suicide on the edge of France, of Europe, of civilization? Paul Bové challenges young lit critters to throw away their shades and let the sun shine in. Love’s Shadow is his three-step manifesto for a new literary criticism that risks sentimentality and melodrama and eschews self-consciousness. The first step is to choose poetry. There has been since the time of Plato a battle between philosophy and poetry. Philosophy has championed misogyny, while poetry has championed women, like Shakespeare’s Rosalind. Philosophy is ever so stringent; try instead the sober cheerfulness of Wallace Stevens. Bové’s second step is to choose the essay. He praises Benjamin’s great friend and sometime antagonist Theodor Adorno, who gloried in the writing of essays, not dissertations and treatises. The third step is to choose love. If you want a Baroque hero, make it Rembrandt, who brought lovers to life in his paintings. Putting aside passivity and cynicism would amount to a revolution in literary studies. Bové seeks nothing less, and he has a program for achieving it.

Princess Charlie embarks on a fantastical adventure to solve the mystery of the missing Queen and save her kingdom.