Hothouse Utopia

What is to be done when the future's already ablaze? With the international spread of right-wing "populism," widening inequalities, precarious forms of labor becoming normative, surveillance capitalism, and a worsening ecological crisis, the future is bleak. One issue in particular, the likelihood of catastrophic climate change, coupled with the lack of a global movement with the organization and vision to effectively challenge our suicidal social order, yields the crushing awareness that future generations will be trapped in prehistory, one in which humanity continues to be dominated by its own creations instead of shaping the historical process in line with reason. Expanding upon the ideas of Theodor W. Adorno, Ernst Bloch, Lucien Goldmann, and others, Ryan Gunderson examines the modes of action and thought through which we react to the likelihood of a catastrophic future in ways that reproduce instead of challenge the status quo, and how we can, instead, productively sustain the search for a better world against all odds.

Decisions by individuals, organisations, and nations shape the well-being of humans and other species, the environment, and sustainability. Decisions for Sustainability examines how we can make better decisions concerning our future. It incorporates sociological, psychological, and economic perspectives to highlight our strengths and weaknesses in decision-making, and suggest strategies to influence both individual and societal decisions. Sustainability challenges – from local land use and toxic contamination to climate change and biodiversity loss – illustrate how we can improve decision making and what factors lead to conflict. How we use science in the face of uncertainty is also examined, and a range of ethical criteria for good decisions are proposed. Emphasizing the need for diversity in decision making and clarifying the relationship between reform and societal transformation, this book provides a comprehensive view of what we know about decision-making, and how we can do better in the face of sustainability challenges.

Society in Flux: Two Centuries of Social Theory traces how modern tensions and modes of analyzing them have changed over the course of the last 200 years or so, through three modes of theorizing: critical theory, classical theory, and systems theory.

This book analyses how the environmental movement has developed three overarching narratives that co-exist and compete within it. The first is the narrative of green progress, which has been prominent from the start in environmentalist thought and which is today expressed in the idea of sustainable development and in eco-modernism. The second is the apocalyptic narrative, which urges us to act in order to avert a future catastrophe and which rose to prominence with Rachel Carson and other classics of post-war environmentalism and experienced a renaissance with the climate activism of the 2000s. The third is the postapocalyptic narrative according to which catastrophe is already an unavoidable fact. The centrepiece of the book is its discussion of the postapocalyptic narrative, which has become influential in the recent decade, especially in the wake of the disillusionment following the failed climate summit in Copenhagen 2009. Climate change, resource exhaustion, pollution and species extinction signal that catastrophes have already become realities here and now for an enormous number of people and other lifeforms. The book probes the possibilities and limitations of the environmental movement in grappling with these issues and turning them into relevant action.

Utopia. A community or society possessing highly desirable or nearly perfect qualities. It may be a dream, but it's a dream that has inspired writers for thousands of years. Plato's "Republic" may be the very first utopia presented to a mass audience, but Thomas More coined the term with his 1516 book Utopia (included here), which describes a fictional island society in the Atlantic Ocean. The term (and its antonym, dystopia) quickly entered the English language. And here are 19 other works, famous and not, featuring utopias and dystopias...works by Samuel Butler, Charlotte Perkins Gilman, Anna Bowman Dodd, William Morris, Sir Francis Bacon, and many others. Included are: EREWHON, by Samuel Butler MOVING THE MOUNTAIN, by Charlotte Perkins Gilman HERLAND, by Charlotte Perkins Gilman EQUALITY, by Edward Bellamy CAESAR’S COLUMN, by Ignatius Donnelly THE REPUBLIC OF THE FUTURE, by Anna Bowman Dodd A CRYSTAL AGE, by W. H. Hudson A TRAVELER FROM ALTRURIA, by W. D. Howells FREELAND: A SOCIAL ANTICIPATION, by Dr. Theodor Hertzka MIZORA: A PROPHECY, by Mary E. Bradley Lane SOLARIS FARM, by Milan C. Edson LOOKING BACKWARD, by Edward Bellamy SOME PICTURES OF A SOCIALIST FUTURE, by Eugene Richter UTOPIA, by Thomas More THE COMMONWEALTH OF OCEANA, by James Harrington THE NEW ATLANTIS, by Sir Francis Bacon THE BLAZING WORLD, by Margaret Cavendish CHRISTIANOPOLIS, by Johannes Valentinus Andreae THE CITY OF THE SUN, by Tommaso Campanella If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the 150+ entries in the MEGAPACKTM ebook series, covering science fiction, fantasy, horror, mysteries, westerns, classics, adventure stories, and much, much more!

The first volume to examine the Jewish state through the lens of Jewish utopian thought from its biblical beginnings to modernity, Contested Utopia illuminates a kaleidoscope of conflicting utopian visions influencing Israel.

The first generation of Russian modernists experienced a profound sense of anxiety resulting from the belief that they were living in an age of decline. What made them unique was their utopian prescription for overcoming the inevitability of decline and death both by metaphysical and physical means. They intertwined their mystical erotic discourse with European degeneration theory and its obsession with the destabilization of gender. In Erotic Utopia, Olga Matich suggests that same-sex desire underlay their most radical utopian proposal of abolishing the traditional procreative family in favor of erotically induced abstinence. 2006 Winner, CHOICE Award for Outstanding Academic Titles, Current Reviews for Academic Libraries Honorable Mention, Aldo and Jean Scaglione Prize for Studies in Slavic Languages and Literatures, Modern Language Association “Offers a fresh perspective and a wealth of new information on early Russian modernism. . . . It is required reading for anyone interested in fin-de-siècle Russia and in the history of sexuality in general.”—Bernice Glatzer Rosenthal, Slavic and East European Journal “Thoroughly entertaining.”—Avril Pyman, Slavic Review

The Hot House is in part a manifesto and in part a noncanonical history of the most progressive and heretical experiments in the applied arts and design. Covering two centuries of avantgarde designs, but concentrating on the 1950s to the present, the book looks at architecture and urban design as well as graphic, interior, exhibit, industrial, and fashion design. It discusses the role that such magazines as Casabella, Domus, and Modo have played on this lively front, and provides an insider's view of such figures and groups as Alessandro Mendini, Gaetano Pesce, Alychmia, Global Tools, Michele De Lucchi, Ettore Sottsass, and-the design world's hot new movement-Memphis. It also elucidates such concepts as banal design, soft design, radical architecture, and color cultures, and relates these and other design developments to social and political issues. Protagonist of many of these experiments, Andrea Branzi calls for a theory and practice in which the old methods and instruments - pencil, square, and compass - are rendered obsolete, and the formal commandments of modernism - comfort, function, and style - are banished. If Branzi's vision of the new domestic landscape bears any relation to the future home, the places we live and objects around us are on the verge of being radically transformed. The Hot House dramatically expands the theoretical and operative limits of design. While precedents to Il Nuovo Design (The New Design) can be found in everything from Art Deco to De Stijl to Pop Art to California funk, Italy is the center of this new phenomenon and the "hot house" of its most intense activity. Beginning in the 1960s, there emerged a number of design studios that went by names like Archizoom, 9999, Superstudio, and UFO; their products redefined the basic architecture of furniture and clothing and polemicized an entire discipline. Andrea Branzi, architect and designer, has been a leading force in Italian design since the 1960s. As the founder of Archizoom Associates and member of the experimental design collective Global Tools, he is responsible for many of the experiments described in this book. He lives and works in Milan, where he is Educational Director of Domus Academy and Editorial Director of Modo.