House Of Fun The Story Of Madness

Madness were true originals who mixed ska and reggae rhythms with social comment and music hall humour to become a British group like no other. They were the most successful UK singles band of the 80s, offering a larky down-to-earth take on Thatcher’s Britain through hits like ‘My Girl’, ‘One Step Beyond’, ‘House Of Fun’ and ‘Baggy Trousers’. Their appeal endures to this day, Madness’ latter-day concerts having become fun-packed celebrations of one of the best-loved songbooks in British pop. Like most bands Madness had their trials and tribulations, including band disputes, accusations of racism and an eventual split. But by then they had become a unique part of British pop history. In this book, John Reed tells their colourful story with a perceptive industry eye and the help of insights from many insiders and colleagues of the band.

THE ART OF NOISE offers an unprecedented collection of insightful, of-the-moment conversations with twenty-seven great British songwriters and composers. They discuss everything from their individual approaches to writing, to the inspiration behind their most successful songs, to the techniques and methods they have independently developed to foster their creativity. Contributors include: Sting * Ray Davies * Robin Gibb * Jimmy Page * Joan Armatrading * Noel Gallagher * Lily Allen * Annie Lennox * Damon Albarn * Noel Gallagher * Laura Marling * Paul Weller * Johnny Marr * and many more Musician-turned-author Daniel Rachel approaches each interview with an impressive depth of understanding—of the practice of songwriting, but also of each musician's catalog. The result is a collection of conversations that's probing, informed, and altogether entertaining—what contributor Noel Gallagher called "without doubt the finest book I've ever read about songwriters and the songs they write." The collected experience of these songwriters makes this book the essential word of songwriting—as spoken by the songwriters themselves.

The Daily Mail's most succesful columnist delivers the coup de grace to New Labour, as the nation voted them out of office. He is not only tough on Brown and the causes of Brown, but devastatingly funny about 'Elf and Safety', 'Yuman Rights', the Surveillance Society and all the bureacratic absurdities that make modern life worse than anything George Orwell ever imagined. But, as the new introductory material reveals, the coalition of Lib Dem and Conservative also means same meat, different gravy. And already we have the first casualty of the cabinet in David Laws, another rich MP exploiting his position to claim expenses paid to his secret lover. 'Littlejohn has been ... a vivid exponent of a great British columnar style that stretches back five centuries or more. He's a distant, bastard cousin of Thomas Nash, Daniel Defoe and Alexander Pope. Cassandra and Bernard Levin might justly buy him a pint in the Chesire Cheese. Like or loathe him, he's the real, talented deal.' Observer

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

When twenty-nine-year-old Scarlett Vantassel comes to the conclusion that her life doesn't resemble any of the things she actually wanted for herself, she drops out of school and moves back home, attempting to reconnect with the people she left behind. But a shadow falls over her return one early October morning when a sinister house miraculously appears in the center of the city, sparking a media frenzy that attracts attention nationwide.??Soon after the newspapers label it, "The House that Fell from the Sky," Scarlett's childhood friend Hannah becomes obsessed with the idea that the house holds the key to discovering whether there really is life after death. Undeterred by her friends' numerous warnings, Hannah becomes increasingly consumed with the desire to enter the house, convinced it would allow her to reconnect with her recently deceased mother.??Despite a series of escalating events suggesting that the house may be more dangerous than anyone ever thought possible, a privately owned company seizes control of the property and hosts a lottery to lure the city's residents, promising the winners a large cash reward if they dare to enter the house.??To Scarlett's horror, Hannah uses her vast wealth to secure a spot among the winners to gain access to the house. Now, it's up to Scarlett, her older brother Tommy, and her friend Jackson to face their fears and journey into a place where nothing is ever quite as it seems, and decide if they can help a friend in need, or if Hannah truly is lost.

Suggs is one of pop music's most enduring and likeable figures. Written with the assured style and wit of a natural raconteur, this hugely entertaining and insightful autobiography takes you from his colorful early life on a North London council estate, through the heady early days of Punk and 2-Tone, to the eighties, where Madness became the biggest selling singles band of the decade. Along the way he tells you what it's like to grow up in sixties Soho, go globetrotting with your best mates, to make a dead pigeon fly and cause an earthquake in Finsbury Park.

In this informative and entertaining book, learn from Cousin Sal how not to gamble your life away -- along with many other life lessons -- so you don't have to learn the hard way. Over the last forty years, Cousin Sal has made bets with doctors, lawyers, teachers, agents, bookies, writers, comedians, radio DJs, tv producers, baseball players, front office executives, bandleaders, movie stars, publicists, weed lab owners, hedge fund operators, and even professional wrestlers. From his early days growing up in Brooklyn and Long Island flipping baseball cards to now hosting podcasts and TV shows and managing several offshore accounts we don't talk about, Cousin Sal has truly become the average American sports fan's go to source for gambling tips. So here's how not to do it . . . With hilarious tales of love and loss, winning and (a lot) of losing, crazy family and fatherhood, and a life saga that inspired the Phil Collins' song, "Against All Odds," Cousin Sal has now written THE Vegas super-system, MIT-algorithmic, sharp-approved book for how to gamble like a pro -- or at least not how not to go broke and lose your kids to Child Protective Services.