House Of Rose

WINNER OF THE 2022 HUGO AWARD FOR BEST NOVEL Now a USA Today bestseller! Publishers Weekly's Best Books of 2021 Amazon's Best Science Fiction & Fantasy of 2021 Bookpage's Best Science Fiction & Fantasy of 2021 Goodreads Choice Awards Nominee for Best Science Fiction Book of 2021 "[An] all around brilliant space opera, I absolutely love it."—Ann Leckie, on A Memory Called Empire A Desolation Called Peace is the spectacular space opera sequel to Arkady Martine's genre-reinventing, Hugo Award-winning debut, A Memory Called Empire. An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options. In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity. Their failure will guarantee millions of deaths in an endless war. Their success might prevent Teixcalaan’s destruction—and allow the empire to continue its rapacious expansion. Or it might create something far stranger . . . Also by Arkady Martine: A Memory Called Empire At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"The Widow of Rose House is close to perfection and any lover of historical romance will adore this debut." - Smart Bitches Trashy Books It’s 1875, and Alva Webster is ready for a fresh start. After three years of being pilloried in the presses for fleeing her abusive husband, his sudden death allows her to return to New York where she is determined to restore a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. She is decidedly not supposed to fall in love. But when a haunting at her new home threatens her careful plans, she must seek help from the eccentric and brilliant and - much to her dismay - very handsome Professor Samuel Moore. Alva doesn’t need more complications in her life, especially not a convention-flouting, scandal-raising one like Sam. Unfortunately, Sam is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva’s new home while Sam attempts to unlock Alva’s history—and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeously romantic debut by Diana Biller, with an intrepid and resilient American heroine guaranteed to delight readers as she starts over and finds true love. "A chemistry-fueled debut with a bit of a ghost story, great for readers of gothic romance." - Booklist "Biller mirrors Wharton's genius for revealing the emotional gold lying beneath the Gilded Age, which motivates the novel's massive romantic turmoil." - Bookpage (Most Anticipated Romances)

Confused by what she's just seen, but with no time to second guess it's meaning, Rose shoots the real suspect in the back.

An elegant manifesto for Rose Tarlow’s approach of blending the personal with the aesthetic to create timeless, beautiful spaces. One of the most influential designers working in America, Rose Tarlow’s signature approach is as much an emotional matter as it is one of color, light, fabric, and furniture. This essential book encourages readers to decorate with elegance and personal style through simple principles of creative design that are appropriate to any home. Finely designed in a modest size, the book is powerful in its intimacy, offering insights into the mind of a master designer—as well as a glimpse into some of the extraordinary homes she has created. Long out of print, the book is republished in its entirety from the original edition of 2001—with photography from Oberto Gili, Derry Moore, and Tim Street-Porter, among others—and updated with new images and a new afterword by the author. The Private House is a classic of modern interior design and an inspiration to creative homeowners.

Marilyn Monroe, Ronaldinho, and now Lolita--the layers of newspaper that line Rose Wylie's studio floor are a frequent source of material for the artist. Drawing from such wide-ranging cultural areas as film, literature, mythology, news images, sports, and individuals she meets in her day-to-day life, Wylie paints colorful and exuberant compositions that are uniquely recognizable. This new limited-edition zine, titled Lolita's House, puts these larger-than-life works front and center, Wylie's animated, vivacious strokes now canvassing the page. Bold, wild, and continually humorous, Rose Wylie creates paintings and drawings that at first glance appear aesthetically simplistic, not seeming to align with any recognizable style or movement, but on closer inspection are revealed to be wittily observed and subtly sophisticated mediations on the nature of visual representation itself. These works make use of an idiosyncratic visual lexicon, the directness of cartoonish figures, and a flattened perspective, but simultaneously betray a deep awareness of art history and painterly conventions. Published on the occasion of Rose Wylie: Lolita's House, this zine presents a new series of paintings and works on paper made specifically for Wylie's second solo exhibition at David Zwirner, London in 2018. Loosely referencing a house that was constructed across the street from Wylie's residence in Kent, England, Lolita's House continues the artist's ongoing fascination with the shifting nature of memory and the multi-layered external associations that become attached to it over time.

"Little House on the Prairie" is an autobiographical children's novel by Laura Ingalls Wilder, published in 1935] It was the third novel published in the Little House series, continuing the story of the first, Little House in the Big Woods (1932), but not directly related to the second, Farmer Boy (1933). It chronicles the months the Ingalls spent on the Kansas prairie around the town of Independence.

A privileged chance to see Rose Uniacke's work in the form of a private tour of her London home-the crucible for all her design ideas-in her first book, produced as a limited edition of 2,500 copies. Airy and light, delicate and robust, grand and intimate, raw and luxurious: these are just some of the qualities and contradictions that resonate within the work and home of Rose Uniacke. This sumptuous volume, the first on the designer, has been conceived with Uniacke to her bespoke specifications. Masterfully photographed by François Halard, the book unfolds gatefold after gatefold as a series of privileged glimpses inside Uniacke's home, with the designer's own words as our guide-an intimate and exclusive portrait of a home rarely gained access to as well as a window onto the workings of one of our leading design minds. Her work is distinguished by warmth, character, and an extraordinary serenity, and mirroring these qualities the book is a luxury object made from some of the same materials featured in Uniacke's home: a unique cotton duck canvas slipcase houses the book itself, which is wrapped in pure new wool. Completing this indispensable book in design history are texts from the architect of Uniacke's home, Vincent Van Duysen, and her landscape architect, Tom Stuart-Smith.