How Beautiful

“[Castrillón’s] wild drawings carry a decorative impulse to unexpected heights.”—New York Times A stunningly illustrated picture book about a curious caterpillar searching for the true meaning of the word “beautiful.” But is there one true meaning—or many? A caterpillar lives a simple life on his leaf until one day, an UnKnown Thing picks him up and calls him beautiful. A question forms in the caterpillar’s mind: “What is beautiful?” So begins a quest to discover the true meaning of the word beautiful. Much to the caterpillar’s surprise, each animal in the forest has their own unique definition: A bear declares that honeycomb is beautiful! The squirrels say leaves are beautiful! A mole says his burrow is beautiful! What’s a caterpillar to do? How Beautiful offers kids an immersive, memorable experience. Elaborate and vivid illustrations by Melissa Castrillón, author of Yellow Kayak and If I Had a Little Dream, combine with a sweet, central message: Beauty is as diverse as we are. “Beautiful” means something different to everyone, and that’s okay! The beauty of the natural world is worth celebrating!

A fearless young woman from a small African village starts a revolution against an American oil company in this sweeping, inspiring novel from the New York Times bestselling author of Behold the Dreamers. ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times, People • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Esquire, Good Housekeeping, The Christian Science Monitor, Marie Claire, Ms. magazine, BookPage, Kirkus Reviews “Mbue reaches for the moon and, by the novel’s end, has it firmly held in her hand.”—NPR We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made—and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests. Left with few choices, the people of Kosawa decide to fight back. Their struggle will last for decades and come at a steep price. Told from the perspective of a generation of children and the family of a girl named Thula who grows up to become a revolutionary, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold on to its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

In How Beautiful People Are, his third collection, Ayaz Pirani continues to write his people's pothi: a trans-national, inter-generational poetry of post-colonial love and loss animated by the syncretizing figure of Kabir and drawn from the extraordinary diwan of ginan and granth literature. Walking alongside the tiger of Ali and an assortment of beloved infidels, Ayaz uncovers just How Beautiful People Are. After all, what will darkness do, his poems ask, when a true guru makes light?

A fearless young woman from a small African village starts a revolution against an American oil company in this sweeping, inspiring novel from the New York Times bestselling author of Behold the Dreamers. ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times, People • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Esquire, Good Housekeeping, The Christian Science Monitor, Marie Claire, Ms. magazine, BookPage, Kirkus Reviews “Mbue reaches for the moon and, by the novel’s end, has it firmly held in her hand.”—NPR We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made—and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests. Left with few choices, the people of Kosawa decide to fight back. Their struggle will last for decades and come at a steep price. Told from the perspective of a generation of children and the family of a girl named Thula who grows up to become a revolutionary, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold on to its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom.

“[A] confident, mystical, expansive project.”—Publishers Weekly “[D]azzling and timeless . . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice” "Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord "...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury Review Gregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving." If to say it once And once only, then still To say: Yes. And say it complete, Say it as if the word Filled the whole moment With its absolute saying. Later for “but,” Later for “if.” Now Only the single syllable That is the beloved. That is the world. Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.

Levi Swanberg had no idea of the forces of darkness he was unleashing when he prepared to set off for Sweden to learn his grandfather's secret power, nor did he anticipate the radiance of light he would discover soon after. The inspiration of the Swanbergs' story is to be found in their Christ-like lives, their gusto for witnessing, and the impact they had on Cloe, their next-door neighbor, and are still having generations later.