How Do I Save My Honor

Books on Einstein and his theories abound. However, this book is uniquely different. It presents key concepts in Special and General Relativity, in verse form. The aim is to make Einstein's insights more "fun" to learn. It uses rhyme and rhythm to render reading memorable and thus pleasurable. Moreover, what is pleasurable may foster a better understanding, as well as retention, of ideas. Use of verse apparently worked effectively in ancient times: in the Iliad and Odyssey of Homer among the Greeks; in the Vedas and Upanishads of ancient India; both rhyme, in the form of alliteration, and rhythm in Beowulf among the Anglo-Saxons, etc. The target reader is college-educated, or college student in third year, or anyone willing to "puzzle" it out, who desires to understand why time slows down and lengths contract when objects are in relative motion; how Science, Einstein's theories in particular, can contribute to answering the perennial question: what it is to be human; how to time travel to the future by staying "young"; etc. Relativity has a reputation of being "difficult." For example, "curvature of spacetime" seems so abstruse, so forbidding a concept. But, do not disarm yourself prematurely. Do not be intimidated. As it turns out, curvature of spacetime is tidal gravity, the cause of familiar ocean tides. You may even have a "gut" feel for it. This book will not teach you how to solve problems in Relativity. Nor will it teach you how to prove "The shortest distance takes the longest time." No, we will spend our time grasping Einstein's insights, their implications on Reality and on mind; and amid our quest, on what it means to be human. More "fun" to learn does not mean that verse form is the "lazy" road to learning. It does not mean that verse form makes the difficult easy, or, the rough, plain. No, the difficult remains difficult; the rough remains rough. And to grasp it, you have to exert a determined, sustained effort and be willing to stretch your mind to accommodate the "wild" notions in Relativity. The idea motivating this book is to make the "stretching" more enjoyable relative to prose by using the rhyme-rhythm features of verse. But, "stretch" your mind, you have to. There is no "royal, poetic" road to learning There is a feature in our history, that stands out in view of our concerns in conveying knowledge-a feature that the ancients aptly used. It is the oral tradition. Since the first humans appeared, oral tradition was the sole means in transmitting knowledge for a very long time, indeed. If we fit the whole time since the first humans lived into a year, then writing started only about the morning of 30th of December. That is a huge time in which oral tradition operated, i.e. about 99.5% of our time as humans. What does this imply? We transmitted information orally; and we received information aurally This "oral-aural" conveyance was the way for all information, including that of knowledge. In addition, during the five hundred thousand years or so, oral tradition honed our brains to receive knowledge "aurally." To me, this implies that our brains have a natural "deep resonance" to features of language in the oral tradition. The key language features in the oral tradition are the rhymes and rhythms of verse. I wrote this book in verse, inspired by this thought: to make the most out of the "resonant structures" in our brains engendered by oral tradition, to convey the deep insights of Einstein on Reality. It is my sincere wish that Einstein's ideas will find recognition in the public understanding and thus inform the public outlook. I invite you, everyone: Hop in with me, a time machine we ride, Intent on chasing space-time concepts wild; To fathom Einstein's insights into Reality, In his Special and General Relativity. Like Wordsworth, a lonely cloud wandering, Through space and time we will be winging, Not to appreciate the "daffodils" of Nature; But to understand Nature's Architecture

The Honor of Thinking evaluates the concepts and discourses of critique, theory, and philosophy in light of the exigencies of what Martin Heidegger and the French post-Heideggerian thinkers have established about the nature and the tasks of thinking.

A Boy Scout defends the honor of the stalwart organization from the cultural onslaught threatening it.

Reproduction of the original: The Honor of the Name by Emile Gaboriau

This carefully crafted ebook: "ALEXANDRE DUMAS Ultimate Collection: 40+ Titles Including The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The Valois Trilogy and more (Illustrated)" is formatted for your eReader with a functional and detailed table of contents: The D'Artagnan Romances The Three Musketeers Twenty Years After The Vicomte of Bragelonne Ten Years Later Louise da la Valliere The Man in the Iron Mask The Valois Trilogy Queen Margot (Marguerite de Valois) Chicot de Jester: La Dame de Monsoreau The Forty-Five Guardsmen The Memoirs of a Physician - Marie Antoinette Series Joseph Balsamo: The Magician The Mesmerist's Victim: Andrea de Taverney The Queen's Necklace Taking the Bastile: Ange Pitou The Countess de Charny: The Execution of King Louis XVI Other Novels The Count of Monte Cristo The Conspirators: The Chevalier d'Harmental The Regent's Daughter The Hero of the People The Royal Life-Guard Captain Paul The Sicilian Bandit The Corsican Brothers The Companions of Jehu The Wolf Leader The Black Tulip The Last Vendee The Prussian Terror Short Stories A Masked Ball Solange Celebrated crimes The Borgias The Cenci Massacres of the South Mary Stuart Karl-Ludwig Sand Urbain Grandier Nisida Derues La Constantin Joan of Naples The Man in the Iron Mask (An Essay) Martin Guerre Ali Pacha The Countess De Saint-Geran Murat The Marquise De Brinvilliers Vaninka The Marquise De Ganges Essays Alexandre Dumas by W. E. Henley A Gossip on a Novel of Dumas's by Robert Louis Stevenson Alexandre Dumas by Andrew Lang To Alexandre Dumas by Andrew Lang Biography Alexandre Dumas by Adolphe Cohn Alexandre Dumas, père (1802-1870) was a French writer whose works have been translated into nearly 100 languages and he is one of the most widely read French authors. His most famous works are The Count of Monte Cristo and The Three Musketeers.

DigiCat presents to you this unique collection of the greatest classics of French literature, including novels, short stories, dramas and philosophical essays: Table of Contents: A History of French Literature François Rabelais: Gargantua and Pantagruel Molière: Tartuffe or the Hypocrite The Misanthrope The Miser The Imaginary Invalid... Jean Racine: Phaedra Pierre Corneille: The Cid Voltaire: Candide Zadig The Huron A Philosophical Dictionary Letters on England Jean-Jacques Rousseau: Confessions Stendhal‎: The Charterhouse of Parma Honoré de Balzac: Father Goriot Eugénie Grandet Lost Illusions The Lily of the Valley A Woman of Thirty Cousin Bette Cousin Pons Colonel Chabert The Magic Skin The Unknown Masterpiece Victor Hugo: Les Misérables The Man Who Laughs The Hunchback of Notre-Dame Toilers of the Sea The Last Day of a Condemned Man Claude Gueux George Sand: Mauprat Alexandre Dumas pere: The Three Musketeers Twenty Years After The Vicomte de Bragelonne Ten Years After Louise de la Valliere The Man in the Iron Mask The Count of Monte Cristo Marguerite de Valois The Black Tulip Alexandre Dumas fils: The Lady with the Camellias Gustave Flaubert: Madame Bovary Émile Zola: Thérèse Raquin The Fortune of the Rougons The Kill The Fat and the Thin The Conquest of Plassans Abbe Mouret's Transgression His Excellency Eugene Rougon The Dram Shop A Love Episode Nana Piping Hot The Ladies' Paradise The Joy of Life Germinal His Masterpiece The Earth The Dream The Human Beast Money Doctor Pascal Jules Verne: Twenty Thousand Leagues Under the Sea Around the World in Eighty Days The Mysterious Island Journey to the Centre of the Earth From the Earth to the Moon Around the Moon In Search of the Castaways Guy de Maupassant: A Life Bel-Ami Mont Oriol Notre Coeur Pierre and Jean Strong as Death The Necklace The Horla Boul de Suif Two Friends Madame Tellier's Establishment Mademoiselle Fifi Miss Harriet... Gaston Leroux: The Phantom of the Opera The Mystery of the Yellow Room The Secret of the Night The Man with the Black Feather Marcel Proust: Swann's Way

Tom Ault has written a theatre ethnography that brings Rajasthans folk tradition of khyal to readers in both descriptions and translations of the plays, based on his many periods of research and hanging out with khyal players and affecionados. A performance genre probably stemming from the soliloquies in poetic Pingal and Dingal of Rajasthans bards, known as Charans, these khyals offer folk renditions of rule and misrule, contemporary issues and past heroics, and the romance of Rajput desert kingdoms. Ault has been engaged with these shows there, and as an American theatre professor he knows his subject well. Everyone will find something to enjoy in Aults compendium of khyal, and will probably be tempted to search out a performance of this disappearing folk art at a Rajasthani cattle fair or on a moonlight night in a desert village with stars overhead.