How It Feels To Be Free

Winner of the Benjamin L. Hooks National Book Award Winnter of the Michael Nelson Prize of the International Association for Media and History In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Then she began to sing: "Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam!" Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history. Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. Yet Feldstein finds nuance in their careers. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy, adding a layer of complication to the film. That same year, Diahann Carroll took on the starring role in the television series Julia. Was Julia a landmark for casting a black woman or for treating her race as unimportant? The answer is not clear-cut. Yet audiences gave broader meaning to what sometimes seemed to be apolitical performances. How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that "We Shall Overcome" was not the only soundtrack to the civil rights movement. By putting black women performances at center stage, Feldstein sheds light on the meanings of black womanhood in a revolutionary time.

Discover the incredible true story of “The Original Mermaid,” Annette Kellerman, a girl who wanted to dance, swim, and feel free—and who grew into a woman who fought for the right to do just that! Annette loved to dance and twirl and pirouette. But when she got sick and had to start wearing braces on her legs, Annette stopped dancing. Until, one day, her dad took her swimming. Annette could finally dance again—in the water! She water danced her way to England, where she performed water ballets, attempted daring dives, and competed in swim races. When she competed against men (and won!), she realized it wasn’t fair that women had to swim in full skirts, so she made her own swimsuit, and fought for the right to wear it. Experience the journey of an independent and determined young woman, who swam, danced, dove, and designed so she could live her life feeling free.

Do What You Gotta Do examines the role of black female entertainers in the Civil Rights movement.

A timely, powerful collection of essays from one of our sharpest minds and most sparkling stylists. How much joy can a person tolerate? How many kinds of boredom make up a life? Who owns the story of black America? Should Justin Bieber be more like Socrates? And why is there a dead art collector floating in the swimming pool? Dazzlingly insightful, explosively funny and ever-timely, Zadie Smith is back with a second unmissable collection of essays. From German Old Masters to the new masters of East Coast rap, from social networks opening lines of communication to national referenda closing doors, Feel Free reaches out in all directions and draws back a rich feast of ideas. Here pop culture, high culture, social change and political debate all get the Zadie Smith treatment: dissected with razor-sharp intellect, set brilliantly against the context of the utterly contemporary, and considered with a deep humanity and compassion. With the easy intimacy of a local and the piercing clarity of an outsider, Feel Free casts a sharp critical eye over the creative luminaries that have shaped our world: from J. G. Ballard to Karl Ove Knausgaard, Orson Welles to Charlie Kaufman, Joni Mitchell to Beyonce, and far beyond. And it considers the points of contact where the author herself meets this world, where the political meets the personal and critique meets memoir. This electrifying new collection showcases Zadie Smith as a true literary powerhouse, demonstrating once again her credentials as an essential voice of her generation.

Introduction: I wish I knew how it would feel to be free -- Nina Simone and the work of minoritarian performance -- Searching for Danh V's mother -- The Marxism of Felix Gonzalez-Torres -- Entanglements: Eiko's a body in a station -- Tseng Kwong Chi and the party's end -- Epilogue: 6E

Celebrate feelings in all their shapes and sizes in this New York Times bestselling picture book from the Growing Hearts series! Happiness, sadness, bravery, anger, shyness . . . our hearts can feel so many feelings! Some make us feel as light as a balloon, others as heavy as an elephant. In My Heart explores a full range of emotions, describing how they feel physically, inside, with language that is lyrical but also direct to empower readers to practice articulating and identifying their own emotions. With whimsical illustrations and an irresistible die-cut heart that extends through each spread, this gorgeously packaged and unique feelings book is sure to become a storytime favorite.

An original book about consciousness which draws on interviews with former captives, thought experiment stories and treatments in the arts.

It may take a few more decades, but ‘soon enough,’ A.I. will turn into super-A.I. This is an artificial intelligence which in all areas of what is now seen as ‘human intelligence’ approaches this, then surpasses it. After that, it will keep growing exponentially. In the meantime, at relatively short notice, humanity will encounter a challenging A.I. bi-bottleneck: 1) humans possibly misusing A.I. in a big way, and 2) A.I. spiraling into many directions of which any unfortunate one may be enough for disaster. Will we control A.I. or will A.I. dominate us? Let’s hope this is the wrong question. Because if it’s the right question, and given enough time, there is no shred of a doubt about the answer. Still, of course, we need to give it our best shot not to be dominated by an evil force. We should strive for control. At the same time, transcending the question opens up the domain of Compassion. This gradually makes thinking in terms of ‘control’ and ‘domination’ in human – A.I. interactions obsolete. We will together strive for a better world within an alignment of our values. But what are the real human values? There are cultural and individual differences. Moreover, what seem to be anyone’s values may be a superficial layer above deeper values, which are not necessarily congruent with conscious awareness. So, the human/A.I. value alignment question will be: how to align what? I write in The Journey about Compassion as the striving to approach these values in their deeper sense. They can subsequently be realized for each individual in two directions: relief of deep suffering and enhancement of inner growth. Both notions are to be clarified at the individual level. Compassionate A.I. is (the striving towards) an A.I. that can help us to know and to realize ourselves in-depth. The beauty is that this way, human/A.I. value alignment and further development of A.I. can intrinsically go hand in hand. Lisa is a software coaching chat-bot that is being developed specifically with this goal: helping humans and A.I. in Compassionate ways to become healthier, stronger and more effectively Compassionate towards near ones as well as all sentient beings. In this book, ‘super-A.I.’ is the future kind of A.I. that may be able – but not necessarily! – to act Compassionately. We don’t have to wait for that, for Compassionate A.I. to become important. Already, humans can use A.I. more or less Compassionately. From what point is it relevant as a characteristic of the A.I. system itself, regardless of how humans use the A.I.? There is no steep border. Long before super-A.I., the first systems in which it becomes more pertinent, are those in which Compassion is part of the purpose. That is, systems that in communication with users are meant to give an effectively Compassionate experience. To understand where Compassionate A.I. may be heading towards, we need to understand Compassion. This leads us on a journey, starting on the one hand from ‘data’ and on the other hand from drive-to-thrive (life itself). On this journey, we encounter many insights about intelligence, consciousness, drive-to-thrive, non-conscious processing... The end of the journey lies in full Compassion. Hopefully, this is the future for A.I. as well as humanity.