How To Fall In Love With A Man Who Lives In A Bush

For readers of quirky Scandinavian fiction comes this charming and witty debut novel by Emmy Abrahamson—perfect for fans of Jonas Jonasson Love stinks. Or maybe it just needs a shower . . . Vienna: famous for Mozart, waltzes, and pastry; less famous for Julia, a Swedish transplant who spends her days teaching English to unemployed Austrians and her evenings watching Netflix with her cat or club hopping with a frenemy. An aspiring novelist, Julia’s full of ideas for future bestsellers: A writer moves his family to a deserted hotel in the dead of winter and spirals into madness! A homely governess loves a brooding man whose crazy wife is locked up in the attic! Fine, so they’ve been done. Doesn’t mean Julia won’t find something original. Then something original finds Julia—sits down next to her on a bench, as a matter of fact. Ben is handsome (under all that beard) and adventurous (leaps from small bridges in a single bound). He’s also sexy as hell and planning to shuffle off to Berlin before things can get too serious. Oh, and Ben lives in a public park. Thus begins a truth stranger than any fiction Julia might have imagined: a whirlwind relationship with a guy who shares her warped sense of humor and shakes up the just-okay existence she’s been too lazy to change. Ben challenges her to break out; she challenges him to settle down. As weeks turn to months, Julia keeps telling herself that this is a chapter in her life, not the whole book. If she writes the ending, she can’t get hurt. But what if the ending isn’t hers to write?

Julia is looking for Mr Right, but Ben is more Mr Right-Now-He-Could-Do-With-a-Bath. You may think you know what kind of novel this is, but you'd be wrong. Yes, Julia is a single-girl cliché, living alone with her cat in Vienna and working in a language school. And yes, a series of disastrous dates has left her despairing of ever finding The One - until Ben sits next to her on a bench. He's tall, dark, handsome... and also incredibly hairy, barefoot, a bit ripe-smelling and of no fixed abode. You guessed it - they fall in love, as couples in novels do. But can Julia overlook the differences between them, abandon logic and choose with her heart?

The former first daughters share intimate stories and reflections from the Texas countryside to the storied halls of the White House and beyond. Born into a political dynasty, Jenna and Barbara Bush grew up in the public eye. As small children, they watched their grandfather become president; just twelve years later they stood by their father's side when he took the same oath. They spent their college years watched over by Secret Service agents and became fodder for the tabloids, with teenage mistakes making national headlines. But the tabloids didn't tell the whole story. In Sisters First, Jenna and Barbara take readers on a revealing, thoughtful, and deeply personal tour behind the scenes of their lives, as they share stories about their family, their unexpected adventures, their loves and losses, and the sisterly bond that means everything to them.

"A beautiful, poised, and thought-provoking debut about love, loss, coming out, and discovering living life on your own terms." —New York Times bestselling author Kathleen Glasgow There are two things that Corinne Parker knows to be true: that she is in love with Maggie Bailey, the captain of the rival high school's cross-country team and her secret girlfriend of a year, and that she isn't ready for anyone to know she's bisexual. But then Maggie dies, and Corinne quickly learns that the only thing worse than losing Maggie is being left heartbroken over a relationship no one knows existed. And to make things even more complicated, the only person she can turn to is Elissa—Maggie's ex, and the single person who understands how Corinne is feeling. As Corinne struggles to make sense of her grief and what she truly wants out of life, she begins to have feelings for the last person she should fall for. But to move forward after losing Maggie, Corinne will have to learn to be honest with the people in her life...starting with herself.

Whereas most studies of migration focus on movement, this book examines the experience of staying put. It looks at young men living in a Soninke-speaking village in Gambia who, although eager to travel abroad for money and experience, settle as farmers, heads of families, businessmen, civic activists, or, alternatively, as unemployed, demoted youth. Those who stay do so not only because of financial and legal limitations, but also because of pressures to maintain family and social bases in the Gambia valley. ‘Stayers’ thus enable migrants to migrate, while ensuring the activities and values attached to rural life are passed on to the future generations.

A groundbreaking book--based on years of the same thorough research that made the "Dress For Success" books national bestsellers--about how women can statistically improve their chances of getting married.

Smile! It's not just the end of your marriage, it's the beginning of your second chance! Missy Benson has a two and a half carat diamond engagement ring with color grade H, VS2 clarity and a value of $36,000. It's absolutely gorgeous, practically flawless, and let's be honest, really big! But what the successful Chicago realtor doesn't have anymore is a husband. After 12 years of marriage, her husband, Paul, a handsome, wealthy attorney has devastated her by breaking up their marriage for Priscilla Sommerfeld, a young, personal trainer, who according to Missy's sassy assistant, J.J., looks more like a Las Vegas stripper than a fitness expert. Not sure what to do with her ring, and with no financial issues to worry about, Missy decides to put it up for sale on Craigslist. The price: 99 cents! The catch: She gets to pick the buyer. In essence, she's looking for the perfect guy, but not for herself. Her hope is to regain faith that good men do exist, and that marriages can last forever. Now referring to herself as "the divorced girl," Missy interviews dozens of young men who are vying for the huge ring. It's a contest that includes outrageous characters, hilarious and sentimental stories, and two finalists, both of whom Missy adores and who she must choose between. Then there's Parker Missoni, the sexiest contestant by far, who drives her crazy with his brutal honesty, and at the same time stops her heart with his deep brown eyes. Divorced Girl Smiling is the story of a woman's journey to do whatever it takes to heal herself from divorce. It's about acceptance, reflection, taking accountability for mistakes, and appreciating all of life's wonderful gifts. In other words, if you have the guts to put the past behind, admit your mistakes, embrace your future, and give love another chance, you will surely be a divorced girl smiling.

Most Australians live in cities and cling to the coastal fringe, yet our sense of what an Australian is – or should be – is drawn from the vast and varied inland called the bush. But what do we mean by 'the bush', and how has it shaped us? Starting with his forebears' battle to drive back nature and eke a living from the land, Don Watson explores the bush as it was and as it now is: the triumphs and the ruination, the commonplace and the bizarre, the stories we like to tell about ourselves and the national character, and those we don't. Via mountain ash and mallee, the birds and the beasts, slaughter, fire, flood and drought, swagmen, sheep and their shepherds, the strange and the familiar, the tragedies and the follies, the crimes and the myths and the hope – here is a journey that only our leading writer of non-fiction could take us on. At once magisterial in scope and alive with telling, wry detail, The Bush lets us see our landscape and its inhabitants afresh, examining what we have made, what we have destroyed, and what we have become in the process. No one who reads it will look at this country the same way again. 'Nothing he has written quite matches the wonders of The Bush . . . There is no dull page or even lifeless sentence between its covers and my urge is that if anyone wants a full blast of what Australia is, was, or might be, thrust The Bush into their hands. Watson seems to have been preparing to write it all his life, from when he was a small boy (born 1949) open to wonders on his family's Gippsland dairy farm . . . It's the unalloyed wonder of that small boy . . . that guides the reader most of all . . . a fountaining freshness of spirit that gives everything he sees and does the vivacity of being sighted for the first time.' Roger McDonald, The Age 'Flawlessly elegant writing . . . But this is excellent, hard-headed history, too . . . Utterly mesmerising and entrancing . . . A challenge to contemplate what it really is about this country that makes us who we think we are . . . A literary-historical odyssey.' Paul Daley, The Guardian (Australia) 'A loving rumination on Australia, the landmass, and those who live on it and from it . . . Watson refuses to be captured by easy categorisations or received opinion . . . The writing is crisp, witty and sardonic . . . Watson is an original, with an authentic, prophetic voice.' John Hirst, The Monthly 'An overwhelmingly affectionate portrait, one that's never sentimental or indulgently nostalgic, and one that defiantly resists lamentation . . . There is no doubt that The Bush stands with Bill Gammage's The Biggest Estate on Earth as one of the most important books published on the history of this country in recent years . . . The Bush is the crown in Watson's oeuvre, a magnificent, sprawling ode to the best in Australia, a challenge to us all to find new ways of loving the country.' The Saturday Paper 'Don Watson's magnificent, celebratory, contradictory study of the Australian bush will challenge the national imagination . . . An amiable, learned, playful and engrossing book . . . [A] great, succulent magic pudding of a book . . . Most of what we read is nothing like we would have expected . . . There is a sense that an amiable and eloquent uncle is telling us everything piquant he knows about theology and culture and land use and the beasts and flora and families of the bush.' Thomas Keneally, Weekend Australian 'The power of this book does come from the way Watson positions himself as both an insider and outsider to the Australian bush . . . A meditation on Australia itself through a reflection on the bush.' Frank Bongiorno, Australian Book Review 'A sprawling, fascinating book . . . Watson has pulled off a marvel, a book that educates and fascinates at the same time as it calls for action to preserve some things before they're lost. The best part, though, is his prose: bare and dry, with a dark sense of humour. A bit like the country he's describing.' Margot Lloyd, The Advertiser (Adelaide) 'Every now and again a book comes out that is so groundbreaking it causes you to think about a particular subject in a radically different light. Don Watson's The Bush: Travels in The Heart of Australia is one such work; a masterpiece of research, inquiry and poetry that challenges our basic assumptions of the Outback. Watson . . . has pulled off a dazzling achievement with The Bush, blending philosophy with science and storytelling . . . A beautifully written and thoughtful book.' Johanna Leggatt, Weekly Times 'Elegant, intricate, sprawling and sometimes harsh . . . [Watson] explores the bush with a mix of academic insight and campfire yarn . . . In a word: hypnotic.' Jeff Maynard, Herald Sun 'His romantic prose moves seamlessly through autobiographical tales to discuss the landscapes and histories that have shaped Australia.' National Geographic 'One of my favourite reads this year. What a writer he is . . . You find yourself sneaking off from others to be with it.' Kathleen Noonan, Courier-Mail 'Vast in scope, richly sourced, soaring and poetic, this journey to the heart of Australia has been rightly compared in significance to Bill Gammage's The Biggest Estate on Earth.' Barbara Farrelly, South Coast Register 'The Bush is his homage to Australia's mythic hinterland. Watson travels through the Mallee and the Murray-Darling, to WA's wheat belt and beyond, meeting people, talking, listening. Good writing that engages with Australia's past is a rare beast, too often bound up in the need for ''balance''. Watson has the freedom to ignore the rules; he allows himself to opine and he yarns at will. A delightful read.' Mark MacLean, Newcastle Herald