How To Trick A Twit

Inspired by Roald Dahl's prank-filled story of beards and balloons, The Twits, we present the ultimate guide to Twit trickery, stuffed with fun activities, stories, jokes and more! 'Mr Twit was plotting away like mad. He was trying to think up a really NASTY TRICK . . . ' Mr and Mrs Twit love playing tricks. They really are the meanest jokers, and unfortunately they are VERY GOOD at it. But just imagine if you were so good at pranking that you could trick an actual Twit? Wouldn't that be AMAZING? Well, the book you're holding can help you do just that. Packed full of fiendish pranks (as well as quizzes, recipes, fun facts and more), THIS is exactly what you need to OUTWIT A TWIT. This book is the ultimate guide to tricking a Twit, packed with activities, extracts from the original story, games and bonus material.

From the bestselling author of Charlie and the Chocolate Factory and The BFG! Mr. and Mrs. Twit are the smelliest, nastiest, ugliest people in the world. They hate everything—except playing mean jokes on each other, catching innocent birds to put in their Bird Pies, and making their caged monkeys, the Muggle-Wumps, stand on their heads all day. But the Muggle-Wumps have had enough. They don't just want out, they want revenge.

Mr and Mrs Twit are not very nice. In fact they're extremely nasty. They're nasty to each other, and they're VILE to everyone else. They hold a family of monkeys hostage in a cage and force them to stand on their heads. ALL THE TIME. We told you they weren't very nice. Can the monkeys find a way to show those vicious Twits what for? Mischievously adapted from Roald Dahl's story, acclaimed playwright Enda Walsh has turned The Twits upside down. This revolting revolution was first performed at the Royal Court Theatre, London, in April 2015.

'It had happened again. Dad had shouted and yelled, thrown things and smashed things up. And then he had quietly cleaned everything away.' Leo's dad has changed. Since Mum died, his drinking is worse and now he's a different person, someone Leo doesn't recognize. The truth is that Leo is covering up for him and when things get bad Leo escapes into his own head, pretending everything's OK. Things need to change, but what can Leo do? No one understands, except maybe his friend Flora. Leo wants his old dad back so they can be happy again - because Dad is all he has left . . .

Just how did Roald Dahl get into writing? Where did he get his ideas from? What ingredients in his life turned him into the kind of writer he was? Michael Rosen - poet, broadcaster and former Children's Laureate, comes up with some of the answers to these key questions in his lively biography of the world's No.1 storyteller, written specially for children. Full of stories and funny anecdotes from Roald Dahl's school days and family life, Michael Rosen's fascinating observations creates a vivid picture of one of the most famous writers of all time.

The Red House Mystery by A. A. Milne - is a whodunnit by A. A. Milne, published in 1922. It was Milne's only mystery novel (except for Four Days Wonder). Plot introduction: The setting is an English country house, where Mark Ablett has been entertaining a house party consisting of a widow and her marriageable daughter, a retired major, a wilful actress, and Bill Beverley, a young man about town. Mark's long-lost brother Robert, the black sheep of the family, arrives from Australia and shortly thereafter is found dead, shot through the head. Mark Ablett has disappeared, so Tony Gillingham, a stranger who has just arrived to call on his friend Bill, decides to investigate. Gillingham plays Sherlock Holmes to his younger counterpart's Doctor Watson; they progress almost playfully through the novel while the clues mount up and the theories abound. Literary significance and criticism: The Red House Mystery was immediately popular; Alexander Woollcott called it "one of the three best mystery stories of all time", though Raymond Chandler, in his essay The Simple Art of Murder (1944), criticised Woollcott for that claim, referring to him as, "rather a fast man with a superlative". Chandler wrote of Milne's novel, "It is an agreeable book, light, amusing in the Punch style, written with a deceptive smoothness that is not as easy as it looks [...] Yet, however light in texture the story may be, it is offered as a problem of logic and deduction. If it is not that, it is nothing at all. There is nothing else for it to be. If the situation is false, you cannot even accept it as a light novel, for there is no story for the light novel to be about." In his introduction to the 1926 UK edition, A. A. Milne said he had "a passion" for detective stories, having "all sorts of curious preferences" about them: though in real life the best detectives and criminals are professionals, Milne demanded that the detective be an unscientific amateur, accompanied by a likable Watson, rubbing shoulders with an amateur villain against whom dossiers and fingerprints are of no avail.

Reginald Edward Morse is a man in need of an outlet. And he finds it in a very twenty-first century place: the internet. Specifically, RateYourLodging.com, where Americans go to find out the truth about hotels, motels and, horrors, bed and breakfasts. But the real joy of those sites is not so much the advice they offer, but the people who offer it. Reginald Edward Morse is one of those people. At first Morse seems exactly what you'd suspect a reviewer to be, though under the authoritative, even puffed-up tone, there lurks self-awareness, wit and a flair for anecdote. His reviews scatter clues to his identity, and the fragments explain the mystery of Reginald Edward Morse, his career as a motivational speaker, his lover 'K' and his estrangement from his daughter. Always funny, unexpectedly tragic, this is a book of lonely rooms, long lists, of strong opinion and quiet confession, by one of America's greatest novelists.

From a popular pastor and radio host—Three Free Sins teaches that the only people who make any progress toward being better are those who know that God will still love them, regardless of how good they are. This book is about the misguided obsession with the management of sin that cripples too many Christians. It’s about the view that religion is all about sin…about how to hide side sin or how to stop sinning all together. In the Introduction, the author toys good-naturedly with an agitated caller on his radio program, teasing him in a segment where he offers three free sins. The offer is real. Not that Steve has the power to forgive sins, but he wants to make the point that Jesus has made the offer to cover all of our sins – not just three. Chapter one, titled “Teaching Frogs to Fly,” is even better. The gist of this chapter is that you can’t teach frogs to fly, just like you can’t teach people not to sin. Steve tells a story about a guy who has a frog, and he’s convinced he can teach the frog how to fly. The man keeps throwing the frog up in the air or up against walls – all to the poor frog’s demise. The message is that even though people can be better, they can never not sin—just like a frog can never learn to fly, no matter how much pressure is put on it. Steve continues through the book to show readers that while they can never manage sin, they can relax in knowing that they are completely forgiven—not just of three, but of all.