How to Write a Damn Good Novel

How to Write a Damn Good Novel
Author: James N. Frey
Publsiher: St. Martin's Press
Total Pages: 192
Release: 2010-04-01
Genre: Language Arts & Disciplines
ISBN: 1429997850

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Written in a clear, crisp, accessible style, this book is perfect for beginners as well as professional writers who need a crash course in the down-to-earth basics of storytelling. Talent and inspiration can't be taught, but Frey does provide scores of helpful suggestions and sensible rules and principles. An international bestseller, How to Write a Damn Good Novel will enable all writers to face that intimidating first page, keep them on track when they falter, and help them recognize, analyze, and correct the problems in their own work.

How to Write a Damn Good Novel II

How to Write a Damn Good Novel  II
Author: James N. Frey
Publsiher: St. Martin's Press
Total Pages: 176
Release: 2011-04-01
Genre: Language Arts & Disciplines
ISBN: 9781429997829

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"Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carre or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Frey's How to Write a Damn Good Novel is one of the most widely used guides ever published for aspiring authors. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification. How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader—promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves.

How to Write a Damn Good Mystery

How to Write a Damn Good Mystery
Author: James N. Frey
Publsiher: St. Martin's Press
Total Pages: 286
Release: 2007-04-01
Genre: Language Arts & Disciplines
ISBN: 9781429974134

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Edgar award nominee James N. Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, and The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery. Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot." Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world. Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing. This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.

How to Write Damn Good Fiction

How to Write Damn Good Fiction
Author: James N. Frey
Publsiher: Pan Macmillan
Total Pages: 161
Release: 2002
Genre: Language Arts & Disciplines
ISBN: 0333907590

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The one book that should be on every fiction writer's shelf...From the author of How to Write a Damn Good Novel, this book offers powerful advanced techniques in fiction writing - how to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy and identification. Quoting a range of writers from Stephen King and Kafka to Peter Benchley and Stephen Crane, this is a practical, readable, down to earth and concise book which analyses what makes good (and commercial) fiction work and shows how to apply this understanding in an author's own writing. It is a must for any serious writer.

How to Write a Damn Good Thriller

How to Write a Damn Good Thriller
Author: James N. Frey
Publsiher: St. Martin's Press
Total Pages: 306
Release: 2010-03-30
Genre: Performing Arts
ISBN: 1429913630

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A quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top. HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design, draft, write, and polish a thriller that is sure to grab readers. Frey uses examples from both books and movies and addresses the following hot topics: *Germinal ideas *Breathing life into great thriller characters *Crafting a gripping opening *Maintaining tension *Creating obstacles and conflicts *Writing a mean, lean thriller scene *Adding surprise twists *Building a smashing climax and many more. In his trademark approachable and humorous style, Frey illuminates the building blocks of great thrillers and gives the reader the tools to write his or her own.

The Key

The Key
Author: James N. Frey
Publsiher: Macmillan + ORM
Total Pages: 247
Release: 2002-08-03
Genre: Language Arts & Disciplines
ISBN: 9781429932288

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In his widely read guides How to Write a Damn Good Novel and How to Write a Damn Good Novel II: Advanced Techniques, popular novelist and fiction-writing coach James N. Frey showed tens of thousands of writers how--starting with rounded, living, breathing, dynamic characters--to structure a novel that sustains its tension and development and ends in a satisfying, dramatic climax. Now, in The Key, Frey takes his no-nonsense, "Damn Good" approach and applies it to Joseph Campbell's insights into the universal structure of myths. Myths, says Frey, are the basis of all storytelling, and their structures and motifs are just as powerful for contemporary writers as they were for Homer. Frey begins with the qualities found in mythic heros--ancient and modern--such as the hero's special talent, his or her wound, status as an "outlaw," and so on. He then demonstrates how the hero is initiated--sent on a mission, forced to learn the new rules, tested, and suffers a symbolic death and rebirth--before he or she can return home. Using dozens of classical and contemporary novels and films as models, Frey shows how these motifs and forms work their powerful magic on the reader's imagination. The Key is designed as a practical step-by-step guide for fiction writers and screen writers who want to shape their own ideas into a mythic story.

This Is How It Always Is

This Is How It Always Is
Author: Laurie Frankel
Publsiher: Flatiron Books
Total Pages: 336
Release: 2017-01-24
Genre: Fiction
ISBN: 9781250118523

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New York Times Bestseller The Reese Witherspoon x Hello Sunshine Book Club Pick “Every once in a while, I read a book that opens my eyes in a way I never expected.” —Reese Witherspoon (Reese’s Book Club x Hello Sunshine book pick) People Magazine’s Top 10 Books of 2017 Bustle’s 17 Books Every Woman Should Read From 2017 PopSugar’s Our Favorite Books of the Year (So Far) Refinery29's Best Books of the Year So Far BookBrowse’s The 20 Best Books of 2017 Pacific Northwest Book Awards Finalist The Globe and Mail's Top 100 Books of 2017 Longlisted for 2019 International DUBLIN Literary Award “It made me laugh, it made me cry, it made me think.” —Liane Moriarty, #1 New York Times bestselling author of Big Little Lies This is how a family keeps a secret...and how that secret ends up keeping them. This is how a family lives happily ever after...until happily ever after becomes complicated. This is how children change...and then change the world. This is Claude. He’s five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess. When he grows up, Claude says, he wants to be a girl. Rosie and Penn want Claude to be whoever Claude wants to be. They’re just not sure they’re ready to share that with the world. Soon the entire family is keeping Claude’s secret. Until one day it explodes. Laurie Frankel's This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family. And it’s about the ways this is how it always is: Change is always hard and miraculous and hard again, parenting is always a leap into the unknown with crossed fingers and full hearts, children grow but not always according to plan. And families with secrets don’t get to keep them forever.

Bird by Bird

Bird by Bird
Author: Anne Lamott
Publsiher: Anchor
Total Pages: 274
Release: 2007-12-18
Genre: Language Arts & Disciplines
ISBN: 9780307424983

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NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times). “Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom passed down from Anne’s father—also a writer—in the iconic passage that gives the book its title: “Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”