Howard Barker S Art Of Theatre

The latest collection of Barker's philosophical musings on theatre, this volume includes speculations, deductions, prose poems & poetic apercus, which cast a unique light on the nature of tragedy, eroticism, love & theatre.

Director-dramatist Howard Barker is a restlessly prolific, compulsively controversial and provocative multi-media artist. Beyond his internationally performed and acclaimed theatrical productions, and his award-winning theatre company The Wrestling School, he is also a poet, a painter whose work has been exhibited internationally, and a philosophical essayist cognisant of the unique power of art to provoke moral speculation, and of the distinctive theatricality of the human being in times of crisis. This collection of essays provides international perspectives on the full range of Barker’s achievements, theatrical and otherwise, and argues for their unique importance and urgency at the forefront of several genres of provocative modern art. It includes an interview with the artist and an essay by Barker himself.

Including new interviews, a revised introduction, an updated bibliography and a full production chronology, this second, fully revised edition of an acclaimed study sets out to make emotional sense of Barker's characters and their interactions.

Howard Barker, author of over thirty plays, has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays include The Castle, Scenes from an Execution and The Possibilities. All of his plays are emotionally highly charged, intellectually stimulating and far removed from the theatrical conventions of what he terms 'the Establishment Theatre'. These fragments, essays, thoughts and poems on the nature of theatre likewise reject the constraints of 'objective' academic theatre criticism. They explore the collision (and collusion) of intellect and artistry in the creative act. This book is more than a collection of essays: it is a cultural manifesto for Barker's own 'Theatre of Catastrophe'.

This collection of essays provides international perspectives on the full range of Barker's achievements, theatrical and otherwise

THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.

Commissioned to paint a vast canvas celebrating the triumphant Battle of Lepanto, the free-spirited Galactia creates instead a breathtaking scene of war-torn carnage. In her fierce determination to stay true to herself, she alienates the authorities and faces incarceration. Her younger lover Carpeta is approached to take over and seizes the assignment for himself. Howard Barker's Scenes from an Execution makes sixteenth-century Venice the setting for a fearless exploration of sexual politics and the timeless tension between personal ambition and moral responsibility, between the patron's demands and the artist's autonomy. Art is opinion, and opinion is the source of all authority. This edition includes a new essay by Howard Barker, entitled The Sunless Garden of the Unconsolled: Some Destinations Beyond Catastrophe

Howard Barker's alter-ego Eduardo Houth first materialised as the photographer of publicity images for Barker's theatre company The Wrestling School, one of many fictional identities assumed by the playwright to screen a range of his activities, including set and costume design. Writing of himself in the third person and in the historic tense, Barker/Houth achieves a fluency and an uncommon measure of objectivity, though objectivity is scarcely the sole intention. The result is a unique exercise in self-description, partisan but without the shrill self-justification so common in a mere autobiography. Barker/Houth's A Style and its Origins is very much a literary creation; it is also a totally original document and a rich history of the dramatist and his aesthetic.