Humbug

Ellie Pearce adores Christmas so much she celebrates all year round, earning herself the nickname Christmas Girl. If only she liked her job as much as eggnog lattes and mistletoe. Stuck as a marketing analyst for London-based recruitment company Caldwell & Atkinson, Ellie is desperate for a career change but afraid to take a chance. CEO Rosalind Caldwell needs a new personal assistant after the last one quit, putting the extremely important corporate Christmas party in jeopardy. Christmas Girl is just the holiday miracle Rosalind needs, and Ellie is quickly promoted to the top floor of the Canary Wharf skyscraper. Ellie isn’t a PA, has never planned a party in her life, and is terrified of heights. If things weren’t bad enough, she then goes and develops a ridiculous crush on her totally intimidating new boss. With the festive season fast approaching, what could possibly go wrong?

A timely retelling of A Christmas Carol for the whole family about a smartphone-obsessed dad. This Christmas, join Michael Rosen and Tony Ross with their unforgettable retelling of Charles Dickens's beloved holiday classic. Harry Gruber plays the role of Scrooge in his school's production of "A Christmas Carol," and he is extra nervous about tonight's performance because his father is in the audience — not away for business, as usual. Will the story's message of Christmas cheer and the redemptive power of love reach his father's distracted Scrooge heart?

What can a little witch do when her witchy spells and potions don't turn out right? She just keeps on trying until it's time for bed. The readers then discover her true identity. A lovely surprise!

How does advertising work? Does it have to attract conscious attention in order to transmit a 'Unique Selling Proposition'? Or does it insinuate emotional associations into the subconscious mind? Or is it just about being famous... or maybe something else again?

"This carefully researched study of America's greatest showman, huckster, and impresario is both an inclusive analysis of the historical and cultural forces that were the conditions of P. T. Barnum's success, and, as befits its subject, a richly entertaining presentation of the outrageous man and his exploits." -- Publisher.

You know MAD. Do you know Humbug? Harvey Kurtzman changed the face of American humor when he created the legendary MAD comic. As editor and chief writer from its inception in 1952, through its transformation into a slick magazine, and until he left MAD in 1956, he influenced an entire generation of cartoonists, comedians, and filmmakers. In 1962, he co-created the long-running Little Annie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in 1988. Between MAD and Annie Fanny, Kurtzman’s biographical summaries will note that he created and edited three other magazines―Trump, Humbug, and Help!―but, whereas his MAD and Annie Fanny are readily available in reprint form, his major satirical work in the interim period is virtually unknown. Humbug, which had poor distribution, may be the least known, but to those who treasure the rare original copies, it equals or even exceeds MAD in displaying Kurtzman’s creative genius. Humbug was unique in that it was actually published by the artists who created it: Kurtzman and his cohorts from MAD, Will Elder, Jack Davis, and Al Jaffee, were joined by universally acclaimed cartoonist Arnold Roth. With no publisher above them to rein them in, this little band of creators produced some of the most trenchant and engaging satire of American culture ever to appear on American newsstands.