Hymn To The Mother Of The Gods

Hymn to the Mother of the Gods is a hymn from Emperor Julian about Phrygian Cybele, Mother of the Gods. You will enjoy learning about the cult of Cybele, which was the first Oriental religion adopted by the Romans. Cybele was also known to the Latin world as the Great Mother, Magna Mater.

Worshiped throughout the ancient Mediterranean world, the "Mother of the Gods" was known by a variety of names. Among peoples of Asia Minor, where her cult first began, she often shared the names of local mountains. The Greeks commonly called her Cybele, the name given to her by the Phrygians of Asia Minor, and identified her with their own mother goddesses Rhea, Gaia, and Demeter. The Romans adopted her worship at the end of the Second Punic War and called her Mater Magna, Great Mother. Her cult became one of the three most important mystery cults in the Roman Empire, along with those of Mithras and Isis. And as Christianity took hold in the Roman world, ritual elements of her cult were incorporated into the burgeoning cult of the Virgin Mary. In Mother of the Gods, Philippe Borgeaud traces the journey of this divine figure through Asia Minor, Greece, and Rome between the sixth century B.C. and the fourth century A.D. He examines how the Mother of the Gods was integrated into specific cultures, what she represented to those who worshiped her, and how she was used as a symbol in art, myth, and even politics. The Mother of the Gods was often seen as a dualistic figure: ancestral and foreign, aristocratic and disreputable, nurturing and dangerous. Borgeaud's challenging and nuanced portrait opens new windows on the ancient world's sophisticated religious beliefs and shifting cultural identities.

Hymns to the Goddess by Arthur Avalon, also known as Sir John Woodroffe, is a collection of devotional hymns and sacred texts dedicated to the worship of the Hindu goddesses, particularly the divine feminine energies of Shakti. Avalon's translations and interpretations provide insights into the profound symbolism and spiritual significance of the goddess traditions. Key Points: Avalon offers a deep exploration of the feminine divine principles in Hinduism, presenting hymns and verses that celebrate the power, grace, and nurturing qualities of the goddesses, inspiring devotion and reverence among readers. The book delves into the mystical and symbolic aspects of the goddess traditions, unveiling the deeper meanings behind the myths, rituals, and iconography associated with various goddesses, inviting readers to connect with the divine feminine within themselves and in the world. Hymns to the Goddess serves as a spiritual guide and a source of inspiration for those interested in the goddess-centric traditions of Hinduism, providing a deeper understanding of the profound wisdom and transformative potential inherent in the worship of the divine feminine.

As this book demonstrates, the cradle of the Mystery Cults of the Goddess and of Western civilization is the Aegean region, an area extending from the Balkans to Crete and from the Ionian Sea to Asia Minor. The Eleusinian Mysteries do not originate from Old Europe or Egypt, but from the worship of the Pelasgian goddess Daeira, Mother Earth, who preceded Demeter and whose cult was indigenous to Eleusis. As shown here, in the Mysteries of the Goddess, the initiates descend into the depths of their psyche, perceive the midnight sun, transcend duality, and achieve cosmic consciousness symbolized by the unity and harmony of the Great Goddess. The Pelasgians, Minyans, and Minoans, the Aegean region’s prehistoric tribes and ancestors of the Mycenaeans and modern Greeks, share the same cultural heritage, continuity, and autochthony with the region’s Proto-Greek, pre-Deukalion-Flood inhabitants. The book also argues that religious and scientific traces of pre-Flood knowledge can be discerned in the Mysteries and the technical achievements of prehistoric Minyan and Minoan Greeks. Even from the third millennium, the Minyans and Minoans, with their advanced nautical, geographic, and astronomical knowledge, sailed not only the Mediterranean, but using the Atlantic currents had reached the copper mines of northern Europe and America.

This groundbreaking study brings into dialogue for the first time the writings of Julian, the last non-Christian Roman Emperor, and his most outspoken critic, Bishop Gregory of Nazianzus, a central figure of Christianity. Susanna Elm compares these two men not to draw out the obvious contrast between the Church and the Emperor’s neo-Paganism, but rather to find their common intellectual and social grounding. Her insightful analysis, supplemented by her magisterial command of sources, demonstrates the ways in which both men were part of the same dialectical whole. Elm recasts both Julian and Gregory as men entirely of their times, showing how the Roman Empire in fact provided Christianity with the ideological and social matrix without which its longevity and dynamism would have been inconceivable.

The suggestion that the New Testament contains citations of early Christological hymns has long been a controversial issue in New Testament scholarship. As a way of advancing this facet of New Testament research, Matthew E. Gordley examines the Colossian hymn (Col 1:15-20) in light of its cultural and epistolary contexts. As a result of a broad comparative analysis, he claims that Col 1:15-20 is a citation of a prose-hymn which represents a fusion of Jewish and Greco-Roman conventions for praising an exalted figure. A review of hymns in the literature of Second Temple Judaism demonstrates that the Colossian hymn owes a number of features to Jewish modes of praise. Likewise, a review of hymns in the broader Greco-Roman world demonstrates that the Colossian hymn is equally indebted to conventions used for praising the divine in the Greco-Roman tradition. In light of these hymnic traditions of antiquity, the analysis of the form and content of the Colossian hymn shows how the passage fits well into a Greco-Roman context, and indicates that it is best understood as a quasi-philosophical prose-hymn cited in the context of a paraenetic letter. Finally, in view of ancient epistolary and rhetorical theory and practice, an analysis of the role of the hymn in Colossians suggests that the hymn serves a number of significant rhetorical functions throughout the remainder of the letter.

Among maternal deities of the Greek pantheon, the Mother of the Gods was a paradox. Conflict and resolution were played out symbolically, Munn shows, and the goddess of Lydian tyranny was eventually accepted by the Athenians as the Mother of the Gods and a symbol of their own sovereignty.