I Am The Beggar Of The World

An eye-opening collection of clandestine poems by Afghan women Because my love's American, blisters blossom on my heart. Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.

Featured on NPR's The Writer's Almanac “Ellen Bass’s new poetry collection, Like a Beggar, pulses with sex, humor and compassion.”—The New York Times “Bass tries to convey everyday wonder on contemporary experiences of sex, work, aging, and war. Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly “In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—Booklist Ellen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness. From "Another Story": After dinner, we're drinking scotch at the kitchen table. Janet and I just watched a NOVA special and we're explaining to her mother the age and size of the universe— the hundred billion stars in the hundred billion galaxies. Dotty lives at Dominican Oaks, making her way down the long hall. How about the sun? she asks, a little farmshit in the endlessness. I gather up a cantaloupe, a lime, a cherry, and start revolving this salad around the chicken carcass. This is the best scotch I ever tasted, Dotty says, even though we gave her the Maker's Mark while we're drinking Glendronach... Ellen Bass's poetry includes Like A Beggar (Copper Canyon Press, 2014), The Human Line (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award. She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.

An NPR Best Book of 2021 New and selected fiction, over half in English for the first time, from the winner of the 2014 Neustadt Prize. Known internationally for his novels, Neustadt Prize-winner Mia Couto first became famous for his short stories. Sea Loves Me includes sixty-four of his best, thirty-six of which appear in English for the first time. Covering the entire arc of Couto's career, this collection displays the Mozambican author's inventiveness, sensitivity, and social range with greater richness than any previous collection—from early stories that reflect the harshness of life under Portuguese colonialism; to magical tales of rural Africa; to contemporary fables of the fluidity of race and gender, environmental disaster, and the clash between the countryside and the city. The title novella, long acclaimed as one of Couto's best works but never before available in English, caps this collection with the lyrical story of a search for a lost father that leads unexpectedly to love.

The date, the time, the place are obscure, but of what we can be certain is that the Beggar Poet is in no position to call himself a "noble person" or a "superior man." He lives his life as would a mendicant writer or a solitary seeker--one who has tasted love, joy, and the depths of human despair. Like most of us, really. In fashioning his life to the changes of the I Ching, each of the sixty-four hexagrams, he is faced with challenges and riddles, thresholds to broach, subtle variations of insight from which, by living through them sincerely and with an unrelenting gaze, he can be said to be living an evolving revelation of consciousness. Anyone who has taken time to turn the pages of the I Ching will realize that as well as discovering uplifting and spiritually profound moments, there are those we truly fear and spend our lives trying to avoid. Instead of trying to maintain constantly a higher spiritual eminence--a perfect sense of proportion--we come to know by experience, if Heaven wills and for only brief interludes in an otherwise fulfilling life, its opposite, making our luminous spiritual flights all the more poignant and precious.

“An exhilarating collection” (The New York Times Book Review) of ten blended stories from Nobel Prize–winning author Alice Munro “The rich texture of its narrative and the author’s graceful style make [The Beggar Maid] a considerable accomplishment.”—Joyce Carol Oates, Ms. In this vibrant series of interweaving stories, Alice Munro recreates the evolving bond—one that is both constricting and empowering—between two women in the course of almost forty years. One is Flo, practical, suspicious of other people’s airs, at times dismayingly vulgar. The other is Rose, Flo’s stepdaughter, a clumsy, shy girl who somehow—in spite of Flo’s ridicule and ghastly warnings—leaves the small town she grew up in to achieve her own equivocal success in the larger world.

In 1957, at twenty-seven years old, Washington D.C. native Fr. Aloysius Schwartz asked to be sent to the saddest place in the world: South Korea in the wake of the Korean War. Now just a few months into his priesthood, he stepped off the train into a dystopian novel. Squatters with blank stares picked through hills of garbage. Paper-fleshed orphans lay on the streets like leftover war landmines. The scenes crushed him. Within fifteen years, he had changed the course of Korean history, founding and reforming orphanages, hospitals, hospices, clinics, schools, and the Sisters of Mary, a Korean religious order dedicated to the sickest of the sick and the poorest of the poor. He himself--like the Sisters--lived all the while in the same hard poverty as the people he served and loved.Yet Father Al prayed to be unknown. The reason you don't know about him is that he didn't want you to know. He was a very humble priest and servant of the poor. Kevin Wells tells the story of a different kind of American hero, an ordinary priest who stared down corruption, slander, persecution, and death for the sake of God's poor.

English Magic moves through fields and parklands, estates and empty beaches. It lands at Heathrow Airport, takes a taxi to the suburbs, finds emptiness and oppression. It strikes out for the countryside on May Day, to where maypoles whirl and haybales blaze, and where blessings sound like threats. It's in a flat, drags itself out of half sleep... and there's something tapping behind the gas fire... In her debut collection of short stories, Uschi Gatward takes us on a tour of an England simultaneously domestic and wild, familiar and strange, real and imagined. Coupling the past and the present, merging the surreal and the mundane, English Magic is a collection full of humour and warmth, subversion and intoxication. It announces the arrival of a shining new talent.

NEW YORK TIMES BESTSELLER LONGLISTED FOR THE 2021 BOOKER PRIZE NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE GLOBE AND MAIL, THE GUARDIAN, ESQUIRE, VOGUE, TIME, THE WASHINGTON POST, THE TIMES (UK), VULTURE, THE ECONOMIST, NPR, AND BOOKRIOT ON PRESIDENT OBAMA’S SUMMER 2021 READING LIST The magnificent new novel from Nobel laureate Kazuo Ishiguro--author of Never Let Me Go and the Booker Prize-winning The Remains of the Day. “The Sun always has ways to reach us.” From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?