I Can See You Naked

“America’s best book on making presentations strikes again.” –Don E. Shultz, Northwestern University The smart, witty, nationally bestselling guide to public speaking. “If you get nervous, just picture everyone in the audience naked.” We've all heard this piece of advice on public speaking before. But what about “Keep the ball alive!” or “Be a bit of Springsteen”? There’s more to being a great speaker than removing your audience’s clothes, and Ron Hoff’s I CAN SEE YOU NAKED goes beyond the basics to cleverly and insightfully demonstrate what an effective and engrossing presentation should look like. Hoff packs his book with funny and functional advice on how to overcome stage-fright and deliver the best possible speech for every occasion. I CAN SEE YOU NAKED will have you confidently facing a waiting audience—and, naked or not, they’ll be hanging on your every word.

Was the stripping and exposure of Jesus a form of sexual abuse? If so, why does such a reading of Jesus’ suffering matter? The combined impact of the #MeToo movement and a further wave of global revelations on church sexual abuse have given renewed significance to recent work naming Jesus as a victim of sexual abuse. Timely and provocative "When did we see you naked?" presents the arguments for reading Christ as an abuse victim, as well as exploring how the position might be critiqued, and what implications and applications it might offer to the Church.

Why would someone want to hang out with dead bodies? With curious anecdotes and unbelievable truth, funeral director Robert Webster reveals that answer and more, offering readers entertaining and quirky stories gleaned from a life lived around death. Webster tackles those embarrassing questions we all have about what really goes on bhind the scenes when you've left this world: Strange things people put in caskets The biggest rip-offs in the business The crazy things that happen to a body after death Lime, waz, and other ways to hide the truth The most important thing an undertaker does How to avoid the high-pressure funeral parlor What that's not a coffin the body is resting in

Across the Arab world, protesters voiced dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, Marwan M. Kraidy uncovers the creative insurgency at the heart of the Arab uprisings of 2010–2012.

A thoughtful introduction to art and its interpretation for children, with a sense of humor Why is Art Full of Naked People? is an irreverent and informative primer that asks tricky questions about what makes art art. What is with all the fruit? Why is art so weird nowadays? There are questions about how art views the world, from cave paintings through to Cubism, from the Renaissance to contemporary art, questions about different genres, including still-life painting, landscapes and portraits, and questions about the role and value of art in the past and today. Artists ask questions when they make art and viewers ask questions when they look at art; this book provides an engaging way for young people to explore asking and answering questions for themselves. The book is structured around twenty-two questions, each one tackled over two spreads. Through this provocative approach it offers an introduction to art history and a toolkit to enable young people to feel confident asking questions, searching for answers, and “reading” art for themselves.

Fiction. Asian & Asian American Studies. Short Stories. A young translator living in Toronto frequently travels abroad-to Hong Kong, Macau, Prague, Tokyo-often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman's frequent unexplained disappearances. YOU ARE EATING AN ORANGE. YOU ARE NAKED. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King's debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature. Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.-Kyo Maclear

This volume provides an overview of the complex relationship between Asian Americans and the media. It looks at the involvement of Asian Americans in the media industries and how alternative and independent media counteract traditional stereotypes.

As far as fairy tales go, life hasn't exactly lived up to the glamorous dreams Emmie had for herself. After a break-up that won't seem to end, business schemes that just don't pan out and trying to find time to fall in love with the man of her dreams, she is ready to call it quits. She doesn't know if she is cracked up for the crazy life of a city girl. Is it worth all the hassle? Is love worth the fight? And when a man from her former life shows up unexpectedly, will she give it all up and run back home, or will she fight for the happy ending she has always dreamed of?