I Fight For A Living

Come for a visit in Bear Country with this classic First Time Book® from Stan and Jan Berenstain. When Brother and Sister start fighting, it’s up to Mama and Papa to help them remember that being kind to one another is the most important thing. This beloved story is the perfect way to teach children about the unique and special bond between siblings.

The military, in one form or another, are always part of the picture. This unique and compelling study investigates the circumstances that have produced starkly different systems of recruiting and employing soldiers in different parts of the globe over the last 500 years, on the basis of case studies from Europe, Africa, America, the Middle East and Asia. The authors, including Robert Johnson, Frank Tallett and Gilles Weinstein, conduct an international comparison of military service and warfare as forms of labour, and the soldiers as workers. This is the first study to undertake a systematic comparative analysis of military labour, addressing two distinct, and normally quite separate, communities: labour historians and military historians.

The black prizefighter labored in one of the few trades where an African American man could win renown: boxing. His prowess in the ring asserted an independence and powerful masculinity rare for black men in a white-dominated society, allowing him to be a man--and thus truly free. Louis Moore draws on the life stories of African American fighters active from 1880 to 1915 to explore working-class black manhood. As he details, boxers bought into American ideas about masculinity and free enterprise to prove their equality while using their bodies to become self-made men. The African American middle class, meanwhile, grappled with an expression of public black maleness they saw related to disreputable leisure rather than respectable labor. Moore shows how each fighter conformed to middle class ideas of masculinity based on his own judgment of what culture would accept. Finally, he argues that African American success in the ring shattered the myth of black inferiority despite media and government efforts to defend white privilege.

In All Things Must Fight to Live, Bryan Mealer takes readers on a harrowing two-thousand mile journey through Congo, where gun-toting militia still rape and kill with impunity. Amidst burnt-out battlefields where armies still wrestle for control, into the dark corners of the forests, and along the high savanna, where thousands have been slaughtered and quickly forgotten, Mealer searches for signs that Africa's most troubled state will soon rise from ruin. At once illuminating and startling, All Things Must Fight to Live is a searing portrait of an emerging country facing unimaginable upheaval and almost impossible odds, as well as an unflinching look at the darkness that continues to exist in the hearts of men. It is non-fiction at its finest-powerful, moving, necessary.

From the author of Shields of Strength, “a gift that could radically change every interaction and relationship you have” (Reg Lloyd, Pastor, Praise Church, Beaumont TX). What is the opposite of love? Many would say hate, but studying the Bible reveals that it is actually fear. Fear leads us to make harmful decisions and live unproductive, unhappy, and unfruitful lives. Love is the key to a fruitful life, but love must be more than a feeling. Love must be an action, a choice. Choosing love over fear is the most powerful choice we can make. Kenny Vaughan brings this timeless discussion back to the forefront of our spiritual exploration by teaching us to view life as a fruit-bearing tree. When we feed the roots with love, the tree flourishes, and we enjoy the blessings that grow upon it. If we deprive our roots, however—if we allow fear to cut us off from love—then the whole tree withers and dies. Utilizing both Scripture and anecdotes from modern life, The Right Fight teaches us how to tend our roots, grow our fruit, and, through the grace of God, cast fear out for good. “The Right Fight will hold your attention and challenge your perspective and application of love.”—Reg Lloyd, Pastor, Praise Church, Beaumont TX

From award-winning poet Saeed Jones, How We Fight for Our Lives—winner of the Kirkus Prize and the Stonewall Book Award—is a “moving, bracingly honest memoir” (The New York Times Book Review) written at the crossroads of sex, race, and power. One of the best books of the year as selected by The New York Times; The Washington Post; NPR; Time; The New Yorker; O, The Oprah Magazine; Harper’s Bazaar; Elle; BuzzFeed; Goodreads; and many more. “People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’” Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves. An award-winning poet, Jones has developed a style that’s as beautiful as it is powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.

Examines US foreign and domestic policy through the narratives of post-9/11 US military veterans and the activism they are engaged in. While veterans are often cast as a “problem” for society, Fight to Live, Live to Fight challenges this view by focusing on the progressive, positive, and productive activism that veterans engage in. Benjamin Schrader weaves his own experiences as a former member of the American military and then as a member of the activist community with the stories of other veteran activists he has encountered across the United States. An accessible blend of political theory, international relations, and American politics, this book critically examines US foreign and domestic policy through the narratives of post-9/11 military veterans who have turned to activism after having exited the military. Veterans are involved in a wide array of activism, including but not limited to antiwar, economic justice, sexual violence prevention, immigration issues, and veteran healing through art. This is an accessible, captivating, and engaging work that may be read and appreciated not just by scholars, but also students and the wider public. “There is currently no book on the market that does what this book does (and could do) and I welcome it. There are books on veterans, of course, but there are none that focus in particular on veterans’ activism written by a veteran activist and academic. The book is in many ways a testament to our time and a kind of generational story that I am sure many veterans will relate to.” — Synne L. Dyvik, University of Sussex

Wyatt Reaves takes the seat next to you, bloodied and soaking wet, and he is a big-fisted beast. Tell him to stretch out like an X across asphalt and you've got a parking space. But Wyatt's been taking it lying down for too long, and he is NOT happy. Since he turned twelve and a half, he's been living with his uncle, a traveling salesman of mysterious agenda and questionable intent. Soon, Uncle Spade sees the potential in "kiddo" to earn cash. And that's enough to keep the boy around for nearly six years. But what life does Wyatt deserve? Alcohol? Drugs? Bare-fisted fights? Tattoos? No friends? No role models? Living in a car? If you're brave enough to stay and listen, you'll hear an astounding story. It's not a pretty road Wyatt has traveled, but growing up rarely is.