I M Going To Live The Life I Sing About In My Song

My Heart’s Song: A Message to the 21st Century Levite By: Johnetta Johnson Page Johnetta Johnson Page’s book encourages musicians, especially those who provide music to a church, to renew their calling to create music. Page’s words will inspire artists to commit to their craft and have a stronger sense of dedication for their work.

The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.

“Ulysses’ honest candor about the Christian journey is refreshing! He supports the body of Christ in developing spiritual veracity while applying practical truths. Running Away is an authentic discourse exploring life behind the pulpit.” —Vita Jones, Ph.D For those sons and daughters who served alongside their parents in ministry and were left on the battlefield wounded with scars, you are not forgotten. There is healing for the soul and spirit, even in the midst of pain and disappointment. Pastor King’s daring memoir goes beyond the religious slogans and Christian jargon that is so often used by popular celebrity-preachers, and he examines some of the views and stereotypes cast on pastors’ children who serve in the church. He shares his personal journey, emotions, and reasons for accepting the call to serve as the pastor of a historic classical Pentecostal church. He also attempts to answer the question, “Why do so many pastors’ children leave the church and run away from the call to serve?” Running Away is a memoir of passion told by the son of a bishop who struggled to find his purpose and destiny in a denomination he no longer loved after the death of his father. The book looks at Pastor King’s personal tests, failures, and trials in ministry, and what it took for him to overcome some of the painful experiences of leadership. Running Away is not a memoir of triumph or failure, but of truth—his truth. Pastor King takes a leap of faith and risk by being vulnerable in order to share his story with a broader and wider community, hoping his readers will understand his heart and love for his father, and the local church he faithfully served for over thirty years. Running Away is a must-read for pastors with children and Christians who are often critical of them.

The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends.

Born in New Orleans before migrating to Chicago, Mahalia Jackson (1911-72) is undoubtedly the most widely known black gospel singer, having achieved fame among African American communities in the 1940s then finding a wide audience among non-black U.S. and international audiences after she signed with major label Columbia Records in 1954. The newest entry in OUP's celebrated Readers on American Musicians series,ÂThe Mahalia Jackson ReaderÂplaces Jackson's musical performances and their reception against key changes in 20th-century America, changes that include transformations of the recorded music industry, the increasing visibility of the civil rights movement, a florescence of Cold War-era religiosity, and an explosion of popularity of black gospel music itself. Jackson's career combines parallel tracks as a black church singer and as a national pop celebrity, and makes her one of the most complex and important black artists of the postwar decades. Gospel is a particularly challenging genre to study because of the paucity of sources. BecauseÂof Jackson's celebrity, there is more substantial coverage of her life and work than other gospel artists, but Jackson scholarship is still largely dependent on trade biographies from the 1970s for source material. For this reader, Mark Burford has gone beyond the standard biographies and has drawn from extensive archival research, including in the volume interview transcripts and the largely-untouched papers of Jackson's associate Bill Russell, who kept a journal tracking Jackson's activities from 1951 to 1955. The new sources - in particular Russell's notes - uniquely enable an assessment of the reciprocal relationship between the two careers Jackson pursued, essentially simultaneously: as an in-demand church singer in Chicago, and as a media star for a major network and recording label.

New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.