I Monster

I, Monster is a resource for all professionals in health and education who work with challenging young people. The book aims to explain the issues behind challenging behaviour, to enable empathy, and to facilitate a more productive therapeutic relationship between the health/education professional and the child. I, Monster is divided into three parts. Part one suggests that our greatest foes lurk deep within ourselves, and that knowing our own darkness is the best method for dealing with the darkness of other people (Jung, 1973). Part two focuses on the inner world of adolescents who use aggression to manage early terrors. Part three explores approaches and strategies to help them heal the pain of the past. Full of case studies as well as coverage of key concepts and theory, this book offers a fascinating insight into the minds of the young people you work with.

What goes through the dark minds of such notorious killers as Ted Bundy, Jeffrey Dahmer, David Berkowitz ("Son of Sam"), John Wayne Gacy, Dennis Rader (the "BTK Killer"), and others? In this chilling book, you’ll read exactly what they were thinking in their own words as they committed horrible crimes. Using court transcripts and police interviews, veteran true-crime and crime-fiction writer Tom Philbin has compiled the testimony of twenty infamous serial killers—nineteen men and one woman. For fans of crime stories who look for realism, this book is like no other. The descriptions couldn’t be more realistic since, in effect, the book is written by the serial killers themselves. Their words range from the bizarre and weirdly fascinating to the revolting and horrific. In each case, Philbin provides a background profile to give readers a sense of the context from which these monsters emerged. Though they come from different backgrounds, nationalities, and generations, their words do reveal certain common elements. Not one evinces any sense of compassion or sensitivity in regard to their victims. They appear to be unable to control the impulses that lead them to kill. And in many cases, they derive a perverse sexual satisfaction from their deeds. Taking true-crime reading to a new level of immediacy, this disturbing book offers a glimpse into the worst side of human nature.

An enlightening collection of inter-disciplinary research on the multifarious incarnations of the monster, 'Monstrous Manifestations' invites the reader to venture into the deepest anxieties of the human psyche.

Any on-screen schmuck can take down a wolfman with a silver bullet. It takes a certain kind of hero to hoist that wolfman overhead into an airplane spin, follow with a body slam, drop an atomic elbow across his mangy neck, leg-lock him until he howls, and pin his furry back to the mat for a three-count. It takes a Mexican masked wrestler. Add a few half-naked vampire women, Aztec mummies, mad scientists, evil midgets from space, and a goateed Frankenstein monster, and you have just some of the elements of Mexican masked wrestler and monster movies, certainly among the most bizarre, surreal and imaginative films ever produced. This filmography features some of the oddest cinematic showdowns ever concocted—Mexican masked wrestlers battling monsters, evil geniuses and other ne’er-do-wells, be it in caves, cobwebbed castles or in the ring. From the 1950s to the 1970s, these movies were staples of Mexican cinema, combining action, horror, sex, science fiction and comedy into a bizarre amalgam aimed to please the whole family. Chapters examine the roots of the phenomenon, including the hugely popular masked wrestling scene and the classic Universal horror films from which Mexican filmmakers stole without compunction. Subsequent chapters focus on El Santo, Blue Demon, and Mil Mascaras, the three most prominent masked wrestlers; wrestling women; other less prominent masked wrestlers; and the insane mish-mash of monsters pitted against the heroes. Each chapter includes background information and a full filmography, and a wide assortment of striking illustrations—posters, lobby cards and other graphic material, some better than the movies they advertised—accompany the text.

This volume contains nineteen survey papers describing the state of current research in discrete and computational geometry as well as a set of open problems presented at the 2006 AMS-IMS-SIAM Summer Research Conference Discrete and Computational Geometry--Twenty Years Later, held in Snowbird, Utah, in June 2006. Topics surveyed include metric graph theory, lattice polytopes, the combinatorial complexity of unions of geometric objects, line and pseudoline arrangements, algorithmic semialgebraic geometry, persistent homology, unfolding polyhedra, pseudo-triangulations, nonlinear computational geometry, $k$-sets, and the computational complexity of convex bodies.

From cinema's earliest days, being scared out of your wits has always been one of the best reasons for going to the movies. From B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampage across the Silver Screen. Landis also surveys the historical origins of archetypal monsters, such as vampires, zombies and werewolves, and takes you behind the scenes to discover the secrets of the special-effects wizards who created such legendary frighteners as King Kong, Dracula, the Alien, and Freddy Krueger. Monsters in the Movies by John Landis is filled with the author's own fascinating and entertaining insights into the world of movie-making, and includes memorable contributions from leading directors, actors and monster-makers. The book is also stunningly illustrated with 1000 movie stills and posters drawn from the unrivaled archives of the Kobal Collection. Contents Introduction by John Landis... Explore a timeless world of fears and nightmares as John Landis investigates what makes a legendary movie monster • Monsters, chapter by chapter... Feast your eyes upon a petrifying parade of voracious Vampires, flesh-eating Zombies, slavering Werewolves, gigantic Apes and Supernatural Terrors • Spectacular double-page features... Thrill to the strangest, scariest, weirdest, and craziest movie monsters ever seen • The ingenious tricks of movie-making... Marvel as the special-effects wizards reveal how they create movie magic • A monster-movie timeline... Discover John Landis's personal selection of landmark horror films

Foundation Game Design with HTML5 and JavaScript teaches you everything you need to know about how to make video games. If you’ve never done any programming before and don’t know where to start, this book will show you how to make games from start to finish. You’ll learn all the latest programming technologies (HTML5, CSS, and JavaScript) to create your games. All written in a fun and friendly style with open-ended projects that encourage you to build your own original games. Foundation Game Design with HTML5 and JavaScript starts by showing you how you can use basic programing to create logic games, adventure games, and create interactive game graphics. Design a game character, learn to control it with the keyboard, mouse, or touch screen interface, and then learn how to use collision detection to build an interactive game world. You’ll learn to make maze games, platform jumping games, and fast paced action games that cover all the popular genres of 2D gaming. Create intelligent enemies, use realistic physics, sound effects and music, and learn how to animate game characters. Whether you're creating games for the web or mobile devices, everything you need to get started on a career as a game designer is right here. Focused and friendly introduction to making games with HTML5. Essential programming and graphic design techniques for building games, with each chapter gently building on the skills of preceding chapters. Detailed case studies demonstrating techniques that can be used for making games in a wide variety of genres.

This book explores the productive effects of bodily ›failure‹ in the sphere of visuality. The aim is to reflect on the human body's constant exposure to visual constraints and distortions, which are incorporated so strongly in everyday images of our bodies that they become invisible, while yet representative of cultural norms. By analyzing artistic literary and visual representations of imperfect, disabled, aging, queer, and monstrous bodies, this project exposes the »handicaps« of normative vision and opens up new ways of recognizing a multitude of corporeal existences and practices outside the norm.