I Never Liked You

A harrowing memoir of loss and the struggle to connect, Brown's story is told with a spare poetic elegance. A self-absorbed teenager, Chester Brown strays into the difficult territory of friendship and early love while at home there is a slowly building crisis over his mother's mental health. Emotionally intense, the story veers unsteadily between the extremes of eerie detachment and sudden desperate outbursts of need. A complex and disturbing true story told with a nuanced, queasy visual style that lingers in the mind long after the book has been put away.

Your chance to relive a little piece of "The Good Old Days" and find the answers to these burning questions: Which future Coast Guard Captain said "Shit, Mal, let's do a 360 and get out of here." Which Coast Guard astronaut said, when asked to describe his scariest moment, "Flying as Malcolm Smith's co-pilot." Which Coast Guard aviator got the blame for putting training wheels and streamers on the commanding officer's and XO's new bicycles. Which Coast Guard aviator threw up in his glove while flying rather than make a mess in the cockpit. This book brings back some of the funniest moments of the Coast Guard during the time period between the "Old Guard" and the new modern Coast Guard. "For more than two decades, Mal has threatened to write a book to chronicle his many colorful experiences during his Coast Guard aviation career. Mal can spin a tale better than any sailor and his exploits in and out of the cockpit are indeed legendary. But the fact is, the closer he gets to the completion of this life-long dream of his, the more nervous I become. I can't wait to read it!" RADM David W. Kunkel, COAST GUARD AVIATOR #1726 "Malcolm Smith is a master storyteller with a flair for finding humor in everyday activities and recounting his observations with entertaining splendor that leaves you thirsting for another. Since meeting him when I was a teenager in Alaska, I have been absorbed by his colorful renditions and have long awaited this composition. I just hope I'm not the subject in one of his stories." CAPT. E. Darrell Nelson, COMMANDING OFFICER, CGAS KODIAK

Rebeccas dream is to meet her true love and be happy. She wants to meet an honest, caring, understanding, and kind-hearted person with good manners. Rebecca thinks that she met this person on one of the dating websites. He is a very interesting and extraordinary man from New Hampshire, whose name is Aaron Thoreau. Through thought-provoking philosophical discourse and discussion of art and politics, Rebecca and Aaron learn about each others strengths and weaknesses, and they try to find answers to lifes most important questions and concerns. Aarons moral values, life principles, worldviews, and personal stories fascinate Rebecca and leave her deeply in love. Over time, she becomes so emotionally attached to Aaron that she cannot imagine her life without him. Rebecca cannot live a day without talking to Aaron on the phone and hearing his beautiful voice. However, when Rebecca meets Aaron in real life, she discovers the shocking truth, which destroys her perfect little world. What is the shocking truth, and will Rebecca be able to continue her life after what happened? The answers to these questions are in the book A Dark Mystery in the White Mountains: The Unforgettable Story of an Online Encounter.

Presents a guide for dealing with grief and loss, detailing five steps of healing that can lead to a lifestyle alignment with personal values and new possibilities for a re-engaged life. --Publisher's description.

The early 1980s saw a revolution in mainstream comics—in subject matter, artistic integrity, and creators' rights—as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown (b. 1960) quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur (1983–1994). Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. It also includes original annotations from Chester Brown, provided especially for this book, in which he adds context, second thoughts, and other valuable insights into the interviews. Brown was among a new generation of artists whose work dealt with decidedly nonmainstream subjects. By the 1980s comics were, to quote a by-now well-worn phrase, “not just for kids anymore,” and subsequent censorious attacks by parents concerned about the more salacious material being published by the major publishers—subjects that routinely included adult language, realistic violence, drug use, and sexual content—began to roil the industry. Yummy Fur came of age during this storm and its often-offensive content, including dismembered, talking penises, led to controversy and censorship. With Brown's highly unconventional adaptations of the Gospels, and such comics memoirs as The Playboy(1991/1992) and I Never Liked You (1991–1994), Brown gradually moved away from the surrealistic, humor oriented strips toward autobiographical material far more restrained and elegiac in tone than his earlier strips. This work was followed by Louis Riel (1999–2003), Brown's critically acclaimed comic book biography of the controversial nineteenth-century Canadian revolutionary, and Paying for It (2011), his best-selling memoir on the life of a john.

Young Malaysia Johnson and her family are planning a vacation in a foreign country, and she couldn’t be more excited. Little does she know this trip will change her life forever. After getting separated from her family, she is taken captive by an unsavory gentleman. Will her family be able to find her? Can she escape on her own?

In his day, W. Somerset Maugham was most celebrated as a playwright, and the breadth of his ability is manifested in this collection of his most popular plays. Included here are the noirish mystery The Sacred Flame, the hilarious satires The Circle, The Constant Wife, and Our Betters, and the sharp-witted drama Sheppey. Whether suspenseful or acerbically witty, these plays take a sly look at the idiosyncrasies and hypocrisies of their time.