I Was A Teenage Movie Maker

In 1953, a nine-year-old boy watched a prehistoric film called Beast From 20,000 Fathoms featuring the special effect magic of Ray Harryhausen. Enthralled by the movie but unsatisfied with what was available for at-home movie consumption, he decided to make his own science fiction thriller from dinosaurs to superheroes. This volume takes a firsthand look at the movie-making career of Don Glut. Beginning with his first movie, Diplodocus At Large, at age nine, it explores Glut's various attempts and the increasingly creative processes he used to bring his vision to life. Through the course of the work, Glut discusses his filmmaking experiences at the University of Southern California; the inspiration he received (and gave) through fanzines such as Famous Monsters of Filmland and Castle of Frankenstein; and the interest which his movies still generate. Films discussed include The Earth Before Man, Spy Smasher vs. the Purple Monster, Dinosaur Valley Girls, and Frankenstein Meets Dracula. A chronological filmography lists each of Glut's 41 films with notes regarding cast and a brief synopsis.

Phil Brown, who played Luke Skywalker's uncle in Star Wars, said, "In my long life in films, there are ones I'm proud of and those I'm not proud of. The Jungle Captive and Weird Woman fall into the latter category." House of Wax co-star Paul Picerni was fired by the film's director when he refused to put his head in a working guillotine during a climactic fight scene. Packed with wonderful tidbits, this volume collects 22 interviews with the moviemakers responsible for bringing such films as This Island Earth, The Haunting, Carnival of Souls, Pit and the Pendulum, House of Wax, Tarzan the Ape Man, The Black Cat, Them! and Invasion of the Body Snatchers to the movie screen. Faith Domergue, Michael Forest, Anne Helm, Candace Hilligoss, Suzanna Leigh, Norman Lloyd, Maureen O'Sullivan, Shirley Ulmer, Dana Wynter and many more are interviewed.

The term "low-budget" can refer to anything from a $10 million indie flick to a student film produced on borrowed equipment with little or no money. Low budget filmmakers can range from seasoned auteurs attempting to shed the shackles of major studio control to novice talents trying to break into the industry. Designed for would-be filmmakers of all experience levels, this book explains how to make a good, commercially successful, low-budget movie in the current multi-million dollar Hollywood climate. The purpose is not only to show how to get movies made and distributed, but also how to maximize a film's potential for significant profit. Written in practical, understandable terms, the book covers everything from commercially viable genres to the most efficient film and video formats, along with tips on hiring stars, pursuing investors, distributing and marketing a film, and keeping track of expenses.

Over centuries, discoveries of fossil bones spawned legends of monsters such as giants and dragons. As the field of earth sciences matured during the 19th century, early fossilists gained understanding of prehistoric creatures such as Tyrannosaurus, Triceratops and Stegosaurus. This historical study examines how these genuine beasts morphed in the public imagination into mythical, powerful engines of destruction and harbingers of cataclysm, taking their place in popular culture, film, and literature as symbols of "lost worlds" where time stands still.

Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or "picture"), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies.

A 3-volume definitive career/biography of stop motion animator/visual effects creator Ray Harryhausen, written over a period of 10 years with Harryhausen's cooperation. This edition, Vol. 2, features interviews with Ray and his colleagues, and is profusely illustrated with hundreds of rare images (many never previously published). In-depth chapters cover Mighty Joe Young, The Beast from 20,000 Fathoms, It Came From Beneath the Sea, The Animal World, Earth vs. the Flying Saucers, 20 Million Miles to Earth and The 7th Voyage of Sinbad. Supplemental material includes advertising art & posters from different countries, Filmographies of key cast and crew, Glossary of technical terminology, Ray Harryhausen "Timeline," trivia and obscure facts and figures related to Ray's films, and a section on Harryhausen collectibles.