I Who Have Never Known Men

A work of fantasy, I Who Have Never Known Men is the haunting and unforgettable account of a near future on a barren earth where women are kept in underground cages guarded by uniformed groups of men. It is narrated by the youngest of the women, the only one with no memory of what the world was like before the cages, who must teach herself, without books or sexual contact, the essential human emotions of longing, loving, learning, companionship, and dying. Part thriller, part mystery, I Who Have Never Known Men shows us the power of one person without memories to reinvent herself piece by piece, emotion by emotion, in the process teaching us much about what it means to be human.

Ursula K. LeGuin meets The Road in a post-apocalyptic modern classic of female friendship and intimacy.

"A magical novel on the theme of androgyny. Funny, subtle, poignant..." - Nadine Sautel, Magazine littéraire "Jacqueline Harpman drags us into one of those sexual phantasmagorias that are her own secret. She displays incredible confidence in juggling identities and meshing together yearnings and phobias, fantasies and frustrations" - T G, L'Express How would it be to jump into the skin of another? To be both a man and a woman at once? And what would happen if you found yourself attracted to yourself? Beneath a mousy exterior, 35-year-old college lecturer Aline seethes with frustration. Sick of being bullied by her mother and treated like a piece of furniture by Albert, her live-in lover, one day Aline leaps from her own skin into the far more attractive body of Lucien, whom she spots in a café at the Gare du Nord. From here this brilliantly imaginative story runs on parallel lines. While Aline sensibly catches the train back to her orderly life, Aline-Lucien - or Orlanda, as her bold new composite self is called in homage to Virginia Woolf - follows, dragging chaos in his wake. Jacqueline Harpman, herself once a psychoanalyst, revels in the confusion, as ego falls for alter ego and mothers, sisters and lovers begin to ask awkward questions in this unusual perceptive comedy of double selves and bisexuality. "Undoubtedly this is a novel to breathe life into characters through the unfettered use of the imagination. It offers a pretext for a great deal of humour and fantasy that stirs up the old myths' - André Brincourt, Figaro Winner of the Prix Médicis.

From two-time Carnegie Medal winner Patrick Ness comes an enthralling and provocative new novel chronicling the life — or perhaps afterlife — of a teen trapped in a crumbling, abandoned world. A boy named Seth drowns, desperate and alone in his final moments, losing his life as the pounding sea claims him. But then he wakes. He is naked, thirsty, starving. But alive. How is that possible? He remembers dying, his bones breaking, his skull dashed upon the rocks. So how is he here? And where is this place? It looks like the suburban English town where he lived as a child, before an unthinkable tragedy happened and his family moved to America. But the neighborhood around his old house is overgrown, covered in dust, and completely abandoned. What’s going on? And why is it that whenever he closes his eyes, he falls prey to vivid, agonizing memories that seem more real than the world around him? Seth begins a search for answers, hoping that he might not be alone, that this might not be the hell he fears it to be, that there might be more than just this. . . .

They live in an underground cage. Forty women guarded by men with whips, who do not talk. The women have been held prisoner for 15 years. Their memory of the cataclysm that ended their normal lives has ebbed, and they strive to recall whatever they can from their previous lives.

How do you live your life if your past is based on a lie? Find out in this “satisfied and moving story” (Publishers Weekly, starred review) in both verse and prose from #1 New York Times bestselling author, Ellen Hopkins. For as long as she can remember, it’s been just Ariel and Dad. Ariel’s mom disappeared when she was a baby. Dad says home is wherever the two of them are, but Ariel is now seventeen and after years of new apartments, new schools, and new faces, all she wants is to put down some roots. Complicating things are Monica and Gabe, both of whom have stirred a different kind of desire. Maya’s a teenager who’s run from an abusive mother right into the arms of an older man she thinks she can trust. But now she’s isolated with a baby on the way, and life’s getting more complicated than Maya ever could have imagined. Ariel and Maya’s lives collide unexpectedly when Ariel’s mother shows up out of the blue with wild accusations: Ariel wasn’t abandoned. Her father kidnapped her fourteen years ago. In bestselling author Ellen Hopkins’s deft hands, Ariel’s emotionally charged journey to find out the truth of who she really is balances beautifully with Maya’s story of loss and redemption. This is a memorable portrait of two young women trying to make sense of their lives and coming face to face with themselves—for both the last and the very first time.

“This electrifying novel of love, creativity and madness moves between Elizabethan England and 21st-century New York.” —The Guardian A New York Times Notable Book of the Year New York, late summer, 2000. A party in a spacious Manhattan apartment, hosted by a wealthy young activist. Dozens of idealistic twenty-somethings have impassioned conversations over takeout dumplings and champagne. The evening shines with the heady optimism of a progressive new millennium. A young man, Ben, meets a young woman, Kate—and they begin to fall in love. Kate lives with her head in the clouds, so at first Ben isn’t that concerned when she tells him about the recurring dream she’s had since childhood. In the dream, she’s transported to the past, where she lives a second life as Emilia, the mistress of a nobleman in Elizabethan England. But for Kate, the dream becomes increasingly real, to the point where it threatens to overwhelm her life. And soon she’s waking from it to find the world changed—pictures on her wall she doesn’t recognize, new buildings in the neighborhood that have sprung up overnight. As Kate tries to make sense of what’s happening, Ben worries the woman he’s fallen in love with is losing her grip on reality. Both intoxicating and thought-provoking, The Heavens is a powerful reminder of the consequences of our actions, a poignant testament to how the people we love are destined to change, and a masterful exploration of the power of dreams. “Heady and elegant.” —The New York Times Book Review “A complex, unmissable work from a writer who deserves wide acclaim.” —Kirkus Reviews (starred review)

Presents a collection of short works featuring sympathetic protagonists whose inherent sensitivities render them particularly vulnerable to unexpected events.