Icons Imaging The Unseen

ÿ The experience of the divine has been referred to by many artists over the centuries, whether their subject was the human figure, landscape, still life or indeed religious or biblical themes. Art therefore requires a kind of openness; a willingness to mediate rather than to control. This sensitivity can best be described as humility, an obeisance to something we are part of. Therefore, to 'see' the 'unseen' in visual arts brings about awe and requires 'iconic viewing'. The spiritual realm, as portrayed by icons, has a healing quality in a world where the news and the arts are so full of tragedy and where the church's message so often sounds escapist or na‹ve.

Contributed articles on sacred artistic presentations of Joy Elamkunnapuzha, b. 1945, Christian priest.

This book features reflections by scholars and practitioners from diverse religious traditions. It posits that the global challenges facing humanity today can only be mastered if humans from diverse faith traditions can meaningfully collaborate in support of human rights, reconciliation, sustainability, justice, and peace. Seeking to redress common distortions of religious mis- and dis-information, the book aims to construct interreligious common ground ‘beyond the divide’. Organised into three main sections, the book features sixteen conceptual, empirical, and practice-informed chapters that explore spirituality across faiths and cultures. Chapter 1 delineates the state of the art in relation to interfaith engagement, Chapters 2–8 advance theoretical research, Chapters 9–12 discuss empirical perspectives, and Chapters 13–16 showcase field projects and recount stories and lived experiences. Comprising works by scholars, professionals, and practitioners from around the globe, Interfaith Engagement Beyond the Divide: Approaches, Experiences, and Practices is an interdisciplinary publication on interreligious thought and engagement: Assembles a curated collection of chapters from numerous countries and diverse religious traditions; Addresses interfaith scholarship and praxis from a range of interdisciplinary perspectives; Comprises interfaith dialogue and collaborative research involving authors of different faiths; Envisions prospects for peace, interreligious harmony in diversity, and a world that may be equitably and enduringly shared. The appraisal of present and future challenges and opportunities, framed within a context of public policy and praxis, makes this interdisciplinary publication a useful tool for teaching, research, and policy development. Chapter 16 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

“Speaking God today … signifies assuming the task constitutive of the discipline of systematic theology. … A relational God who lives in ex-static self-giving, creates Christian communities of hospitality and generosity, and offers a healing vision of truth, goodness, and beauty. Speaking the Triune God extends the promise of the benediction, May the grace of the Lord Jesus Christ, and the love of God, and the fellowship of the Spirit be with you all.” Rian Venter In this first volume on doing Theology in South Africa, Henco van der Westhuizen assembled an array of articles by South African theologians on Trinitarian Theology from 1976 to today.

In this companion volume to A Space for Grace, Johan Cilliers delves into some of the most profound theological underpinnings of preaching. Drawing on his extraordinary depth and breadth of scholarship, Cilliers examines the aesthetic, qualitative, and relational dimensions of sermonic time. Faithful preaching, he argues, is an art of speaking the now of grace, which is inextricably linked to past and future, but is simultaneously a dynamic event filled with the revelatory presence of God. Along with helpful reflections on pieces of visual art, Cilliers provides numerous sample sermons, as well as several detailed sermon analyses.

In a collection of essays, former students, colleagues and friends of Prof Elna Mouton honour her life, career and scholarly contributions upon her retirement from Stellenbosch University. The various essays interact with Prof Mouton's concern for biblical hermeneutics, ethics and the interactions and connections between the two, ultimately illustrating the width and variety of interest that her work stimulated and which it interacted with.

Although the act of preaching may take on various forms, Johan Cilliers ? professor in Homiletics and Liturgy at Stellenbosch University?s Faculty of Theology ? takes a look at preaching as being an event in space and time. Aesthetical-theological concepts such as space and time are innovatively combined with the sensory experiences, like preaching as hearing and as seeing. A Space for Grace truly is an inspiring aesthetic combination of academic reflection, art works and sermons.ÿ

The authors in this book ask us to consider whether the perception of beauty has been defined by our genetics and culture over the years - has it grown and changed? Do certain neural connections define our emotional reactions to beauty? Does beauty follow any rules or laws? Can the aspiration toward beauty be detrimental? Can we divorce ourselves from dictates and sink into a mindful connection with our internal beauty? Can we move from the superficial where "beauty is only skin deep" to an intense appreciation of beauty in all of its variations. The Perception of Beauty will lead to a deeper understanding and contemplation of nature, art, and the world around us.