Icons Of War And Terror

This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.

This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.

How Canadians were targeted after 9/11 in the US-led War on Terror.

As the fifth full year of America's global war on terrorism continues, statistics concerning terrorist attacks show a disturbing trend: from a twenty-one-year high in 2003, attacks tripled in 2004 and then doubled in 2005. And as the incidence of terrorist attacks increased, so has the number of terrorists. While the primary leaders of the Taliban, al Qaeda, and al Qaeda in Iraq remain at large, a 2006 Department of Defense study reportedly identified thirty new al Qaeda-affiliated terrorist groups that have been created since September 11, 2001. We may not have metrics that measure our success in the war on terrorism, but these realities certainly illuminate our failures. In Thinking Like a Terrorist, former FBI counterterrorism agent Mike German contends that the overarching problem is a fundamental failure to understand the terrorists--namely, what they want and how they intend to get it. When our counterterrorism policies are driven by misunderstanding and misperception, we shouldn't be surprised at the results. Today's terrorists have a real plan--a blueprint that has brought them victory in the past--that they are executing to perfection; moreover, their plan is published and available to anyone who bothers to read it. Once the terrorists' plan is understood, we can develop and implement more effective counterterrorism strategies. A former undercover agent who infiltrated neo-Nazi terrorist groups in the United States, German explains the terrorist's point of view and discusses ways to counter the terrorism threat. Based on his unusual experience in the field, Thinking Like a Terrorist provides unique insights into why terrorism is such a persistent and difficult problem and why the U.S. approach to counterterrorism isn't working.

Of the intellectual underpinnings of the more radical elements of contemporary Islam.

This book offers critical perspectives on the digital ‘iconic’, exploring how the notion of the iconic is re-appropriated and re-made online, and the consequences for humanity and society. Examining cross-cultural case studies of iconic images in digital spaces, the author offers original and critical analyses, theories and perspectives on the notion of the ‘iconic’, and on its movement, re-appropriation and meaning making on digital platforms. A carefully curated selection of case studies illustrates topics such as phantom memory; martyrdom; denigration and pornographic recoding; digital games as simulacra; and memes as ‘artification’. Situating the notion of the iconic firmly within contemporary cultures, the author takes a thematic approach to investigate the iconic as an unstable and unfinished phenomenon online as it travels through platforms temporally and spatially. The book will be an important resource for academics and students in the areas of media and communications, digital culture, cultural studies, visual communication, visual culture, journalism studies and digital humanities.

Notorious criminals have captured our imaginations for years and years. But we don't forget, either, the many people and organizations who fight back. J. Edgar Hoover and Eliot Ness have entered into the American psyche as two of our most aggressive and successful crime fighters. Still, there are others who have risen to the occasion, combating crime in all its manifestations. From the U.S. Marshals, FBI agents, and Secret Service to Rudy Giuliani, John Walsh— host of America's Most Wanted—and Joseph Pistone (aka Donnie Brasco), this set highlights some of the nation's bravest crime stoppers. Icons of Crime Fighting will enlighten the curious mind with a comprehensive overview of the most successful, the most well-known, and the most important crime fighters in recent American history. Part of our national culture, these figures represent all that is good about the American justice system. Moreover, they exemplify how individuals in the criminal justice system have made a real difference in law enforcement. These titans of law enforcement are profiled in this important and timely set. Those covered in the set include: Gun Fighters: U.S. Marshals of the Old West; Allan Pinkerton; The Texas Rangers; August Vollmer; J. Edgar Hoover and the FBI; Thomas Dewey; Robert Kennedy; Jim Garrison; Buford Pusser; Eddie Egan and Sonnie Grosso; Bob Woodward and Carl Bernstein; Francisco Vincent Serpico; Joe Pistone, aka Donnie Brasco; Vincent T. Bugliosi; John Walsh; FBI Profilers; Sheriff Joe Arpaio; Mark Fuhrman; Rudolph Rudy Giuliani; Curtis Sliwa; Dr. Henry Lee; and Dr. Bill Blass.

The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, Icons of Dissent offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world.