Idlewild

“GRIPPING . . . the kind of book you simply don’t want to stop reading.”—Neil Gaiman He calls himself Halloween. He is a unique student attending a most prestigious boarding school—the Idlewild Immersive Virtual Reality Academy. While his body sleeps, his mind interacts with those of his fellow students under the tutelage of the enigmatic artificial intelligence known as Maestro. An inexplicable energy surge has damaged the IVR and fragmented Halloween’s mind. Convinced this anomaly was deliberately triggered to kill him, Halloween is desperate to recover his memories—only to discover a devastating revelation about his true existence. “Idlewild builds, not just in tension but in what it demands from the reader, ending up as a dark exploration of hidden realities.”—The Guardian “Sagan provides plenty of suspense and perfectly captures the angry adolescent solipsism that makes kids into hackers and superheroes.”—Entertainment Weekly

Located in the scenic Laurel Highlands of western Pennsylvania, America's third oldest amusement park, Idlewild, was founded in 1878 as a picnic ground along the Ligonier Valley Rail Road. Its tranquil setting quickly established Idlewild as the premier place for church, school, and corporate picnics, as well as a recreational getaway for families. Idlewild added new amusements and facilities as its crowds continued to grow, but it always strove to maintain the picturesque landscape of the site. Soon a full-fledged amusement park was in operation, with throngs of visitors disembarking the trains from such places as Latrobe, Greensburg, and Pittsburgh. Home to unique attractions like Story Book Forest, the Rollo Coaster, Mister Rogers' Neighborhood of Make-Believe, and the SoakZone, Idlewild has been the backdrop for generations of fond memories. Idlewild's proximity to the Lincoln Highway helped the park survive the abandonment of the railroad, and careful development by the Mellon and Macdonald families and the Kennywood Entertainment Company continue to help it thrive. This collection of photographs tells the story of how one of America's most beautiful theme parks has grown throughout the years.

Once considered the most famous African-American resort community in the country, Idlewild was referred to as the Black Eden of Michigan in the 1920s and '30s, and as the Summer Apollo of Michigan in the 1950s and '60s. Showcasing classy revues and interactive performances of some of the leading black entertainers of the period, Idlewild was an oasis in the shadows of legal segregation. Idlewild: Black Eden of Michigan focuses on this illustrative history, as well as the decline and the community's contemporary renaissance, in over 200 rare photographs. The lively legacy of Lela G. and Herman O. Wilson, and Paradise Path is included, featuring images of the Paradise Club and Wilson's Grocery. Idlewild continued its role as a distinctive American resort throughout the 1950s, with photographs ranging from Phil Giles' Flamingo Club and Arthur Braggs's Idlewild Revue.

An in-depth study of an important African American resort town and the intersections among race, class, tourism, entertainment, and historic preservation in the United States

A Vogue Magazine Best LGBTQ Book of 2023 James Frankie Thomas’s Idlewild is a darkly funny story of two adults looking back on their intense teenage friendship, in a queer, trans, and early-Internet twist on the Manhattan prep school novel. Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades, and every day begins with 20 minutes of contemplative silence in the Meetinghouse. It is during one of those meetings that an airplane hits the Twin Towers. For two Idlewild outcasts, 9/11 serves as the first day of an intense, 18-month friendship. Fay is prickly, aloof, and obsessed with gay men; Nell is shy, sensitive, and obsessed with Fay. The two of them bond fiercely and spend all their waking hours giddily parsing their environment for homoerotic subtext. Then, during rehearsals for the fall play, they notice two sexually ambiguous boys who are potential candidates for their exclusive Invert Society. The pairs become mirrors of one another and drive each other to make choices that they’ll regret for the rest of their lives. Looking back on these events as adults, the estranged Fay and Nell trace that fateful school year, recalling backstage theater department intrigue, antiwar demonstrations, smutty fanfic written over AIM, a shared dial-up connection—and the spectacular cascade of mistakes, miscommunications, and betrayals that would ultimately tear the two of them apart.

During the 1850s and '60s, by far the most prominent author in all of New York State was the writer, editor, and publisher Nathaniel Parker Willis (1806–1867). Nearly as prominent as Willis himself was his Hudson Valley estate, Idlewild, where literary elites gathered and about which Willis himself wrote and published extensively. In 1846, Willis founded the Home Journal, which would go on to become Town and Country. In Out-Doors at Idlewild, first published in 1855, Willis chronicled the creation of his estate at Cornwall-on-Hudson (near West Point), as well as life amid its countryside. The land afforded brilliant views of the river and the mountains to the East. Calvert Vaux, the famed architect of both landscapes and houses, designed the elaborate and ornate Gothic Revival home, which Willis named Idlewood (whereas he called the estate Idlewild), and into which the Willis family moved in July of 1853. Here, Willis wrote a series of papers for the Home Journal documenting life at the seventy-acre estate. These papers were gathered together in Out-Doors at Idlewild, a celebration of Willis's home and estate.

In a last ditch effort to revive the Detroit gastropub he opened with his late husband, Asher Schenck hires a new staff. Among them is Tyler Heyward, a recent college graduate working his way toward med school. When they fall for each other, it's not race or class that challenges their love, but the ghosts and expectations of their pasts.