Out Doors At Idlewild Or The Shaping Of A Home On The Banks Of The Hudson

During the 1850s and '60s, by far the most prominent author in all of New York State was the writer, editor, and publisher Nathaniel Parker Willis (1806–1867). Nearly as prominent as Willis himself was his Hudson Valley estate, Idlewild, where literary elites gathered and about which Willis himself wrote and published extensively. In 1846, Willis founded the Home Journal, which would go on to become Town and Country. In Out-Doors at Idlewild, first published in 1855, Willis chronicled the creation of his estate at Cornwall-on-Hudson (near West Point), as well as life amid its countryside. The land afforded brilliant views of the river and the mountains to the East. Calvert Vaux, the famed architect of both landscapes and houses, designed the elaborate and ornate Gothic Revival home, which Willis named Idlewood (whereas he called the estate Idlewild), and into which the Willis family moved in July of 1853. Here, Willis wrote a series of papers for the Home Journal documenting life at the seventy-acre estate. These papers were gathered together in Out-Doors at Idlewild, a celebration of Willis's home and estate.

“A commanding and inspiring biography of a river that gave rise to an art movement, progressive social quests, [and] landmark environmental cases.” —Booklist (starred review) Includes maps, photos, and illustrations Frances F. Dunwell presents a rich portrait of the Hudson and of the visionary people whose deep relationship with the river inspired changes in American history and culture. Lavishly illustrated with color plates of Hudson River School paintings, period engravings, and glass plate photography, The Hudson captures the spirit of the river through the eyes of its many admirers. It reveals the crucial role of the Hudson in the shaping of Manhattan, the rise of the Empire State, and the trajectory of world trade and global politics, as well as the river’s influence on art and architecture, engineering, and conservation. “A story of interaction between people and the environment and a story of continuing inspiration and renewal.” —Library Journal

Discusses the area's folklore and history, its portrayal in art, the role of West Point as a gateway to America, and the creation of Bear Mountain Park.

The 19th century witnessed an explosion of writing about unproductivity, with the exploits of various idlers, loafers, and “gentlemen of refinement” capturing the imagination o fa country that was deeply ambivalent about its work ethic. Idle Threats documents this American obsession with unproductivity and its potentials, while offering an explanation of the profound significance of idle practices for literary and cultural production. While this fascination with unproductivity memorably defined literary characters from Rip Van Winkle to Bartleby to George Hurstwood, it also reverberated deeply through the entire culture, both as a seductive ideal and as a potentially corrosive threat to upright, industrious American men. Drawing on an impressive array of archival material and multifaceted literary and cultural sources, Idle Threats connects the question of unproductivity to other discourses concerning manhood, the value of art, the allure of the frontier, the usefulness of knowledge,the meaning of individuality, and the experience of time, space, and history. Andrew Lyndon Knighton offers a new way of thinking about the largely unacknowledged “productivity of the unproductive,” revealing the incalculable and sometimes surprising ways in which American modernity transformed the relationship between subjects and that which is most intimate to them: their own activity.