If Only You Could Bottle It

Told through essays, memoirs, and other musings, this is the story of a radical Jew, academic, and educator from his birth in Ukraine during the Holocaust through the radical 60s and 70s, to the present day as he fights anti-Semitism, anti-Zionism, xenophobia, and hate. Internationally known in Holocaust, genocide, and Jewish studies, Jack Nusan Porter was born in Maniewicz, Ukraine to Jewish Partisans in the 1940s. Through this engaging and thoughtful memoir, we follow Porter as he recounts his personal journey from a DP camp in Linz, Austria to an idyllic childhood in Milwaukee, Wisconsin where he attended Hebrew day school under Reb Twersk. Porter masterfully details his radicalism in the politically and sociologically turbulent 1960s which would later influence his academic work on genocide, Holocaust studies, and international human rights. Constantly re-inventing himself, readers are treated to engaging anecdotes as they navigate through Porter's highs, lows, and in-betweens.

Those ignorant of the mistakes of the past are bound to lose a lot of money. That's why Bob McMath founded the New Products Showcase and Learning Center--a "Smithsonian for Stinkers," Business Week dubbed it. There, executives from top corporations pay huge amounts of money to rummage through some 80,000 products gone awry. Their mission: to avoid the misguided, expensive, and occasionally ludicrous mistakes that trip up even top companies. In What Were They Thinking?, McMath shows you how to avoid such mistakes, with more that eighty marketing lessons he's learned from his long experience with clods and clunkers. As People magazine put it "McMath knows his goods--and his uglies, too"--and here he shows you how to: Steer clear of the number one killer of new products (page 129) Develop a marketing campaign based on a "Significant Point of Difference" (page 183) Take advantage of eight "Hot Buttons for Success in the Millennium" (page 101) Keep out of the "Buy-This-If-You're-a-Loser School of Marketing" (page 28) Combat "Corporate Alzheimer's" (page 4) and much more !

Sport changes your brain. The minds of elite athletes can pull off feats of anticipation and co-ordination that amateurs would find impossible. The athletic brain has been trained through hours and hours of practice - years of sweat and toil. But what if there were a shortcut to training your brain? Cognitive training tools offer the tantalising possibility of breaking the '10,000-hour rule'. Top-level athletes and teams are increasingly tapping into new knowledge of the brain to develop tools and techniques that can offer a shortcut to sporting success, or push the boundaries of performance beyond its current limits. Increasingly, these tools are becoming available to the ordinary amateur, revolutionising the ways in which anyone can improve their skills. Based on interviews with top athletes and the scientists working at the cutting edge of our knowledge, Amit Katwala provides a fascinating insight into the possibilities that are becoming open to us all. He takes us to see how Borussia Dortmund's 'Footbonaut' and touchscreen-based games in the NFL have been achieving excellent results. As with bestsellers such as The Chimp Paradoxand Bounce, by the end of this book, readers will look at sporting performance in a new light, and be able to apply these insights to their own lives.

A collection of “mesmerizing tales, each one creepier than the next” that go beyond the traditional vampire myths (Library Journal). When we think of vampires, an image instantly arises: fangs sunk deep into the throat of the victim. But bloodsucking is merely one form of vampirism. For this brilliantly original anthology, multiple award-winning editor Ellen Datlow solicited stories from many of the most powerfully dark voices in contemporary horror, who conjure tales that will chill readers to the marrow. In addition to the traditional fanged creatures, Datlow presents stories about the leeching of emotion, the draining of the soul, and other dark deeds of predation and exploitation, infestation, and evisceration . . . tales of life essence, literal or metaphorical, stolen. Seventeen stories by such acclaimed authors as Elizabeth Bear, Richard Bowes, Kathe Koja, Margo Lanagan, Carol Emshwiller, and Lisa Tuttle redefine the terror of vampirism.

Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the 1930s. This text weaves together Lichtenstein's quest for Rodinsky - which took her to Poland, to Israel and around Jewish London - with Iain Sinclair's meditations on her journey into her own past and on the Whitechapel he has reinvented in his own writing. Rodinsky's Room is a testament to a world that has all but vanished, a homage to a unique culture and way of life.

How do you achieve sporting immortality? How do you develop a winning mentality? What seprates the best from the rest? While sporting greatness is for the few, there is much that the rest of us can learn from them. From the era-defining brilliance of Muhammad Ali to the tactical genius of Sir Alex Ferguson, gathered together here for the first time are the rare insights into what made some of the best sports men and women from the past century. Drawn from the Telegraph archives, this collection of interviews, contemporary accounts and first-person articles covering everyone from Michael Phelps to Dame Ellen MacArthur, Roger Federer to Michael Schumacher, Sir Steve Redgrave to Nicole Cooke, give a rare glimpse of how these individuals conquered the world. Through the snow, mud, ice and sun of the sporting calendar, TheTelegraph Book of Champions features one hundred champions from thirty-one sports. Side by side, in this unique collection, they line up as a reminder of what it takes to be the best, why success at the very top is only for the few, and what the rest of us mere mortals can learn from them.

Ready to roll the dice again on love? A warm novel about starting again and finding love when you least expect it. Perfect for fans of Trisha ashley and Katie Fforde. Succumbing to a rather clichéd midlife crisis, Dan Haywood swaps his family for an expensive red sports car and a younger woman. After 24 years of marriage, his wife Sarah is left to pick up the pieces. Trying her best to re-style her life, comfort hurt children, make time for 'helpful' friends and maintain her burgeoning career as a dress designer, Sarah feels pulled in a hundred directions. And it doesn't help that obstacles – mostly in the form of other middle-aged men – seem to conspire against her. Proud of herself for moving house and starting to build an independent life, she is shocked when Robert Maynard, her rather dashing new next-door neighbour, insists that the house was promised to him. Now she is destined to be pulled into his life by events beyond her control. After one failed marriage, will she be able to find happiness again? And do second chances really come to those who wait? This book was previously published as The Orchid Lover under the name Mary De Laszlo.

There have been serious debates between historians, novelists and filmmakers as to how best present historical narratives. When writers and filmmakers talk of using historical research with integrity, what exactly do they mean? Integrity and Historical Research examines this question in detail. The first chapter discusses the concept of integrity. The chapters that follow reflect on this philosophical treatment in the light of fiction and film that deals with history in a number of ways. How should writers and filmmakers use lives? Can, and may, people who are now dead and who may have lived long ago, be defamed? The authors include academics, historians, social historians, medievalists, oral historians, literary theorists, historical novelists and script writers. They examine the theoretical influences and practical choices that involve and concern writers and filmmakers who rely on historical research. The desire to be accurate may often conflict with the need to produce a work that goes beyond the mere depiction of events in order to excite the interest of readers and to hold that interest. At the same time there is a developing emphasis on historians, to write well in clear, accessible prose, which may involve using the novelists’ techniques. How much license may be given to writers of fiction and filmmakers in their depiction of historical characters and events? This book begins to answer this question, while inviting further discussion.