If The Crown Fits

God is the King, and he’s also your Father...and that means you’re royalty! Whether you think of yourself as a princess or not, you are one because God, your Father, is the King of kings. If the Crown Fits is an opportunity to invite joy into your life by embracing your royalty as a daughter of the King on a daily basis. Through 28 days of devotions, you’ll focus on your C.R.O.W.N—the elements that help you gain your princess perspective. • C—Credo is your Bible verse of the day. It’s your connection to the King. • R—Respect includes practical activities to help you gain respect for yourself, God, and the world around you. • O—Ornamentation is all about helping you find your inner and outer beauty—and believing it! • W—Workout includes easy ways to get your heart pumping, so you feel great and have energy for the day. • N—Nutrition, because you are what you eat. Slowly discover ways to add healthy foods into your day that will help you sparkle. Of course the crown fits, and you can wear it well. Say it. Believe it. Live it.

In Canada, the fundamentals of law relating to Aboriginal peoples are unclear and Indigenous communities lack appropriate guidance in terms of efficiently accessing the legal system to address breaches of their rights. This is yet another injustice endured by Aboriginal peoples in Canada. However, the Supreme Court of Canada has begun to place greater emphasis on the honour-of-the-Crown principle and less on the paternalistic, complex notion that governments owe a fiduciary duty to Aboriginal peoples. Dickson explores both theoretical and practical implications of this fundamental shift and possible future outcomes.

“Fine! You’re all kings. In fact, we ALL can be kings!” **** She’s Rosalie Amber Stan. A simple teenage girl, who made a wish to have a more adventurous life, was a victim of an abduction by the Fae queen to a different realm. She was brought to a castle with 5 supernatural princes, who are fighting for the throne. The queen gave her a task to be the one to choose the future heir to their kingdom. Little did she know that the queen only wanted one thing from her and the princes: Romance. Between a sparkly wizard, a rude obnoxious elf, a flirty vampire, and a couple of twin trouble-making wolf princes; Is there really a right choice? And why is there a wolf spirit, who suddenly awakened upon sensing her arrival, kept stalking her? A romantic-comedy in ‘another world’ with a quirky-temperamental female heroine learning the culture of this new fantasy world.

Traditional histories of medieval art and architecture often privilege the moment of a work’s creation, yet surviving works designated as "medieval" have long and expansive lives. Many have extended prehistories emerging from their sites and contexts of creation, and most have undergone a variety of interventions, including adaptations and restorations, since coming into being. The lives of these works have been further extended through historiography, museum exhibitions, and digital media. Inspired by the literary category of biography and the methods of longue durée historians, the introduction and seventeen chapters of this volume provide an extended meditation on the longevity of medieval works of art and the aspect of time as a factor in shaping our interpretations of them. While the metaphor of "lives" invokes associations with the origin of the discipline of art history, focus is shifted away from temporal constraints of a single human lifespan or generation to consider the continued lives of medieval works even into our present moment. Chapters on works from the modern countries of Italy, France, England, Spain, and Germany are drawn together here by the thematic threads of essence and continuity, transformation, memory and oblivion, and restoration. Together, they tell an object-oriented history of art and architecture that is necessarily entangled with numerous individuals and institutions.