If This Is Freedom

If This Is Freedom continues the story of struggle for Loyalist settlers in Nova Scotia after the American Revolutionary War. In the black settlement of Birchtown, times are especially hard for the former slaves. They face the difficulties of a hardscrabble existence and continued discrimination from their white counterparts. Like many desperate Birchtowners, Sarah Redmond has signed an indenture agreement, a work contract meant to protect her rights and ensure a living wage. Sarah’s employers, the Blyes, do not honour the agreement, and Sarah and her family are all but shattered when Sarah takes a wrong step – one she will come to regret as it sets off a chain of unusual events that put her under further pressure. With her faith in the settlement running dry and the Birchtowners abandoning the settlement, Sarah is perplexed and soon faces the taxing option of whether to hold on to the only real life she has ever known or let go. At once a stand-alone story and a companion to Gloria Ann Wesley’s previous novel, Chasing Freedom, this story about moral courage and the enduring strength of dreams shares history with us in a way that is both honest and emotional.

Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo P?rt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.

It’s hard to envision a life without some regrets. You imagine what might have been if you had taken a different path at some key juncture, whether about a past relationship, a missed job opportunity, or choosing where to live. Regret can be immobilizing, filling us with disappointment and shame--but it also can be a powerful tool for self-knowledge and change. In this uplifting guide, renowned psychologist Robert Leahy demonstrates how to make regret work to your advantage. Using cutting-edge skills based on cognitive-behavioral therapy, Dr. Leahy shows how to get unstuck from regret and make decisions with more clarity and confidence. Downloadable practical tools help you implement the strategies in the book. You are the author of your life, so go out and write the next chapter--and then live it.

"In the follow-up to ... A Stolen Life, [kidnapping survivor] Jaycee Dugard tells the story of her first experiences after years in captivity: the joys that accompanied her newfound freedom and the challenges of adjusting to life on her own"--Provided by publisher.

Moon argues that recognition of the social dynamic of communication is critical to understanding the potential value and harm of language and to addressing questions about the scope and limits on one's rights to freedom of expression.

Judge Andrew P. Napolitano examines the concept the government hates and fears the most: Freedom. The United States of America was born out of a bloody revolt against tyranny. Yet almost from its inception, the government here has suppressed liberty. In his sixth book on the Constitution and human freedom, Judge Andrew P. Napolitano asks: Where does freedom come from? How can government in America exercise power that the people have not given to it? What forces have collaborated to destroy personal freedom? In this back-to-basics on freedom, Judge Napolitano addresses hard questions: Do we still have a Constitution? What are the limits to government power in a free society? Why does the government attack, rather than defend, our rights? If our rights are inalienable, how can the government take them away? Do we really own any private property? The Judge gives a sweeping treatment of natural rights and all the philosophical, religious, and ideological principles that underscore the concept of human freedom.

For readers of Colson Whitehead, James McBride, Yaa Gyasi and Lawrence Hill, Up From Freedom is a powerful and emotional novel about the dangers that arise when we stay silent in the face of prejudice or are complicit in its development. As a young man, Virgil Moody vowed he would never be like his father, he would never own slaves. When he moves from his father's plantation in Savannah to New Orleans, he takes with him Annie, a tiny woman with sharp eyes and a sharper tongue, who he is sure would not survive life on the plantation. She'll be much safer with him, away from his father's cruelty. And when he discovers Annie's pregnancy, already a few months along, he is all the more certain that he made the right decision. As the years pass, the divide between Moody's assumptions and Annie's reality widens ever further. Moody even comes to think of Annie as his wife and Lucas as their son. Of course, they are not. As Annie reminds him, in moments of anger, she and Moody will never be equal. She and her son are enslaved. When their "family" breaks apart in the most brutal and tragic way, and Lucas flees the only life he's ever known, Moody must ask himself whether he has become the man he never wanted to be--but is he willing to hear the answer? Stretching from the war-torn banks of the Rio Brazos in Texas to the muddy waters of Freedom, Indiana, Moody travels through a country on the brink of civil war, relentlessly searching for Lucas and slowly reconciling his past sins with his hopes for the future. When he meets Tamsey, a former slave, and her family trying to escape the reach of the Fugitive Slave Act, Moody sees an opportunity for redemption. But the world is on the cusp of momentous change, and though some things may be forgotten, nothing is ever really forgiven.