Ike Kligerman Barkley Houses

John Ike, Thomas Kligerman, and Joel Barkley speak architectural languages of the past with a sure command of grammar and syntax and a rich vocabulary of form and detail. As designers they build upon what went before to extend the trajectory of architecture. —Robert A. M. Stern The signature residential works of Ike Kligerman Barkley Architects bring together historic precedent and contemporary taste with a considered approach to detail, material, and craft. Based in New York and San Francisco, the firm incorporates elements from the great eras and the great practitioners of architecture: the Arts and Crafts movement, Art Deco, Modernism, Colonial Revival, Shingle Style; Sir Edwin Lutyens, Harrie T. Lindeberg, George Howe, Bernard Maybeck, and McKim, Mead & White. Yet ever present is a keen awareness of the modern world, notably in an emphasis on natural light and open views and a responsiveness to the unique qualities of a site. The twenty-one houses and apartments in this lavishly illustrated volume, the first published on Ike Kligerman Barkley, represent the remarkable breadth of the practice. A cottage in Michigan reveals a comprehensive investigation of craft traditions, while a Hawaiian beach retreat explores the vernacular Polynesian long-house. A sleek Manhattan loft evokes the industrial history of its neighborhood, while an oceanfront villa recalls Carlo Scarpa’s interweaving of past and present. Unusual, even unlikely combinations—an English-influenced Shingle Style house the firm terms “Shinglish,” a Virginia horse farm that draws equally on classical formality and easy rusticity—embody the firm’s sophisticated balance between historic model and modern refinement. Just as novelists and filmmakers gravitate toward genres that suit the themes they choose to explore, we look for the historic style that represents the best vehicle for the architectural story we wish to tell. —Ike Kligerman Barkley Architects

The architectural style of the classic American summer, the shingled house can suggest the beach, the countryside, the mountains, and even the city. AD100 architects Ike Kligerman Barkley, one of the most successful firms practicing in a traditional style today, presents 14 houses that celebrate the simple wood shingle’s infinite flexibility—ranging from richly historic to sculptural and experimental. The New Shingled House includes examples throughout the fabled seaside resorts of New England—Martha’s Vineyard, Block Island, and the Hamptons—as well as houses in California’s Bay Area and Point Loma, on a pristine mountain lake in South Carolina, and a Scandinavian influenced family residence in Connecticut. All are characterized by a sense of graciousness and generosity that makes them unique spaces for the owners and enviable spaces for readers. The versatility of the shingle style allows the designers to explore formal ideas and to respond to client preferences and taste. The houses thus achieve the architects’ fundamental goal: when their clients enter their new house for the first time, they should feel as though they have always lived there. This stunning visual presentation features new photography by noted interiors photographer William Waldron, who has captured the graciousness and generosity of the elegant interiors and welcoming porches and terraces that make these houses so inviting and timeless.

With economic restructuring, demographic shifts, and lifestyle changes, the traditional family - working father, stay-at-home mother, two to three children - is no longer the norm and the need for smaller homes at moderate cost has skyrocketed. The first prototype of the Grow Home was built on the campus of McGill University in 1990 and more than one thousand units were built across North America and Europe in the first year alone. In this illustrated guide, Friedman describes the background, conception, and construction of these modest (14" x 36") homes. He details their construction for prospective owners, builders, and architects, showing how past and contemporary precedents have been transformed and how the first versions were adapted by the building industry. Visits to completed Grow Homes shed light on why such homes were purchased and the process by which they "grew." Friedman also shows how the design has been adapted for prefabrication to meet the needs of the developing world. He describes the contribution that small-unit design makes to saving valuable natural resources and shares his experiences in planning communities based on the Grow Home. The Grow Home reveals the development and history of a concept that revolutionizes the home and building industry, has been translated into over 10,000 housing units, and has received, among many accolades, the United Nations World Habitat Award.

Each year the pristine beaches, lush pine forests, and picturesque New England towns of Martha’s Vineyard draw tens of thousands of admirers to this beautiful island. Some of these visitors have become part-time residents, building contemporary homes alongside the traditional Victorian cottages, sea captains’ mansions, and colonial farmhouses that comprise the island’s cultural and architectural heritage. Rarely does one find such a concentration of outstanding contemporary design. Authors Keith Moskow and Robert Linn expand their 2005 survey of Vineyard residential design to present twenty-five new houses that extend the traditional Vineyard vernacular of shingled houses and cottages. Each of the architects has described the goals for the project and the source of the design. Some reference nautical themes, others environmental concerns, and still others appropriateness of materials and scale. A significant number rely on a plan strategy based on a series of pavilions to minimize intrusion in the landscape while still taking advantage of views and prevailing breezes. What links the houses is that they are all built to stand the test of time in the sometimes extreme marine environment and they respectfully break with tradition.

How They Decorated illustrates some of the great rooms of the twentieth century, whose stylish residents influence our tastes today. Gloria Vanderbilt cleverly noted, “Decorating is autobiography.” Reflecting that truism, the interiors in this book capture the individual approaches of these icons of style: Bunny Mellon’s spare all-American elegance; Hélène Rochas’s refined sophistication; Vanessa Bell’s colorful bohemianism; Mona von Bismarck’s breezy opulence; and Georgia O’Keeffe’s earthy chic. Author P. Gaye Tapp analyzes each of her subjects’ refined way of living, how she embellished her residences (or left them elegantly stark), and the long-lasting effects on today’s generation of designers and connoisseurs of beauty. The book is presented in four sections that describe the aesthetic approaches that the ladies took in decorating their abodes: “The Fashionably Chic”, “The Unconventional Eye”, “In the Grand Manner”, and “Legacy Style”. Each interior illustrates the crucial aspect of the lady’s definitive taste. Some worked closely with decorating legends such as John Fowler, Albert Hadley, Billy Baldwin, Syrie Maugham, and Jean-Michel Frank. Others took to the task of decorating single-handedly—like Pauline Trigère, Sybil Connolly, Vita Sackville-West, and Fleur Cowles. The interiors of these trendsetting ladies defied their time and inspire and delight to this day. In How They Decorated, one can learn from the most notable style muses of the last century.

The first monograph of the stunning residences designed by a contemporary master of traditional architecture. A must-have for lovers of traditional or southwestern-inspired residential design, Michael G. Imber: Ranches, Villas, and Houses reveals the beauty of building from the rich architectural traditions of the desert southwest and Mexico. A master of traditional forms derived from these regions, particularly of his native Texas, Michael G. Imber begins each of his designs by considering the land through watercolors and then develops his ideas in relation to climate and local historical references. The result is an array of ranches and houses that evokes the rural building traditions of the west, that is unafraid of the delights of classical ornamentation, and that is nonetheless wholly modern in its execution. Here, in the first monograph devoted to the architect’s work, is a collection of masterful residential projects ranging in scale from bungalows to sprawling ranches, all presented in large-format photographs and accompanied by Imber’s extraordinary watercolor studies.

- Each of the 12 houses will be featured in national and international press to announce the book- In the UK, the media includes Tatler, House & Garden, Country Life, The English Home, and Telegraph Luxury Online- In the US, the media includes Town & Country, Architectural Digest Online, The AD Aesthete Podcast, Air Mail, and DeparturesThis book is a sumptuously produced journey around 12 privately-owned country houses, asking what it is like to live in such places today. What role do they play in the 21st century? For many years after the Second World War, the country house was struggling. Now a new generation of young owners, often with children, has taken over. They're finding innovative ways to live in these ancient, fragile and poetic places. While they treasure the history and beauty of the houses, they're also adapting and enhancing them for a modern era. Old Homes, New Life is a behind-the-scenes account of today's aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas's superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy - from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.

Acclaimed architect Gil Schafer illustrates how he blends classical architecture, interior decoration, and landscape to create homes with a feeling of history. As a traditional architect, Gil Schafer specializes in building new "old" houses as well as renovating historic homes. His work takes the best of American historic and classical architecture—its detailed moldings and harmonious proportions—and updates it, retaining its character and detail while simultaneously reworking it to be more in tune with the way we live now—comfortable, practical, family-oriented. In his first book, Schafer covers the three essential cornerstones of creating a great traditional house: architecture, landscape, and decoration. He discusses the important interplay between the interior architecture and the fabrics, furniture, and wall treatments. In-depth profiles build on these essays, including Schafer’s own new "old" house in the Hudson Valley; the renovation of a historic home in Nashville designed by Charles Platt in 1915; and the restoration of a magnificent 1843 Greek Revival mansion in Charleston. Filled with hundreds of interior and detail shots, The Great American House is an invaluable resource for anyone who loves old houses and traditional design.