Illuminated Manuscripts Coloring Book

Recapture the historic grandeur of medieval art with lovingly detailed reproductions ranging from the creation of Eve to the Hundred Years' War. Thirty images include Christian, Muslim, Jewish, and secular sources.

Twenty-eight full-page, ready-to-color illustrations from one of the most beautiful books of the early Middle Ages depict Celtic spirals and interlacings, celestial figures, saints, Celtic crosses, and other finely detailed elements.

What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.

"Illuminated manuscripts are perhaps the most beautiful treasures to survive from the middle ages. This authoritative volume provides a comprehensive introduction to the medieval world of books, their production and their consumption. The text divides this world into different groups of readers and writers: missionaries, emperors, monks, students, aristocrats, priests, collectors and the general public. De Hamel is both informative and immensely readable, and the sumptuous illustrations render this book too good to be missed."--From Amazon.com

When you color in Scripture Illuminated, youll be taking a mainstream practice with spiritual overtones and making it more explicitly prayerful as you move from mindfulness into meditation in a Christian sense.

This collection of lovely images invites coloring book fans to explore the exquisite beauty of medieval tapestries. Thirty handsome drawings of unicorns, delicate damsels, knights in armor, and other details from priceless tapestries can be enhanced with a rainbow of colors. Captions.

The designs in Celtic illuminated manuscripts represent a distinctive fusion of native Irish, Germanic, and Near Eastern motifs. Graphic artist Ed Sibbett has brilliantly captured the intricacy and beauty of this original art tradition in 37 drawings based on illustrations in the Book of Durrow, the Gospels of St. Willibrord, and the illustrious Book of Kells. Among the motifs are the characteristic Celtic interlacings, geometric-animal combinations, and decorative initials, plus powerful ornaments and symbolic abstractions of animals and people. A portrait of St. Matthew appears as a centerspread, not backed up, that may be taken out and framed. Captions identify the source of each picture and explain the iconography.

"This richly illustrated catalogue accompanies the exhibition that celebrates the bicentenary of the Fitzwilliam Museum in Cambridge with a display of its finest illuminated manuscripts. Of all the medieval and Renaissance arts - from sculptures, ivories, frescoes and stained glass to easel and wall paintings - it is manuscript illuminations, protected inside volumes, that best preserve the glowing colours and precious metals that would have dazzled their original spectators. The focus of this exciting and innovative exhibition is on COLOUR: it integrates scientific and art historical analyses of painting materials and techniques with studies on the manuscripts' historic contexts of production, including the relationships between artists and patrons. Identifications of the pigments' chemical composition and methods of application are considered alongside their aesthetic impact as well as the multiple dimensions and meanings of colour appreciated by medieval and Renaissance viewers. Over 150 manuscripts are displayed in the exhibition dating from the 8th to the 19th century and all are catalogued and fully illustrated here. The manuscripts are grouped in 14 thematic sections each of which is introduced by an essay that includes further relevant illustrations and presents the scientific and art historical analyses in a broader cultural context. The majority of the exhibits are from the Museum's collection and the main focus is on Western European illumination, but examples of Byzantine, Armenian, Persian and Sanskrit manuscripts are also included. In addition there are special loans from other Cambridge, British and European collections. The catalogue entries and introductory essays are written by a team of leading manuscript scholars, scientists and conservators who offer an integrated, cross-disciplinary approach and new insights into the art of illumination."--