Images From A Broken Mirror

Tony Alum's Images from a Broken Mirror is a factional account of the fractious, violent, vicious circle in which African immigrants are trapped in Europe. Set in France and Italy, the story dwells on the trafficking of Nigerian women to Italy. Using the persona, Efe, a trafficked Nigerian girl, the author explores the pressures that come together to propel the men and women, young and old, from Africa to Europe. Efe goes through the tedious and dangerous life of an immigrant commercial sex worker in Italy. She falls in love with Carlo, her first client. Carlo proposes marriage to Efe who accepts and becomes pregnant. However, Efe takes a decision, in a moment of frustration, that will change her destiny, that of Carlo and the unborn child. Tony Alum has used this novel in a dialectical manner to x-ray the multifarious conflicts that dovetail to make life for the African immigrant in Italy a nightmare. Like most works of fiction, the author has reflected aspects of his experiences in Italy. The evidences of this closeness abound. For instance, the descriptions in the book are so graphically represented that one nearly for

Can desire really transform reality? From award-winning novelist Jonathan Coe and distinguished Italian artist Chiara Coccorese comes The Broken Mirror, a political parable for children, a contemporary fairy tale for adults, and a fable for all ages. One day Claire, to escape her quarrelsome parents, takes refuge in the dump behind her house. There she finds a broken mirror, a nasty piece of sharp glass... yet she is strangely drawn to it. She soon discovers it has the power to transform even the most drab reality into a fairy-tale world: the grey sky is reflected blue, and Claire’s modest, suburban house is transformed into the most beautiful castle. As Claire grows older, always accompanied by her magic mirror, she can see her face without her teenage acne, and her town before it fell victim to thieving property developers. But, in reality, libraries are being turned into luxury flats wherever she looks, and the boy Claire loves is instead her worst enemy. Frustrated and angry with the mirror’s illusions, Claire is about to destroy it when the mysterious Peter steps in: he has also found a shard of broken mirror, and so begins their journey to piece together the larger puzzle... Previously published in Italian, French, Greek and Dutch, The Broken Mirror comes to life in English for the first time, to be read with equal pleasure by children and adults.

"John and Christ administered baptism totins corpore submersione, by the submission of the whole body The very word 'baptize' signifies to immerse entirely, and it is certain that immersion was the practice of the ancient Church." John Calvin "The Greek word baptizo means 'immerse' or 'plunge', and the word baptisma means 'immersion'." Martin Luther "Immersion of the whole body was used from the beginning, which expresses the force of the word 'baptize', whence John baptized in a river. It was afterward changed into sprinkling, though it is uncertain when or by whom." Ulrich Zwingli "Baptism is immersion in water." Philip Melancthon "It is true that there is no express command to baptize infants in the New Testament, no express record of the baptism of infants, and no passages so stringently implying it that we must infer from them that infants were baptized." B. B. Warfield "There is no Biblical basis for infant baptism-this tradition is simply an old error of the church." Karl Barth

Seventeen-year-old Lauren is having visions of girls who have gone missing. And all these girls have just one thing in common—they are 17 and gone without a trace. As Lauren struggles to shake these visions, impossible questions demand urgent answers: Why are the girls speaking to Lauren? How can she help them? And . . . is she next? Through Lauren’s search for clues, things begin to unravel, and when a brush with death lands Lauren in the hospital, a shocking truth changes everything. With complexity and richness, Nova Ren Suma serves up a beautifully visual, fresh interpretation of what it means to be lost.

Mothers are there to protect the child, to chase away the monsters from our nightmares, not to be the feared monster. Not all Mother's Day are remembered with a reminiscent smile. The twisting of the soul began so long ago, that eighty years after it seems only yesterday. This book is about life, real life, the one many of us wish not to have been there, but we were, and nobody took the trouble to tell about. Fathers, supposed to protect the child should have been there too. "Bad memories" have a mother, her name? Solitude.

"Body dysmorphic disorder, or BDD, is a disease that causes sufferers to be obsessed by perceived flaws in their appearance. In the original edition of The Broken Mirror, the first book ever written on the topic of BDD, Dr. Katharine Phillips brought readers an authoritative and comprehensive guide to this often-debilitating illness. Like the original, this Revised and Expanded Edition draws on Dr. Phillips' years of clinical practice and scientific research, including professional evaluations of approximately 900 individuals with BDD. Phillips describes severe cases, but also a multitude of milder cases. Whereas some sufferers are debilitated by their concerns, others are able to function well in society, but remain secretly obsessed by their "hideous acne" or "horrible nose," sneaking constant peeks at a pocket mirror, or spending hours at a time redoing makeup. BDD may afflict as much as two percent of the population - nearly 6 million people."--BOOK JACKET.

Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them