Images Of A Free Press

Rich in historical detail, Images of a Free Press is an elegant, powerful guide to the evolution of our modern conception of freedom of the press, which finds expression in laws that protect print journalism and regulate broadcast media. Bollinger argues that this distinction remains meaningful but he advocates a more sophisticated approach to issues of privacy, access, and technology. Providing concrete guidelines for improving media laws, Images of a Free Press is a vital First Amendment primer for lawyers, media professionals, and critics, and all concerned citizens. "Images of a Free Press is the natural sequel to Lee Bollinger's first book, The Tolerant Society, and is destined to become a standard in first amendment scholarship."—Rodney A. Smolla, Constitutional Commentary "Revisiting themes he first explored some fifteen years ago, Bollinger now adds further to our understanding of the complex relationship among the First Amendment, the Supreme Court, the public, the press and the democratic process. This is a work of insight, sensitivity, and power. Bollinger has a profound knowledge of and a deep affection for his subject, and it shows."—Geoffrey R. Stone, Michigan Law Review "This thoughtful, understated book remains a call to come join the town meeting and hammer out some new rules of order. Scholars and citizens alike could do well to read Bollinger's book and accept his challenge."—Yale Law Review "For a number of years, Lee Bollinger has argued that the First Amendment has been applied differently to the print media than it has been to the broadcast media. In his new book, Images of a Free Press, Bollinger provides a concise, persuasive account of why this is so—and why it ought to be so."—Columbia Law Review

"The question of how much freedom the press should enjoy has been debated throughout American history. In 1942 an impartial commission was formed to study mass communication, evaluate the performance of the media, and make recommendations for possible regulation of the press. This book is the general report of that commission."--Book cover.

Since the introduction of radio and television news, journalism has gone through multiple transformations, but each time it has been sustained by a commitment to basic values and best practices. Journalism Ethics is a reminder, a defense and an elucidation of core journalistic values, with particular emphasis on the interplay of theory, conceptual analysis and practice. The book begins with a sophisticated model for ethical decision-making, one that connects classical theories with the central purposes of journalism. Top scholars from philosophy, journalism and communications offer essays on such topics as objectivity, privacy, confidentiality, conflict of interest, the history of journalism, online journalism, and the definition of a journalist. The result is a guide to ethically sound and socially justified journalism-in whatever form that practice emerges. Journalism Ethics will appeal to students and teachers of journalism ethics, as well as journalists and practical ethicists in general.

Dynamic, rapid, and radical changes are transforming the communication professions, provoking major implications for ethics. Traditional boundaries blur as media converge; relentless competitive pressures cause some forms of communication to atrophy and permit others to explode; and technological advances occur daily. In this volume, a new generation of scholars take a fresh look at the manner in which ethical issues manifest themselves in their areas of research and suggest new agendas for future research. This book addresses a wide range of questions from a variety of communication professions. Contributors tackle such issues as how to define a journalist in an era when anyone can disseminate information to a global audience; how to use "advergames," crowdsourcing, and facial recognition technology in advertising responsibly; and how to respond ethically in situations of public crisis communication, among many others. This volume will be critical reading for scholars and professionals in media, communication, and digital arts, as well as philosophy, government, public policy, business, and law.

What does the media coverage of a crisis situation reveal about the nature of dominant-minority relations locally, regionally, and nationally? Sandra Lambertus asks this question of the media coverage of the largest RCMP operation in Canadian history - the 1995 Gustafsen Lake Native Indian standoff. Drawing from extensive newspaper, television, and radio news products, legal and law enforcement documents, ethnographic interviews with 26 journalists, as well as RCMP, and Native leaders, Lambertus examines the construction and national dissemination of vilifying stereotyped portrayals of Native people. The ethnographic component pushes the standard of media analysis, bringing to light previously unconsidered aspects of media representations of minorities: media and law enforcement processes, frameworks of the news makers, face presentation strategies, information control, and exchange relations in news-gathering. The investigation shows how the values and perspectives of local communities, media, and law enforcement became overshadowed by 'outsiders' during the course of the event and the serious effects of the media coverage on specific audiences and ultimately, Canadian society. The study culminates with an assessment of the structural elements that contributed to the damaging media portrayals: media bias, competition, cooperation, empowerment, and cultural misperceptions. Wartime Images, Peacetime Wounds opens new avenues for studies of minorities in the news and for the study of news media in general.

"Vivid storytelling built on exacting research." —Bill Keller, New York Times Book Review In 1735, struggling printer John Peter Zenger scandalized colonial New York by launching a small newspaper, the New-York Weekly Journal. The newspaper was assailed by the new British governor as corrupt and arrogant, and as being a direct challenge against the prevailing law that criminalized any criticism of the royal government. Zenger was thrown in jail for nine months before his landmark one-day trial on August 4, 1735, in which he was brilliantly defended by Andrew Hamilton. In Indelible Ink, Pulitzer Prize–winning social historian Richard Kluger has fashioned the first book-length narrative of the Zenger case, rendering with colorful detail its setting in old New York and the vibrant personalities of its leading participants, whose virtues and shortcomings are assessed with fresh scrutiny often at variance with earlier accounts.

Examines how peoples of other nations perceive the U.S., how media of other nations portray the U.S., and how exported media products impact the U.S. image around the world.

Explores the relations between photo-journalism and history, investigating how photographs shape both, what we remember and how we remember. This book provides insight into how photographs, generate a sense of national community, and reinforce prevailing social, cultural, and political values.