Images That Define A Decade The 1960 S

Over 45 images taken during the 1960's golden days. Great gift idea as well as decoration.

Forty years after they ended, the 1960s continue to fascinate us. The decade was a pivot point of the 20th century, a watershed period when society, politics and culture underwent a series of shattering changes. Abroad, it was an era bristling with confrontation and crisis, from cold war showdowns in Berlin and Cuba to a long, ugly war in Vietnam. At home, it was a time of social upheaval, as a new generation of idealistic youngsters challenged the values of their elders. Now Time captures the 1960s in all their swirling glory and lingering heartache in an expansive gallery of the photographs that define the decade. Here are the great faces: the Rev. Martin Luther King Jr. and Che Guevara; Arnold Palmer and Twiggy; Muhammad Ali and Andy Warhol. Here are the great events, from the historic landing on the moon to the high times of Woodstock to the assassinations of three inspiring young American leaders. Here are the pulsating currents that drove social change, from the streets of Birmingham, Ala., to Washington's National Mall, from London's Carnaby Street to the Fillmore Auditorium in San Francisco. Yes, the times, they were a-changin'. And, fortunately, photographers were a shootin'. The result is a close encounter with a world that has vanished, but which roars back into vivid life in this fascinating, indispensable volume. Turn the pages and tune in to the highs and lows of one of the most exciting periods in American history: the '60s.

Describes the important world, national, and cultural developments of the decade 1960-1969.

Representing the commerce and culture of this era in films and capturing the mood of the turbulent decade when everything - art, fashion, morals, music, politics, philosophy - was in a state of flux, the book showcases film posters for such classics as: French New Wave and the British Kitchen Sink; Sergio Leone's Spaghetti Westerns and Andy Warhol's underground movies; Hollywood blockbusters like Cleopatra and Psycho and art-house classics like Blow-up and Un Homme et une Femme; plus, of course, Bond, Bardot, Barbarella, the Beatles, and more. Moreover, the films are represented not only by the posters that were designed for their domestic markets, but also by posters from Japan, Eastern Europe, and elsewhere, often juxtaposed with their American or British counterparts to show just how differently audiences throughout the world perceived the movies and their stars. Full of the tension and energy that defined the decade, and with over 250 full-color posters from a dozen different countries and authoritative commentary from experts in the field, Film Posters of the 60s will delight all film buffs as well as anyone interested in graphic design, advertising, and American culture.

The book includes many plate images both color and black and white. The Acknowledgements page (p. 15) includes a list of the contributing artists: Carl Andre, Anne Arnold, Mike Bakaty, Francois and Bernard Baschet, Sondra Beal, Bruce Beasley, Larry Bell, Fletcher Benton, Ronald Bladen, Robert Breer, Anthony Caro, John Chanmberlain, Judy Chicago (Gerowitz), Ligia Calrk, Toney DeLap, Jose De Rivera, Tom Doyle, Fred Eversley, Dan Flanin, Peter Forakis, Jane Frank [Jane Schenthal Frank], Charles R. Frazier, James Grant, Karl Gerstner, Robert Grosvenor, John Healy, Eva Hesse, Robert Hudson, Jasper Johns, Donald Judd, Lila Katzen, Lyman Kipp, Bernard Kirschenbaum, Gabriel Kohn, Peter Kowalski, Sol LeWitt, Frank Malina, Marisol, Eugene Massin, John McCracken, Robert Morris, Sadamasa Motonaga, Forrest Myers, Elie Nadelman, Louise Nevelson, Claes Oldenburg, Otto Piene, Peter Pinchbeck, Robert Rauschenberg, Martial Raysse, Ad Reinhardt, Bridgitt Riley, Nicolas Schoffer, George Segal, Jason Seley, David Slivka, David Smith, Tony Smith, Robert Smithson, Kenneth Snelson, Frank DStella, George Sugarman, Takis, Victor Vasarely, David Von Schlegell, Al Vrana, David Weinrib, H. C. Westermann, Audrey Corwin Wright, Wilfred Zogbaum.

A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theory Highlights the often contentious debates that shape current thinking about film as a medium and its possible future Investigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinema Charts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism, Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industry Explores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars

A collection of international movie posters includes those from the films "Cool Hand Luke," "Breakfast at Tiffany's," "Belle de Jour," "The Graduate," and "Repulsion"