Imaginal Politics

Between the radical, creative capacity of our imagination and the social imaginary we are immersed in is an intermediate space philosophers have termed the imaginal, populated by images or (re)presentations that are presences in themselves. Offering a new, systematic understanding of the imaginal and its nexus with the political, Chiara Bottici brings fresh insight into the formation of political and power relationships and the paradox of a world rich in imagery yet seemingly devoid of imagination. Bottici begins by defining the difference between the imaginal and the imaginary, locating the imaginalÕs root meaning in the image and its ability to both characterize a public and establish a set of activities within that public. She identifies the imaginalÕs critical role in powering representative democracies and its amplification through globalization. She then addresses the troublesome increase in images now mediating politics and the transformation of politics into empty spectacle. The spectacularization of politics has led to its virtualization, Bottici observes, transforming images into processes with an uncertain relationship to reality, and, while new media has democratized the image in a global society of the spectacle, the cloned image no longer mediates politics but does the act for us. Bottici concludes with politicsÕ current search for legitimacy through an invented ideal of tradition, a turn to religion, and the incorporation of human rights language.

Chiara Bottici’s influential work on imaginal politics has provided a rich theoretical framework and incisive critical analysis with which to engage the contemporary world. Rethinking the image as a pictorial space of political activity located between the poles of the creative imagination of the self and social imaginary significations of the social collective, her work has provided a critical new resource not only in the academy, but for activists as well. This collection of essays by leading scholars debates Bottici’s account of imaginal politics from inter-disciplinary perspectives, ranging from critical theory and political philosophy, to psychoanalysis, and sociology. It provides the first systematic and interdisciplinary engagement with the imaginal field. The book is a must-read for all scholars interested in debates on the political, social transformation, social imaginaries, and the imagination, and will appeal to researchers and graduate students across a wide variety of disciplines as well as activists and politically-engaged readers.

Bringing together scholars from different disciplines and theoretical outlooks, this text examines how the power of imagination reverberates in the various ambits of social and political life - in law, history, art, gender, economy, religion and the natural sciences.

Social Theory and the Political Imaginary: Practice, Critique and History is an innovative work of synthesis, critique, and analysis. It presages a social theory perspective that recognises the constitutive significance of the political imaginary in modernity. Social theory’s current dilemmas are explored through a series of interlinked asssessments of some of its recent substantial strands, specifically, Luc Boltanski’s pragmatism and the wider ‘practical turn’, the perspectives of multiple modernities and global modernity, the outlook of social and political imaginaries, and critical social theory. The political imaginary’s reconfigurations are evident in the tensions of global modernity and original social theory interpretations are advanced of landmark instances of twenty-first century social contestation: the Hong Kong protests conditioned by threats to civil freedoms and a lack of self-determination, the radical democratic practices of anti-austerity movements contesting capitalist globalisation’s injustices, and the inverted cosmopolitanism of the 2005 French Riots challenging the oppression and inequalities experienced by immigrant communities and marginalised youth. These incisive applications of social theory and complementary conceptual innovations illuminate the vicissitudes of social struggles, political forms, and theoretical perspectives. Similarly, reflection on the political imaginary is found to enable a necessary rethinking of the interrelationship of practice, critique and history.

Football in Central-Eastern and Eastern Europe has long functioned as a carrier of the three “non-normal” socio-political drivers that were effective below the surface of modernity, including the official self-image of European political systems, since the second half of the 20th century: Tribal Politics, Imaginal Politics, and Contextual Politics. All three are trends that are currently surfacing prominently on an international and global level. Long before the return of the now proverbial “Political Tribes” by the means of populisms and neo-authoritarianisms in societies around the world, football in Central-Eastern and Eastern Europe worked as a subconscious vehicle of group instincts and political moods that represented, mirrored, informed and influenced political behavior and governmental decisions both in the post-WWII communist and then, after 1989, the neo-capitalist societies located east of the former iron curtain. Football has always been used by both governments and their opponents, including the dissident civil society, to further coherence and to symbolically represent specific readings of power relations, system ideologies and history. Football in Central and Eastern Europe was always able to attract and include large parts of the population, inducing them to symbolically express protest against the government or to sustain the “politics from above”. Through football politics, aspects of the area’s specific political mechanisms are introduced and explained.

The Politics of Imagination offers a multidisciplinary perspective on the contemporary relationship between politics and the imagination. What role does our capacity to form images play in politics? And can we define politics as a struggle for people’s imagination? As a result of the increasingly central place of the media in our lives, the political role of imagination has undergone a massive quantitative and a qualitative change. As such, there has been a revival of interest in the concept of imagination, as the intimate connections between our capacity to form images and politics becomes more and more evident. Bringing together scholars from different disciplines and theoretical outlooks, The Politics of Imagination examines how the power of imagination reverberates in the various ambits of social and political life: in law, history, art, gender, economy, religion and the natural sciences. And it will be of considerable interest to those with contemporary interests in philosophy, political philosophy, political science, legal theory, gender studies, sociology, nationalism, identity studies, cultural studies, and media studies.

In Beyond the Public Sphere: Film and the Feminist Imaginary, the renowned philosopher and critical theorist María Pía Lara challenges the notion that the bourgeois public sphere is the most important informal institution between social and political actors and the state. Drawing on a wide range of films—including The Milk of Sorrow, Ixcanul, Wadja, The Stone of Patience, Marnie, A Streetcar Named Desire, and Talk to Her—Lara dissects cinematic images of women’s struggles and their oppression. She builds on this analysis, developing a concept of the feminist social imaginary as a broader and more complex space that provides a way of thinking through the possibilities for emancipatory social transformation in response to forms of domination perpetuated by patriarchal capitalism.

Contemporary societies are marked by deep inequalities grounded in collective failures to recognize the histories, needs, and experiences of marginalized social groups. What are the strategies that can help individuals become more responsive to social realities and perspectives that differ significantly from their own? In Reimagining Sympathy,Recognizing Difference: Insights from Adam Smith, Millicent Churcherattends to recent debates over the imagination as a resource for social and political reform, and highlights the central relevance of Adam Smith’s voice to these debates. Smith, best known for his work on economics, may seem an unlikely figure to draw upon in this context. However, his nuanced account of ‘sympathy’—conceived as an imaginative and reflective capacity that develops within and through social experience—greatly enriches the role of imagination in fostering mutual understanding and solidarity among a diverse citizenry. Churcher critically explores and extends Smith’s view that if sympathy is to bind people together across their differences rather than divide them, it requires work at the level of individual practice, as well as the support of wider social structures. By drawing Smith into conversation with contemporary debates in social and political theory, this monograph addresses the pressing question of what is required from individuals and institutionsto remedy abject failures to recognize and respond ethically to difference.