Imaging The City

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

Imaging the City brings together the work of designers, artists, dancers and media specialists who investigate how we perceive the city, how we imagine it, how we experience it, and how we might better design it. The editors open up the field of urban analysis and thought to the perspectives of creative professionals from non-urban disciplines.

Planners face a controversial task because their professional role requires them to be spokespersons for the public interest. In a welter of conflicting pictures and voices, how might the public interest be discovered? Once identified, how might it be expressed so that competing publics attend to it? There are no easy answers, but the experience of planners today suggests ways of working and innovations of promise.The focus on planning practice prompted the editors to analyze images that are now at work in our cities. For Vale and Warner, all city design and constructions offer material that people should include in images of their environment. The built and building city are part of the experience of all city dwellers; it is theirs to incorporate, interpret, or ignore. Essays included in this text trace the interplay between physical objects of planners and architects and the social experience and outlooks of image makers and their audiences.Imaging the City explores urban image making from civic boosterism of medieval cities to iconic imagery of Times Square. Vale and Warner bring together urban historians, geographers, city planners, architects, and cultural commentators to analyze the creation of urban imagery from the signature skyscrapers of Kuala Lumpur to the re-creation of the South Bronx and the use of city images in film, literature, television, and on the Internet. Urban dwellers, urban planners, architects, municipal officials, sociologists, urban historians - all will perceive their worlds with a heightened sense of awareness after reading this book.

Vale and Warner bring together urban historians, geographers, city planners, architects, and cultural commentators to analyze the creation of urban imagery from the signature skyscrapers of Kuala Lumpur to the re-creation of the South Bronx and the use of city images in film, literature, television, and on the Internet.

This book examines the paradoxes, challenges, potential and problems of urban living. It understands cities as they are, rather than as they may be marketed or branded. All cities have much in common, yet the differences are important. They form the basis of both imaginative policy development and productive experiences of urban life. The phrase ‘city imaging’ is often used in public discourse, but rarely defined. It refers to the ways that particular cities are branded and marketed. It is based on the assumption that urban representations can be transformed to develop tourism and attract businesses and in-demand workers to one city in preference to another. However, such a strategy is imprecise. History, subjectivity, bias and prejudice are difficult to temper to the needs of either economic development or social justice. The taste, smell, sounds and architecture of a place all combine to construct the image of a city. For researchers, policy makers, activists and citizens, the challenge is to use or transform this image. The objective of this book is to help the reader define, understand and apply this process. After a war on terror, a credit crunch and a recession, cities still do matter. Even as the de-territorialization of the worldwide web enables the free flow of money, music and ideas across national borders, cities remain important. City Imaging: Regeneration, Renewal, Decay surveys the iconography of urbanity and explores what happens when branding is emphasized over living.

Somaiyeh Falahat investigates the spatial and morphological logic of pre-modern Middle Eastern and North African cities, so-called “Islamic cities”. She bases her argument on the fact that the city and consequently its form and structure, similar to other human products, have deep roots in the thought-structure of the people. Thus, to know such places properly, one has to refer to this life-world and use it as a structure to observe the city. This approach aims at opening new levels of understanding of the city by grasping indigenous concepts and structures; it puts forward claims for the possibility of a new method of analysis. The author studies the historic city of Isfahan as the case study and suggests that an indigenous term, Hezar-Too, can explain the complexity of the city, which has been interpreted as labyrinthine and maze-like accounting for the essence of the city and its form in an appropriate way. Looking at the city from this new point of view can help in observing it in its context and subsequently in discovering its real character.

This book responds to the lack of Asian representation in creative cities literature. It aims to use the creative cities paradigm as part of a wider process involving first, a rapid de-industrialisation in Asia that has left a void for new development models, resulting in a popular uptake of cultural economies in Asian cities; and second, the congruence and conflicts of traditional and modern cultural values leading to a necessary re-interpretation and re-imagination of cities as places for cultural production and cultural consumption. Focusing on the ‘Asian century’, it seeks to recognise and highlight the rapid rise of these cities and how they have stepped up to the challenge of transforming and regenerating themselves. The book aims to re-define what it means to be an Asian creative city and generate more dialogue and new debate around different urban issues.