Imagining Earth

While concepts of Earth have a rich tradition, more recent examples show a distinct quality: though ideas of wholeness might still be related to mythical, religious, or utopian visions of the past, "Earth" itself has become available as a whole. This raises several questions: How are the notions of one Earth or our planet imagined and distributed? What is the role of cultural imagination and practices of signification in the imagination of "the Earth"? Which theoretical models can be used or need to be developed to describe processes of imagining planet Earth? This collection invites a wide range of perspectives from different fields of the humanities to explore the means of imagining Earth.

This landmark work explores how our attitudes toward nature are mirrored in and influenced by poetry. Showing us a resurgent vision of harmony between nature and humanity in the work of some of our most widely read poets, Imagining the Earth reveals the power of poetry to identify, interpret, and celebrate a wide range of issues related to nature and our place in it.

Beliefs in mysterious underworlds are as old as humanity. But the idea that the earth has a hollow interior was first proposed as a scientific theory in 1691 by Sir Edmond Halley (of comet fame), who suggested that there might be life down there as well. Hollow Earth traces the surprising, marvelous, and just plain weird permutations his ideas have taken over the centuries. From science fiction to utopian societies and even religions, Hollow Earth travels through centuries and cultures, exploring how each era's relationship to the idea of a hollow earth mirrored its hopes, fears, and values. Illustrated with everything from seventeenth-century maps to 1950s pulp art to movie posters and more, Hollow Earth is for anyone interested in the history of strange ideas that just won't go away.

The definitive history of Peter Jackson’s Middle-earth saga, Anything You Can Imagine takes us on a cinematic journey across all six films, featuring brand-new interviews with Peter, his cast & crew. From the early days of daring to dream it could be done, through the highs and lows of making the films, to fan adoration and, finally, Oscar glory.

While concepts of Earth have a rich tradition, more recent examples show a distinct quality: Though ideas of wholeness might still be related to mythical, religious, or utopian visions of the past, "Earth" itself has become available as a whole. This raises several questions: How are the notions of one Earth or our Planet imagined and distributed? What is the role of cultural imagination and practices of signification in the imagination of "the Earth"? Which theoretical models can be used or need to be developed to describe processes of imagining Planet Earth? This collection invites a wide range of perspectives from different fields of the Humanities to explore the means of imagining Earth.

Thomas Berry had a gentle yet mesmerizing and luminescent presence that was evident to anyone who spent time with him. His intellectual scope and erudite manner were compelling, and the breadth, depth, clarity, and elegance of his vision was breathtaking. Berry was an intellectual giant and cultural visionary of extraordinary stature. Thomas Berry’s vast knowledge of history, religions, and cultural histories is a unique blend revealing a genuine, original thinker. The ecological crisis, in all its manifestations, came to dominate Berry’s concerns. He perceived that the greatest need was to offer the possibility of a viable future for an Earth community. Many know of his proposal for a functional cosmology, the need for a new story, and a vital Earth sensitive spirituality. Few know of his rich and varied intellectual journey. The Intellectual Journey of Thomas Berry: Imagining the Earth Community is about the roots and insights hidden within his ecological, spiritual proposal. These essays, written by experts on Thomas Berry’s work, probe into, and reveal distinct themes that permeate his work, in gratitude for his contribution to the Earth.

Bringing together scholars from English literature, geography, politics, the arts, environmental humanities and sociology, Imagining Apocalyptic Politics in the Anthropocene contributes to the emerging debate between bodies of thought first incepted by scholars such as Mouffe, Whyte, Kaplan, Hunt, Swyngedouw and Malm about how apocalyptic events, narratives and imaginaries interact with societal and individual agency historically and in the current political moment. Exploring their own empirical and philosophical contexts, the authors examine the forms of political acting found in apocalyptic imaginaries and reflect on what this means for contemporary society. By framing their arguments around either pre-apocalyptic, peri-apocalyptic or post-apocalyptic narratives and events, a timeline emerges throughout the volume which shows the different opportunities for political agency the anthropocenic subject can enact at the various stages of apocalyptic moments. Featuring a number of creative interventions exclusively produced for the work from artists and fiction writers who engage with the themes of apocalypse, decline, catastrophe and disaster, this innovative book will be of great interest to students and scholars of the politics of climate change, the environmental humanities, literary criticism and eco-criticism.

Water, air, sunlight, plants . . . we need these elements to live in this world. But does the world need us? And what would happen to the world if humans were gone? This is the premise of a thought-provoking picture book from John Coy. His insightful text explores how nature would reclaim the planet, accompanied by Natalie Capannelli's gorgeous watercolor illustrations. Back matter gives further context and discusses what kids (and all of us) can do to truly help our planet.