Imagining Emperors In The Later Roman Empire

Imagining Emperors in the Later Roman Empire offers new critical analysis of the textual depictions of a series of emperors in the fourth century within overlapping historical, religious and literary contexts.

In this volume, nine contributions deal with the ways in which imperial power was exercised in the fourth century AD, paying particular attention to how it was articulated and manipulated by means of literary strategies and iconographic programmes.

"This book is the first modern scholarly monograph on the emperor Jovian (363-364). It offers a new assessment of his reign and argues that Jovian's reign was of more importance than assumed by most (ancient and modern) historians. This study argues that Jovian restored the Roman empire after the failed reign of Julian by returning to the policies of Constantius II and Constantine the Great. Jovian's general strategies were directed to get the Roman empire on its feet again militarily, administratively and religiously after the failed reign of his predecessor Julian (361-363) as well as to establish more peaceful relations with the Sasanid empire. For an emperor who ruled only eight months Jovian had an unexpected and surprising afterlife. The rarely studied and largely unknown Syriac Julian Romance offers a surprising and different perspective on person and reign of Jovian. In the Romance Jovian is presented as the ideal Christian emperor and a new Constantine. But the Romance is also an important source for Roman-Persian relations and the positioning of Syriac Christianity in the late antique world of Christendom"--

Panegyric, the art of publicly praising prominent political figures, occupied an important place in the Roman Empire throughout late antiquity. Orators were skilled political actors who manipulated the conventions of praise giving, taking great license with what they chose to present (or omit). Their ancient speeches are rare windows into the world of panegyrists, emperors, and their audiences. In Emperors and Rhetoricians, Moysés Marcos offers an original, comprehensive look at all panegyrics to and by Julian, who in 355/56 CE promoted himself as a learned caesar by producing his own panegyric on his cousin and Augustan benefactor, Constantius II. During key stages in his public career and throughout the time he held imperial power, Julian experimented with and utilized panegyric as both political communication and political opportunity. Marcos expertly mines this vast body of work to uncover a startlingly new picture of Julian the Apostate, explore anew the arc of his career in imperial office, and model new ways to interpret and understand imperial speeches of praise.

For centuries, Roman emperors ruled a vast empire. Yet, at least officially, the emperor did not exist. No one knew exactly what titles he possessed, how he could be portrayed, what exactly he had to do, or how the succession was organised. Everyone knew, however, that the emperor held ultimate power over the empire. There were also expectations about what he should do and be, although these varied throughout the empire and also evolved over time. How did these expectations develop and change? To what degree could an emperor deviate from prevailing norms? And what role did major developments in Roman society – such as the rise of Christianity or the choice of Constantinople as the new capital – play in the ways in which emperors could exercise their rule? This ambitious and engaging book describes the surprising stability of the Roman Empire over more than six centuries of history.

The Roman Imperial Court in the Principate and Late Antiquity examines the Roman imperial court as a social and political institution in both the Principate and Late Antiquity. By analysing these two periods, which are usually treated separately in studies of the Roman court, it considers continuities, changes, and connections in the six hundred years between the reigns of Augustus and Justinian. Thirteen case studies are presented. Some take a thematic approach, analysing specific aspects such as the appointment of jurists, the role of guard units, or stories told about the court, over several centuries. Others concentrate on specific periods, individuals, or office holders, like the role of women and generals in the fifth century AD, while paying attention to their wider historical significance. The volume concludes with a chapter placing the evolution of the Roman imperial court in comparative perspective using insights from scholarship on other Eurasian monarchical courts. It shows that the long-term transformation of the Roman imperial court did not follow a straightforward and linear course, but came about as the result of negotiation, experimentation, and adaptation.

Imperial Panegyric from Diocletianto Honorius examines one of the most importantliteratures of the late Roman period - speeches of praise addressed to the reigningemperor - and the panegyrical culture of the late Roman world more generally. Unlikemuch previous work on this topic, Imperial Panegyric takes a consciously comparativeapproach, especially between eastern and western, Greek and Latin texts. Each contributordraws upon evidence taken from multiple authors or from different kinds of panegyricin order to explore both the communal and the particular in this most idiosyncraticof media. The volume investigates to what extent therewas a unified concept of imperial panegyric, and how local circumstances shapedindividual speeches. It also considers the ways in which traditional forms of praise-givingrespond to fourth-century phenomena such as the expansion of Christianity, collegialrulership, and the decline of Rome as the political centre of the empire. Itscontributors include a roster of some of the most important names in the fieldof panegyric studies, both established researchers and the rising stars of thenew generation.

How was the Roman emperor viewed by his subjects? How strongly did their perception of his role shape his behaviour? Adopting a fresh approach, Panayiotis Christoforou focuses on the emperor from the perspective of his subjects across the Roman Empire. Stress lies on the imagination: the emperor was who he seemed, or was imagined, to be. Through various vignettes employing a wide range of sources, he analyses the emperor through the concerns and expectations of his subjects, which range from intercessory justice to fears of the monstrosities associated with absolute power. The book posits that mythical and fictional stories about the Roman emperor form the substance of what people thought about him, which underlines their importance for the historical and political discourse that formed around him as a figure. The emperor emerges as an ambiguous figure. Loved and hated, feared and revered, he was an object of contradiction and curiosity.