Imagining The Unimaginable

World War I had a profound influence on the aesthetics and politics of Russian culture, perhaps even more than the revolution. Looking at how the war changed Russian culture, especially visual art, Cohen shows how the wartime environment allowed iconoclastic modern art to flourish.

From the contents: How metaphors matter: Astolfo's lunar journey in the Orlando furioso. - Images proposed in Jest: Galileo's Sidereus nuncius and the dialogue. - The stuff that dreams are made of: Kepler's Somnium. - Worlds of words: Cyrano de Bergerac's Lune and Soleil. - Metaphors as systems of thought: Fontenelle, Cyrano, Wilkins and Huygens.

Nadine Gordimer has written of J.M. Coetzee that his vision goes to the nerve-centre of being. What he finds there is more than most people will ever know about themselves, and he conveys it with a brilliant writer's mastery of tension and elegance. Doubling the Point takes the reader to the center of that vision. These essays and interviews, documenting Coetzee's longtime engagement with his own culture, and with modern culture in general, constitute a literary autobiography.

Fiction. Poetry. ...AND OTHER DISASTERS, the smart and moving collection of short fiction and poetry from acclaimed author Malka Older, examines otherness, identity and compassion across a spectrum of possible existence. In stories about an AI built for empathy, a corps of fighting midwives traveling to a new planet, and a young anthropologist who returns to study the cultures of a dying Earth, Older's characters grapple with what it means to belong and be othered, to cling to the past and face the future, all while navigating a precarious world, riddled with natural and man-made disasters.

Through a thousand nights of love into a thousand days of poetry, love came to me wearing its thousand faces and thrillingly whispering words into my heart. I wanted to remember them and to share them with you so I wrote them all down with the uttermost care as my uttermost offering, by love and for love with all of my heart. Those words were these poems which are this book of a thousand nights of love into a thousand days of poetry, written down with the uttermost care, to remember and to share. And even and especially when it might not seem so, all these words in all their thousand ways share as their source and destination love, wearing its thousand faces and thrillingly whispering words, these words, into your heart through mine. I made this book for you and it is yours now. It had to be called LOVE because it is. Take it. Love, +Steven

World-renowned future forecaster, game designer, and NEW YORK TIMES bestselling author Jane McGonigal gives us the tools to imagine the future without fear. How can we be confident about making plans? How might we feel secure despite the future being unknown? How do we learn to feel at peace with the unexpected? Today it feels more challenging than ever to feel unafraid, hopeful, and equipped to face the future with optimism. How do we map out our lives when it seems impossible to predict what the world will be like next week, let alone next year or next decade? What we need now are strategies to help us recover our confidence and creativity in facing uncertain futures. By learning to think the unthinkable and imagine the unimaginable you can better plan for a future you'd like to see. And by seeing what's coming faster, you can adapt to new challenges, reduce anxiety, and build hope and resilience. 'An accessible, optimistic field guide to the future.'-San Francisco Chronicle 'Jane McGonigal is unusually adept at anticipating events that most of us can't even fathom. In this eye-opening, actionable book, she teaches you how to widen your peripheral vision, extend your imagination farther into the future, and conceive of the inconceivable.' Adam Grant, #1 Bestselling Author of Think Again __________ 'Top 10 innovators to watch' Business Week 10 most powerful women to watch' Forbes 'Top 100 creative people in business' Fast Company

Like its companion Seventy Moral (and Immoral) Polarities of the Everyday (2016), this volume is a set of seventy mini-meditations on opposite states of the moral or emotional life – goodness and badness, ugly and beautiful, quiet and raucous. Each item, in each polarity, is allowed to gather up a picture, a tale, or a logical adventure, and then to leave behind it multi-part reflections which play out in the reader’s mind. The operational energy here is partly prayer or mantra and partly half-completed logical conundrum. Is there a new form of private devotional at work here?

Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies. The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought. The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.