Imagining The World Into Existence

Reveals the secret language and words of power that enabled the ancient Egyptians to imagine the world into existence • Reveals ancient Egyptian Mystery teachings on immaculate conception, transubstantiation, resurrection, and eternal life • Explores the shamanic journeys that ancient Egyptian priests used to view the unconscious and the afterlife • Provides the essential spiritual tools needed to return to Zep Tepi, the creative source Drawing from the Egyptian Book of the Dead, the Pyramid texts, the Book of Thoth, and other sacred hieroglyphic writings spanning the three millennia of the Egyptian Mystery Traditions, Normandi Ellis reveals the magical language of creation and words of power that enabled the ancient Egyptians to act as co-creators with the gods. Examining the power of hieroglyphic thinking--how thoughts create reality--and the multiple meanings behind every word of power, the author shows how, with the Neteru, we imagine the world into existence, casting a spell of consciousness over the material world. Uncovering the deep layers of meaning and symbol within the myths of the Egyptian gods and goddesses, Ellis investigates the shamanic journeys that ancient Egyptian priests used to view the unconscious and the afterlife and shares their initiations for immaculate conception, transubstantiation, resurrection, and eternal life—initiations that later became part of the Christian mystery school. Revealing the words of power used by these ancient priests/sorcerers, she explains how to search for the deeper, hidden truths beneath their spells and shows how ancient Egyptian consciousness holds the secret of life itself. Revealing the initiatory secrets of the Osirian Mystery school, Ellis provides the essential teachings and shamanic tools needed to return to Zep Tepi--the creative source--as we face the transitional time of radical change currently at hand.

Reveals the secret language and words of power that enabled the ancient Egyptians to imagine the world into existence • Reveals ancient Egyptian Mystery teachings on immaculate conception, transubstantiation, resurrection, and eternal life • Explores the shamanic journeys that ancient Egyptian priests used to view the unconscious and the afterlife • Provides the essential spiritual tools needed to return to Zep Tepi, the creative source Drawing from the Egyptian Book of the Dead, the Pyramid texts, the Book of Thoth, and other sacred hieroglyphic writings spanning the three millennia of the Egyptian Mystery Traditions, Normandi Ellis reveals the magical language of creation and words of power that enabled the ancient Egyptians to act as co-creators with the gods. Examining the power of hieroglyphic thinking--how thoughts create reality--and the multiple meanings behind every word of power, the author shows how, with the Neteru, we imagine the world into existence, casting a spell of consciousness over the material world. Uncovering the deep layers of meaning and symbol within the myths of the Egyptian gods and goddesses, Ellis investigates the shamanic journeys that ancient Egyptian priests used to view the unconscious and the afterlife and shares their initiations for immaculate conception, transubstantiation, resurrection, and eternal life—initiations that later became part of the Christian mystery school. Revealing the words of power used by these ancient priests/sorcerers, she explains how to search for the deeper, hidden truths beneath their spells and shows how ancient Egyptian consciousness holds the secret of life itself. Revealing the initiatory secrets of the Osirian Mystery school, Ellis provides the essential teachings and shamanic tools needed to return to Zep Tepi--the creative source--as we face the transitional time of radical change currently at hand.

" something was happening deep inside him, like his heart wanted to yawn " "How foolish to begin once more to imagine his life as really worth living; to forget that no life is worth living; or rather, that being alive is hardly worth anything."

Seeking God is a Platonic dialogue on the nature of the religious experience and the conditions under which this experience is possible. The dialogue takes place between three characters, a philosopher, a Sufi, and a Christian monk. They meet in the Syrian Desert and share their views and experiences on what it takes to have a union with God. The main premise that is presented and analyzed in the dialogue is that God reveals himself in nature, human civilization, and the human heart. Love is the beginning and end of the path that leads to the quest for God and the light that illumines this path. Living from the standpoint of the Divine is the basis of the good life. This book presents a vivid picture of the beauty and sublimity of the Divine, the joy of the religious experience, and the joy of life.

Is Christian 'tradition' to be maintained as the absolute body of truth? Can it be used selectively depending on the preferences of individual believers? What can 'religious truth' possibly mean in our age of opinions and overwhelming cultural diversity? These are unsettling questions for Christians, their effect aggravated by our daily encounter with non-western cultures and non-Christian religions, and by the increasing presentation of secularism and atheism as the 'normal' way of life. In Never-Ending Prayer, Bert Hoedemaker outlines the continuing importance of tradition, while showing that in facing these challenges our understanding of tradition needs a 'reset'. Drawing on his own experiences of world Christianity, he reconstructs the Christian tradition in such a way that it no longer defines and defends itself as a specific body of concepts and practices over against 'the world' but as a living community originating in and remaining in interaction with humanity's permanent struggles. It is presented as a system of religious imagination in which prayer is the driving force and reconciliation is seen as the destination of humankind.

Richard Kearney has produced a new and revised paperback edition of his classic book Poetics of Imagining. This volume offers an accessible account of the major theories of imagination in modern European thought. It analyses and assesses the decisive contributions made to our understanding of the imaginary life of phenomenology (Husserl, Sartre, Merleau-Ponty, Bachelard), hermeuneutics (Heidegger, Ricoeur) and post-modernism (Vattimo, Kristeva, Lyotard). Richard Kearney achieves this with a coherent and committed approach which displays his own passionate concern for the claims of imagination in our post-modern world of fragmentation and fracture.

In early modern Europe, international law emerged as a means of governing relations between rapidly consolidating sovereign states, purporting to establish a normative order for the perilous international world. However, it was intrinsically fragile and uncertain, for sovereign states had no acknowledged common authority that would create, change, apply, and enforce legal norms. In Imagining World Order, Chenxi Tang shows that international world order was as much a literary as a legal matter. To begin with, the poetic imagination contributed to the making of international law. As the discourse of international law coalesced, literary works from romances and tragedies to novels responded to its unfulfilled ambitions and inexorable failures, occasionally affirming it, often contesting it, always uncovering its problems and rehearsing imaginary solutions. Tang highlights the various modes in which literary texts—some highly canonical (Camões, Shakespeare, Corneille, Lohenstein, and Defoe, among many others), some largely forgotten yet worth rediscovering—engaged with legal thinking in the period from the sixteenth to the eighteenth century. In tracing such engagements, he offers a dual history of international law and European literature. As legal history, the book approaches the development of international law in this period—its so-called classical age—in terms of literary imagination. As literary history, Tang recounts how literature confronted the question of international world order and how, in the process, a set of literary forms common to major European languages (epic, tragedy, romance, novel) evolved.

Many former members of European empires have demonstrated a need to overcome the colonial process and assert a "postcolonial" culture. Applying postcolonial analysis to Canadian literature, Margaret Turner argues that many nineteenth- and twentieth-century Canadian texts are engaged in the creation of a new discursive space and that new world conditions have decisively informed the discourse of fiction of English Canada.