Immersion Identification And The Iliad

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Immersion, Identification, and the Iliad explains why people care about this foundational epic poem and its characters. It represents the first book-length application to the Iliad of research in communications, literary studies, media studies, and psychology on how readers of a story or viewers of a play, movie, or television show find themselves immersed in the tale and identify with the characters. Immersed recipients get wrapped up in a narrative and the world it depicts and lose track to some degree of their real-world surroundings. Identification occurs when recipients interpret the storyworld from a character's perspective, feel emotions congruent with those of the character, and root for the character to succeed. This volume situates modern research on these experiences in relation to ancient criticism on how audiences react to narratives. It then offers close readings of select episodes and detailed analyses of recurring features to show how the Iliad immerses both ancient and modern recipients and encourages them to identify with its characters. Accessible to students and researchers, to those inside and outside of classical studies, this interdisciplinary project aligns research on the Iliad with contemporary approaches to storyworlds in a range of media. It thereby opens new frontiers in the study of ancient Greek literature and helps investigators of audience engagement from antiquity to the present contextualize and historicize their own work.

The contributions of this volume discuss the interfaces between memory and emotions in ancient literature, social life, and philosophy. They explore the ways in which memories intersect with emotions in the epics of Homer and Virgil, the importance of memory for the emotions scripts employed by public speakers to enhance the persuasiveness of their arguments, and ‘cultural memory’ in Philostratus’ Heroicus. Contributions that focus on aspects of ancient societies and politics investigate memory and emotions in the Bacchic-Orphic gold leaves, the importance of memories on inscriptions commemorating private and public emotions, and the ways in which emotive memories enhanced the monumentalizing project of Herodes Atticus in Greece. The essays emphasizing philosophical approaches to memory and emotions discuss Aristotle’s biological treatises and Augustine’s deployment of nostalgia and autobiographical narrative in the wider frame of his didactic programme. Modern approaches to embodied cognition are also employed to shed light on how memories attached to our bodily experiences can enhance the interpretation of Roman literature.

Despite extensive studies on Homer's techniques of formulaic composition, thus far the importance of duality in the construction of the "Iliad" and "Odyssey" has gone unnoticed. This study demonstrates that duality pervades the epics, from dual magical devices that protect Homeric heroes, to the dual structures upon which the poems are built. By elucidating patterns in Homer's use of duality, the study develops new insights into the methods of Homeric composition, and powerful new tools for the interpretation of his work.

Due to a lack of biographical evidence regarding the identity of Homer it has been suggested that the two great works attributed to him, the "Iliad" and the "Odyssey" may, in fact, be the work of multiple authors passed down through a long oral tradition. While scholarship on the subject will likely never definitely prove one way or the other, it is now generally accepted that these two great epic poems are the work of a single Greek author, Homer, who lived sometime during the 9th century BC. Set during a few weeks in the final year of the Trojan War, "The Iliad" is a classical epic poem concerning a quarrel between King Agamemnon and the warrior Achilles. While encompassing just a brief period of the Trojan War the poem relates events leading up to and following the few weeks that encompass the setting of the poem giving the reader a comprehensive perspective of the Trojan War. Part romanticized historical narrative, part mythological epic, the "Iliad" is widely recognized as one of the most important works from classical antiquity. Along with the "Odyssey", it would establish Homer as one the most influential authors to ever have lived. This edition is printed on premium acid-free paper, follows the prose translation of Samuel Butler, and includes an introduction by H. L. Havell.

A new, illustrated study of the Iliac tablets, a group of objects inscribed in miniature with epic episodes. Like the tablets themselves, Michael Squire tackles major themes through small ones, by relating their production to macroscopic problems of signification in Graeco-Roman antiquity.

Rare edition with unique illustrations and elegant classic cream paper. "The Iliad" is an epic poem by the ancient Greek poet Homer, which recounts some of the significant events of the final weeks of the Trojan War and the Greek siege of the city of Troy (which was also known as Ilion, Ilios or Ilium in ancient times). Written in the mid-8th Century BCE, "The Iliad" is usually considered to be the earliest work in the whole Western literary tradition, and one of the best known and loved stories of all time. Includes unique illustrations.

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