Impersonating Animals

"Drawing upon rhetorical studies and ecofeminism, Impersonating Animals interrogates competing rhetorics of animal rights law within the US legal system"--

Animals in Irish Literature and Culture spans the early modern period to the present, exploring colonial, post-colonial, and globalized manifestations of Ireland as country and state as well as the human animal and non-human animal migrations that challenge a variety of literal and cultural borders.

This book explores human–animal relations and species-based domination at the intersection of feminism with critique of our domination and exploitation of nonhuman animals, in conversation with power dynamics around coloniality and race, class, sexuality and embodiment. The collection demonstrates the continued vital importance of feminism – conceptually and theoretically, methodologically and politically – to the development of animal studies. Feminism has made an incisive critique of the ways in which gender and other intersecting differences and inequalities are constitutive of our destructive, exploitative and often violent relationships with nonhuman worlds. An international group of scholars and activists showcase new work, revisiting and extending established debates while negotiating new paths. Amongst the issues addressed in this collection will be questions of animal being and animal rights, caring relations, the relationships between activism and theory, interspecies sexual violence, tension in the animal defence movement around body politics, gender politics and professionalisation, different spaces of gender and animal relations from social media to sexology, safe spaces and sanctuaries, spaces of home – both in times of ‘business-as-usual’ and in times of lockdown. This multidisciplinary volume will be essential reading to students and academics working in the fields of cultural studies, criminology, geography, history, law, philosophy, politics and sociology, with interest in gender, environmentalism and animal studies. The editors work in the School of Applied Social Sciences at De Montfort University, Leicester, UK, and share interests in gender and species violence, environmental harms, social justice matters and intersected inequalities.

This book describes the transformation of humans into animals in a very matter-of-fact and scientific way. Various methods by which this may be achieved are identified as also are the ways in which the reverse transformation can be achieved.

A smart, witty and accessible guide to the rewarding and joyful practice of improvisation. Classic improv games and variations Telling stories and creating characters Using improv to make theatre and comedy, from monologues to full-scale productions An asset to students and teachers of improvisation in schools, drama schools, higher education and theatre groups, both professional and amateur. It will also be of benefit to organisations and individual readers who want to discover how improv stimulates creativity and confidence in all areas of life. The Improv Book opens up this exciting discipline to a wider audience.

For over fifty years, Hazel Barton has written articles and essays that deal with everything from aging, to animals, to famous places, to living in Texas and Nebraska, to her own reflections on life. These were most recently published in the San Marcos Record in San Marcos, Texas. Her articles became so popular that people waited anxiously for her next editorial for it always dealt with the human spirit in a way that was clearly unique. A favorite was her series with "Spook," her cat, always on hand to help her clarify her philosophy. Hazel's life has almost spanned the century, and her wisdom is precious, indeed. You will want to linger on every entry.

Thousands of years after humanity colonized other worlds, only seven of those have allied as the Galactic Commonwealth. These seven, self-styled, enlightened worlds set themselves apart from hundreds of so-called barbarian worlds. While the worlds of the Commonwealth have access to superior technology, its literature has become formulaic and tame. Much of the folklore told on the known barbarian worlds, and by the starfarers who travel between them, has roots in an ancient Earth literature, once known as the Arabian Nights Entertainments. A sampling of the coarse and unsophisticated, yet less predictable and bland, literature and folklore of the barbarian worlds is presented here as 1,001 Lightyears Entertainments. Contents: In the Bag Life Changing Encounters A Girl of Gloune The Dog's Golden Dish The Beauty with Incredible Feet Hafwen's Tale The War of Men and Jinn Hafwen Concludes her Tale The Collector Nouredan and Nesjella Before the Cock Crows The Bard Who Kept His Head New Directions

This Is The First Volume Of The Six-Volume History Of Indian Theatre. Written By An Eminent Scholar M.L, Varadpande This Veritable Encyclopedia Speaks About An Early Phase Of India S Theatre History, Which Also Is The History Of India S Fine Arts. For The First Time The Origin And Evolution Of Theatrical Arts In India Is Traced In An Elaborate Manner Providing An Insight Into One Of The Oldest Theatrical Traditions Of The World. The Book Draws From The Sources Including Mesolithic Cave Paintings, Ancient Archaeological Finds And Mass Of Literature Belonging To The Vedic And Buddhist Era To Give You The Complete Picture Of India S Theatre History.In A Lucid Style It Tells About Ritualistic Dances And Hunt Dramas Of Aboriginals; Statuettes Of Dancers, Jesters And String Manipulated Puppet Toys Belonging To Earliest Known Urban Civilization Of India The Indus Civilization; Dramatic Rituals Full Of Dancing, Singing And Music; The Dancing Gods And Compositions In Dialogue Form Of Early Aryans; The Troupes Of Actors Moving In The Country Enacting Humorous Plays And Erotic Dances; Efforts Of The State Administration To Impose Entertainment Tax And Strict Code Of Censors And The Flourishing Theatre Of The People. The Book Also Tells About The Advent Of Greeks In India And Their Theatrical Activities, Staging Of A Play Agen In The Military Camp Of Alexander The Great And The Play Written In Greek And Indian Languages Found In Egypt. It Discusses The Problem Of Greek Influence On Indian Theatre In Detail And Speaks About Indian View Of Theatre.This Well-Documented And Profusely Illustrated Work Presents An Enchanting Panorama Of India S Early Theatre History In A Manner At Once Scholarly And Interesting. Known For His Erudition And Profound Scholarship, M.L. Varadpande (B; 1936) Is An Eminent Theatre Historian Of India. His Major Works Published By Abhinav Publications Are Traditions Of Indian Theatre, Ancient Indian And Indo-Greek Theatre, Religion And Theatre And Krishna Theatre In India. His Other Well-Known Works On Indian Theatre Are Invitation To An Indian Theatre And The Critique Of Indian Theatre (Ed.). The Sahita Akademi, India S National Academy Of Letters, Has Published His Book Shripad Krishna Kolhatkar In Marathi (Out Of Print), Hindi (Second Edition) And Punjabi. It Is Now Being Translated Into English. His Forthcoming Works Are The Mahabharata In Performance And Ankia Nat: Vaishnava Opera Of Assam. As A Research Fellow Of The Indian Council Of Historical Research He Is Working On The Research Project Temple Theatre In India.