Impossible Bodies

Impossible Bodies investigates issues of ethnicity, gender, and sexuality in contemporary Hollywood. Examining stars from Arnold Schwarzenegger and Clint Eastwood, to Whoopi Goldberg and Jennifer Lopez, Holmlund focuses on actors whose physique or appearance marks them as unusual or exceptional, and yet who occupy key and revealing positions in today's mainstream cinema. Exploring a range of genres and considering both stars and their sidekicks, Holmlund examines ways in which Hollywood accommodates - or doesn't - a variety of 'impossible' bodies, from the 'outrageous' physiques of Dolph Lundgren and Dolly Parton, to the almost-invisible bodies of Asian-Americans, Latinas and older actors.

Brings sophisticated but accessible theoretical tools together with ethnographic data from real schools Demonstrates the inseparability of categories such as gender, sexuality, race, ethnicity, class, ability, disability, special needs Develops tools for understanding the relationships between schools, subjectivities, and students as learners Works across national contexts to show the wide applicability of these tools Problematises narrow understandings of inclusion found in contemporary policy Explores a new politics for interrupting educational inequalities

The Impossible Arises explores the life and work of Oscar Reutersvärd (1916–2002), founder of the Impossible Figures movement. The movement began in Stockholm in 1934 when eighteen-year-old Reutersvärd drew the first impossible triangle. Over the course of his life he would go on to draw around 4000 impossible figures and be honored by the Swedish government with an issue of stamps showing his work. Based on a large collection of Reutersvärd's art and correspondence held at the Lilly Library at Indiana University Bloomington, the lavishly illustrated Impossible Arises examines the evolution of Reutersvärd's impossible figures and how they influenced other modern artists in the later twentieth century. The Impossible Arises offers a detailed look at the philosophy guiding Reutersvärd's art and presents a rich array of stories from his eccentric personal life. It is an essential introduction to the life and career of one of the most fascinating artists of the twentieth century.

Architecture and design have been used to exert control over bodies, across lines of class, gender and race. They regulate access to certain spaces and facilities, impose physical or psychological barriers, and make particular activities possible for specific groups. Built in 1951, the War Memorial Gymnasium at the University of British Columbia is a prize-winning example of modernist architecture. Although conceived to honour the dead of World War II, it was far from being a neutral memorial and gymnasium for everyday athletes. This collection shows what the design, construction and shifting functions and spatial configurations of the building reveal about the values and aspirations of the university in the post-war years. It shows how the building reflected the social and power relations among university administrators, architects and planners, faculty, staff and students, and demonstrates how the culture and structure of the gymnasium responded to changing attitudes to competition, discipline, profession, gender, race and health. As the editors explain, built form has politics, and culture - sporting culture - is just politics by another name.

In Manhood Impossible, Scott Melzer argues that boys’ and men’s bodies and breadwinner status are the two primary sites for their expression of control. Controlling selves and others, and resisting being dominated and controlled is most connected to men’s bodies and work. However, no man can live up to these culturally ascendant ideals of manhood. The strategies men use to manage unmet expectations often prove toxic, not only for men themselves, but also for other men, women, and society. Melzer strategically explores the lives of four groups of adult men struggling with contemporary body and breadwinner ideals. These case studies uncover men’s struggles to achieve and maintain manhood, and redefine what it means to be a man.

A mob boss’s right-hand man must track down a missing cache of heroin The corpse isn’t anybody special—a low-level drug courier—but it has been so long since the organization’s last grand funeral that Nick Rovito decides to give the departed a big send-off. He pays for a huge church, a procession of Cadillacs, and an ocean of flowers, and enjoys the affair until he learns the dead man is going to his grave wearing the blue suit. Rovito summons Engel, his right-hand man, and tells him to get a shovel. Inside the lining of the blue suit jacket is $250,000 worth of uncut heroin, smuggled back from Baltimore the day the courier died. When Engel’s shovel strikes coffin, he braces himself for the encounter with the dead man. But the coffin is empty, the heroin gone, and Engel has no choice but to track down the missing body or face his boss’s wrath.

The Atlas of Reality: A Comprehensive Guide to Metaphysics presents an extensive examination of the key topics, concepts, and guiding principles of metaphysics. Represents the most comprehensive guide to metaphysics available today Offers authoritative coverage of the full range of topics that comprise the field of metaphysics in an accessible manner while considering competing views Explores key concepts such as space, time, powers, universals, and composition with clarity and depth Articulates coherent packages of metaphysical theses that include neo-Aristotelian, Quinean, Armstrongian, and neo-Humean Carefully tracks the use of common assumptions and methodological principles in metaphysics

The most important work of the towering intellectual of the Middle Ages, Thomas Aquinas’s Summa Theologiae remains one of the great seminal works of philosophy and theology, while extending to subjects as diverse as law and government, sacraments and liturgy, and psychology and ethics. In his third and final part of the Summa Theologiae, Thomas Aquinas begins to address the life of Christ, lived out both in Jesus himself, and in each of the baptized through the sacraments.