Impressions Of Cape Breton

First published in 1986, now revised and with new chapters added, Impressions of Cape Breton gathers together descriptive impressions of Cape Breton Island, dating from 1634 to 1941, as selected by historian Brian Douglas Tennyson. Some of the impressions are overwhelmingly positive – “Sydney harbour is justly considered one of the finest ports in America” – some are harsh – “nothing but the most absolute necessity can possibly induce me to pass another year here” – and some downright amusing – “In no place of similar size in British America, will you find gentlemen possessed of more general information, or ladies of better tone and manners.”

Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.

Biff and whiff, baker’s fog and lu’sknikn, pie social and milling frolic – these are just a few examples of the distinctive language of Cape Breton Island, where a puck is a forceful blow and a Cape Breton pork pie is filled with dates, not pork. The first regional dictionary devoted to the island’s linguistic and cultural history, the Dictionary of Cape Breton English is a fascinating record of the island’s rich vocabulary. Dictionary entries include supporting quotations culled from the editors’ extensive interviews with Cape Bretoners and considerable study of regional variation, as well as definitions, selected pronunciations, parts of speech, variant forms, related words, sources, and notes, giving the reader in-depth information on every aspect of Cape Breton culture. A substantial and long-awaited work of linguistic research that captures Cape Breton’s social, economic, and cultural life through the island’s language, the Dictionary of Cape Breton English can be read with interest by Backlanders, Bay byes, and those from away alike.

Interpretations of Canada's emerging identity have been largely based on a relatively small corpus of literary writing and landscape paintings, overlooking the influence of the British and American travel writers who published hundreds of books and articles that did much to fix the image of Canada in the popular imagination. In Fashioning the Canadian Landscape, J.I. Little examines how Canada, much like the United States, came to be identified with its natural landscape. Little argues that in contrast to the American identification with the wilderness sublime, however, Canada’s image was strongly influenced by the picturesque convention favoured by British travel writers. This amply illustrated volume includes chapters ranging from Labrador to British Columbia, some of which focus on such notable British authors as Rupert Brooke and Rudyard Kipling, and others on talented American writers such as Charles Dudley Warner. Based not only on the views of the landscape but on the racist descriptions of the Indigenous peoples and the romanticization of the Canadian ‘folk’, Little argues that the national image that emerged was colonialist as well as colonial in nature.

This is the timeless story of a young boy and his grandfather. It is a voyage of discovery that starts for both of them when young Clive arrives one summer at his grandfather's farm in Cape Breton. Clive, eith all the uncertainty of approaching adolescence, has only the vaguest impression of what a cow looks like and what is expected of him.Under the gentle guidance and wry wit of his Acadian grandfather he learns how to gallop a horse without falling off, how to save the hay crop from from an approaching storm, and how to assist with the birth of a calf. This is a story of Grand Étang, a humorous, sensuous vibrant place, and of a boy growing up wise one summer in Cape Breton.

Presbyterianism was not only the largest and most influential Protestant denomination in the Maritimes during much of the nineteenth and early twentieth centuries but also one of the largest and most influential Protestant denominations in Canada. While t