In A Manner Of Speaking

Discover the many twists and turns through history that led to the language, accents and turns of phrase which make up modern English

What do “the whole kit and caboodle,” “the whole shebang,” “the whole megillah,” “the whole enchilada,” “the whole nine yards,” “the whole box and dice,” and “the full Monty” have in common? They’re all expressions that mean “the entire quantity,” and they’re all examples of the breadth and depth of the English-speaking world’s vocabulary. From the multitude of words and phrases in daily use, the author of this delightful exploration into what we say and why we say it zeroes in on those expressions and sayings and their variations that are funny, quirky, just plain folksy, or playfully dressed up in rhyme or alliteration. Some may have become clichés that, as it’s said with “tongue in cheek,” should be “avoided like the plague.” Others have been distorted, deemed politically incorrect, or shrouded in mystery and must bear some explanation. Among the topics the author delves into are expressions that shouldn’t be taken literally (“dressed to kill” and “kick the bucket”), foreign expressions that crept into English (“carte blanche,” “carpe diem,” and “que sera, sera”), phrases borrowed from print ads and TV commercials (“where there’s life, there’s Bud” and “where the rubber meets the road”), animal images (“a barrel of monkeys” and “chasing your tail”), and food and drink (“cast your bread upon the water,” “chew the fat,” “bottom’s up!”, and “drink as a lord”). Here’s a book for everyone who delights in the mysteries of language and the perfect gift for all the “wordies” in your life.

David Graeber is not only one of the most important living thinkers, but also one of the most influential. However, he is one of the very few engaged intellectuals who has a proven track record of effective militancy on a world scale. It is possible that no one has had such an impact on the international left as he has. Graeber is perhaps the living intellectual who has offered up the most credible paths for exiting capitalism-- as much through his greater concepts of debt, bureaucracy, or "bullshit jobs" as through his crucial involvement in the Occupy Wall Street movement, which led to his more-or-less involuntary exile. In short, when we proposed doing a book of interviews with him and Assia Turquier-Zauberman, we were not only soliciting a first-rate intellectual, but a veritable modern hero on the order of Julian Assange, Edward Snowden, Linus Torvald, Aaron Swartz, and Elon Musk. Having claimed to be an anarchist from the first, we wanted to ask Graeber not only about the history of anarchy, but also about its contemporary relevance and future. We also wanted to explore the ties between anthropology and anarchism, and the traces of its "DNA" in the Occupy Wall Street and Yellow Vest movements. Finally, we wanted to ask him about the meaning of anarchist ethics, not only in their political scope, but also in terms of art, love, sexuality, etc. With astonishing humor, verve, and erudition, this book contributes to the redefnining of the contours of what could be (in the words of Kropotkine) "anarchist morality" today

While this book primarily discusses manner of speaking verbs in English, data from other languages, such as Romanian, Italian, German and others, set the scene for a series of important questions from the point of view of crosslinguistic variation.

The work of writing closed captions for television and DVD is not simply transcribing dialogue, as one might assume at first, but consists largely of making rhetorical choices. For Sean Zdenek, when captioners describe a sound they are interpreting and creating contexts, they are assigning significance, they are creating meaning that doesn t necessarily exist in the soundtrack or the script. And in nine chapters he analyzes the numerous complex rhetorical choices captioners make, from abbreviating dialogue so it will fit on the screen and keep pace with the editing, to whether and how to describe background sounds, accents, or slurred speech, to nonlinguistic forms of sound communication such as sighing, screaming, or laughing, to describing music, captioned silences (as when a continuous noise suddenly stops), and sarcasm, surprise, and other forms of meaning associated with vocal tone. Throughout, he also looks at closed captioning style manuals and draws on interviews with professional captioners and hearing-impaired viewers. Threading through all this is the novel argument that closed captions can be viewed as texts worthy of rhetorical analysis and that this analysis can lead the entertainment industry to better standards and practices for closed captioning, thereby better serve the needs of hearing-impaired viewers. The author also looks ahead to the work yet to be done in bringing better captioning practices to videos on the Internet, where captioning can take on additional functions such as enhancing searchability. While scholarly work has been done on captioning from a legal perspective, from a historical perspective, and from a technical perspective, no one has ever done what Zdenek does here, and the original analytical models he offers are richly interdisciplinary, drawing on work from the fields of technical communication, rhetoric, media studies, and disability studies."

"Public Speaking for Criminal Justice Professionals: A Manner of Speaking is the first of its kind public speaking guide specifically written for criminal justice professionals, written by a criminal justice professional. Author Thomas Mauriello has worked his entire professional career both as a practitioner and as an educator in the fields of criminal justice and forensic science. This book would identify the public speaking skills he has learned, used, and taught to thousands of criminal justice, forensic science, security, and counterintelligence professionals over the years. A Manner of Speaking will improve the reader's presentation skills whether they are preparing to speak to one or one thousand people. It will improve the skills of the experienced speaker while providing a basic foundation for the beginner. The book will include techniques for speaking with confidence, choosing the right audio-visual technologies, and how-to strategies for satisfying the needs and expectations of an audience. 55+ proven effective presentation tools will be listed, discussed, and demonstrated throughout the book using illustrated criminal justice and forensic sciences topic examples. Knowing your subject or being an expert in the subject does NOT guarantee a successful presentation. Aristotle, who many recognize as the Father of Public Speaking and Forensic Debate said it best when he declared, "It is not enough to know what to say, one must know how to say it." This guide would focus on technique and the recognition that a speaker must focus on both the subject and the listener. The purpose is to both engage and, thereby, inform the listener. This book is written to either be read from cover-to-cover-to fine tune the reader's existing oral communication skills-or read in a modular, as a reference guide to focus on certain skills and techniques. It can be used by both criminal justice professionals, but equally by professionals in other fields since the same skills and understanding is required in nearly all disciplines"--

This reference book is primarily a procedural work which examines the many forms, customs, and practices which have been developed and established for the House of Commons since Confederation in 1867. It provides a distinctive Canadian perspective in describing procedure in the House up to the end of the first session of the 36th Parliament in Sept. 1999. The material is presented with full commentary on the historical circumstances which have shaped the current approach to parliamentary business. Key Speaker's rulings and statements are also documented and the considerable body of practice, interpretation, and precedents unique to the Canadian House of Commons is amply illustrated. Chapters of the book cover the following: parliamentary institutions; parliaments and ministries; privileges and immunities; the House and its Members; parliamentary procedure; the physical & administrative setting; the Speaker & other presiding officers; the parliamentary cycle; sittings of the House; the daily program; oral & written questions; the process of debate; rules of order & decorum; the curtailment of debate; special debates; the legislative process; delegated legislation; financial procedures; committees of the whole House; committees; private Members' business; public petitions; private bills practice; and the parliamentary record. Includes index.