In A Time Of Plague

Shakespeare in the Time of Plague takes place in England mostly during a period of frequent episodes of bubonic plague, which greatly affected London for long stretches of time. No one was immune to the misery and death the plague produced, particularly in the poorer parishes of London. Daniel Defoe described the great plague in London of 1665 from survivor accounts, but much of the response to that plague was based upon laws and regulations laid down by King James I during the plague visitation of 1603-1609. It was, also, a time when Shakespeare wrote some of his greatest plays, including Hamlet, Macbeth and Lear. Losses animate the lead characters in those plays in complicated ways, e.g.: Hamlet loses his father and becomes obsessed with it, and cannot move on, until he finally is joined with his father in death. Macbeth's ambition leads him to destroy all those who have helped him and blinds him to his own fatal end. Lear rages on when his children abandon him. Shakespeare may have drawn upon responses he observed in reactions to the conditions of the plague around him.

This is a collection of original poems by Christopher Bursk. The poems are inspired by Vergil's Aeneid and deal with modern issues of love, loss, family, masculinity, and more. Many of the epigraphs are in Latin from the Aeneid and some are translated into English.

Original essays by distinguished scholars from many disciplines examine the many ways in which diseases have been defined throughout the ages and how they, and their victims, are considered today. Included are chapters on responses to plague in early modern Europe, plagues and morality, AIDS and the tradition of homophobia, and pandemics as natural evolutionary phenomena. Annotation copyrighted by Book News, Inc., Portland, OR

Examines how our beliefs and sources of faith determine our understanding of the afflictions of our time and the ways in which we respond to them personally, professionally, and publicly, from a Christian perspective. Looks at how various European and American authors present issues as plagues, and offers choices for decisions and the placing of our faith. Authors discussed include Camus, Thoreau, Dickens, Hesse, and Dickinson. Annotation copyrighted by Book News, Inc., Portland, OR

This Element examines the emergence of comprehensive plague management systems in early modern France. While the historiography on plague argues that the plague of Provence in the 1720s represented the development of a new and 'modern' form of public health care under the control of the absolutist monarchy, it shows that the key elements in this system were established centuries earlier because of the actions of urban governments. It moves away from taking a medical focus on plague to examine the institutions that managed disease control in early modern France. In doing so, it seeks to provide a wider context of French plague care to better understand the systems used at Provence in the 1720s. It shows that the French developed a polycentric system of plague care which drew on the input of numerous actors combat the disease.

As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio’s Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio’s collection of novelle was, in Guido Ruggiero’s words, a “symphony of life.” Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio’s world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron’s cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo—the people, fractious and enterprising. Boccaccio’s stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment.

Plague and Public Health in Early Modern Seville offers a reassessment of the impact of plague in the early modern era, presenting sixteenth-century Seville as a case study of how municipal officials and residents worked together to create a public health response that protected both individual and communal interests. Similar studies of plague during this period either dramatize the tragic consequences of the epidemic or concentrate on the tough "modern" public health interventions, such as quarantine, surveillance and isolation, and the laxness or strictness of their enforcement. Arguing for a redefinition of "public health" in the early modern era, this study chronicles a more restrained, humane, and balanced response to outbreaks in 1582 and 1599-1600 Seville, showing that city officials aimed to protect the population but also maintain trade and commerce in order to prevent economic disruption. Based on extensive primary sources held in the municipal archive of Seville, the work argues that a careful reading of the records shows a critical difference between how plague regulations were written and how they were enforced, a difference that reflects an unacknowledged process of negotiation aimed at preserving balance within the community. The book makes important contributions to the study of early modern city governance and to the historiography of epidemics more broadly. Kristy Wilson Bowers received her PhD from Indiana University and teaches in the History Department at Northern Illinois University.