Love And Sex In The Time Of Plague

As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio’s Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio’s collection of novelle was, in Guido Ruggiero’s words, a “symphony of life.” Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio’s world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron’s cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo—the people, fractious and enterprising. Boccaccio’s stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment.

Never ending love, sex, violence, abuse, intrique in the underworld of sexual investigations and politics. A love story spun through separations and union of those fighting the abuse found in everyday relationships.

Redreaming the Renaissance seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.

What is the point of inventing stories when reality eclipses imagination? A little way off in the future, during a time of plague and profound social collapse, a group of friends escapes to a house in the country where they entertain themselves by playing music, eating, drinking and telling stories about their lives. There are tales of thieves and pirates, deaths and a surprise birth, a freak wave and many other stories of misadventure resulting in unexpected felicity. The Deck borrows the motifs of Giovanni Boccaccio’s 14th-century masterpiece, The Decameron, in which another small group gathered to avoid contagion and passed the time telling stories. But what is the role of fiction, this novel asks, as civilisation falters?

Lover's in the Time of Plague The Answers, is my final book in the trilogy of the incredibly accepted Lover's in the Time of Plague series concerning both a love story, a professional search for answers and the difficult and dangerous world of treating and advocating young persons who have been abused especially those abused by political or power structures. When readers read my book they often feel, unfortunately close to incidents in their lives they have kept secret for decades o9ut of fear and threats by perpetrators. They have also kept silent by a lack of education and knowledge of what actually defines abuse and especially sexual abuse leading the perpetrators to continue abusing and worse teaching others to abuse. The writing comes from my educational and profession background as an educator and clinician who has been working along side some of America's best clinicians. It is gutsy, valid and insightful and its purpose is to energize others to rid America of this plague. It is also a love story. The codes of professional standards do not allow patient confidences to be disclosed and do not condone staff relationships. The clinicians in the books are outside of their research, often in different paths, lovers who have created for themselves and as a model for others a relationship of spiritual and human love that transcends the usual prescribed guidelines of relationships. Thus, the love story is deep and gives human beings a possibility of what is possible when we are thoroughly educated not for the purposes of power structures to use our reproduction for their means but for love, for peace, for God given happiness. Theirs is not a perfect life. The slings and arrows thrown by life's foibles threatened and harm even them. However, it is the strength of their love that allows them the strength to health others and prevent others from continuing to be abused.

From the award-winning journalist and author, a lyrical, raw and humane investigation of dementia that explores both the journeys of the people who live with the condition and those of their loved ones After a diagnosis of dementia, Nicci Gerrard’s father, John, continued to live life on his own terms, alongside the disease. But when an isolating hospital stay precipitated a dramatic turn for the worse, Gerrard, an award-winning journalist and author, recognized that it was not just the disease, but misguided protocol and harmful practices that cause such pain at the end of life. Gerrard was inspired to seek a better course for all who suffer because of the disease. The Last Ocean is Gerrard’s investigation into what dementia does to both the person who lives with the condition and to their caregivers. Dementia is now one of the leading causes of death in the West, and this necessary book will offer both comfort and a map to those walking through it. While she begins with her father’s long slip into forgetting, Gerrard expands to examine dementia writ large. Gerrard gives raw but literary shape both to the unimaginable loss of one’s own faculties, as well as to the pain of their loved ones. Her lens is unflinching, but Gerrard honors her subjects and finds the beauty and the humanity in their seemingly diminished states. In so doing, she examines the philosophy of what it means to have a self, as well as how we can offer dignity and peace to those who suffer with this terrible disease. Not only will it aid those walking with dementia patients, The Last Ocean will prompt all of us to think on the nature of a life well lived.

The romantic and practical entanglements practiced by the working class, gentry, nobility, and even the Queen—from the author of Scandalous Liaisons. Most people have always been interested in sex, love and marriage. Now, this entertaining and informative book explores the surprisingly varied and energetic sex and love lives of the women and men of Queen Elizabeth’s England. A range of writers, from the famous, such as Shakespeare, John Donne and Ben Jonson, and lesser-known figures popular in their time, provide, in their witty stories, poems and plays, vivid pictures of Elizabethan sexual attitudes and experiences, while sober reports from the church courts tell of seductions, adulteries and rapes. Here we also encounter private journals and scenes from ordinary marriages, with complaints of women’s fashions, bossy wives and domineering husbands. Besides this, there are accounts of the busy whores of London brothels, homosexual activity and the Court’s amorous carousel of predatory aristocrats, promiscuous ladies and hopeful maids of honour. We conclude with the frustrations of The Virgin Queen herself. This lively review of Elizabethan sexuality, in its various forms, much of it brought together for the first time, should intrigue and amuse anyone with an interest in history, and how love used to be lived, “in good Queen Bess’s golden days.” “A unique look at love and marriage in the late Tudor dynasty.” —Adventures of a Tudor Nerd “Informative and, at times, funny . . . stories and accounts that seem to make Elizabethan England jump off the page at you.” —Love British History

Literary and Visual Representations of HIV/AIDS: Forty Years Later depicts how film and literature about the HIV/AIDS crisis expand upon the issues generated by the epidemic. This collection fills an important gap in the scholarship on HIV/AIDS, by bringing together essays by both established and junior scholars on visual and literary representations of HIV/AIDS. Almost forty years after the first reported cases of what would later be defined as AIDS, this book looks back across the decades at works of literature and film to discuss how the representation of HIV/AIDS has shifted in media. This book argues that literature constitutes a very powerful response to AIDS that ripples into film and politics, driving the changes in past and contemporary representations of HIV/AIDS. The book also expands discussion of the issues generated and amplified by the epidemic to consider how HIV/AIDS has been portrayed in the United States, Western and Southern Africa, Western Europe, and East Asia.