In Search Of Lost Futures

In Search of Lost Futures asks how imaginations might be activated through practices of autoethnography, multimodality, and deep interdisciplinarity—each of which has the power to break down methodological silos, cultivate novel research sensibilities, and inspire researchers to question what is known about ethnographic process, representation, reflexivity, audience, and intervention within and beyond the academy. By blurring the boundaries between the past, present, and future; between absence and presence; between the possible and the impossible; and between fantasy and reality, In Search of Lost Futures pushes the boundaries of ethnographic engagement. It reveals how researchers on the cutting edge of the discipline are studying absence and grief and employing street performance, museum exhibit, anticipation, or simulated reality to research and intervene in the possible, the impossible, and the uncertain.

A timely and compelling argument for a revitalized and restructured global politics The future seems increasingly uncertain. Our democracies are failing to prevent financial crises, energy shortages, climate change, and war--so how can we look to the future with confidence? Jan Zielonka argues that it is democracy's shortsightedness that makes politics stumble in our increasingly connected world. With our governments still confined to the borders of nation-states, defending the short-term interests of present-day voters, the consequences for future generations are dire. In this incisive account, Zielonka makes a bold case for a new politics of time and space. He considers how democracy should adjust to the world of high speed, and he questions our everyday experiences as citizens: Is it acceptable for authorities and firms to monitor our whereabouts? Why is the distribution of time and space so unequal? And, most crucially, can we construct a new system of governance that will allow us to plan ahead with certainty?

'Lost Futures' casts a detailed look at the wide range of buildings constructed in Britain between 1945 and 1979. Although their bold architectural aspirations reflected the forward-looking social ethos of the postwar era, many of these structures have since been either demolished or altered beyond recognition. In this volume, photographs taken at the time of the buildings' completion are accompanied by expert research examining their design and creation, the ideals they embodied and the reasons for their eventual destruction. 'Lost Futures' covers many buildings, from housing to factories, commercial spaces to power stations, and presents the work of both iconic and lesser-known architects. The author charts the complex reasons that led to the loss of these postwar projects' ambitious futures, and assesses whether some might one day be restored. AUTHOR: British architecture historian and curator Owen Hopkins is the author of several popular architecture books, including 'Reading Architecture: A Visual Lexicon', 'Architectural Styles: A Visual Guide' and 'Mavericks: Breaking the Mould of British Architecture'. His scholarly interests have ranged from Nicholas Hawksmoor's Baroque grandeur to Alison and Peter Smithson's Brutalism, taking in everything in between.

When her brother dies tragically, Clare suddenly finds herself living several different lives--in a mental ward in one, doomed to a failed relationship in another, and with her dead brother in a third. Original.

Three years ago, Rob Stone managed to survive time-traveling assassins from the future. Abandoned by his protector and daughter, Jane, he has decided to put his life back together. That means going to college and working for the corrupt Butterfly Corporation as an intern. Rob believes it is possible to change the dystopian company from the inside and avert the world where he becomes the infamous anti-coporate terrorist known as the Scorpion. Unfortunately, history isn't as easily averted as Rob might think. The forces that brought about the Scorpion are still present and Butterfly continues on its path to becoming the world's tyrannical ruler. Worse, his assassins may no longer be the only people attempting to tamper with the past.

Emerging Technologies / Life at the Edge of the Future invites us to think forward from our present moment of planetary, public and everyday crisis, through the prism of emerging technologies. It calls for a new ethical, responsible and equitable path towards possible futures, curated through in-depth engagement with and across experiential, environmental and technological possibilities. It tackles three of the most significant challenges for contemporary society by asking: how emerging technologies are implicated in the sites of everyday lives; what place emerging technologies have in an evolving world in crisis; and how we might better imagine and shape ethical, equitable and responsible futures. The book interweaves three narratives, each of which advances three sets of concerns for our societal futures: ‘Emergence’, which addresses futures, trust and hope; ‘Worlds’, which addresses data, air and energy; and ‘Technologies’, which addresses the future of mobilities, homes and work. Not simply a critical study of emerging technologies, this book is also an approach to thinking and practice in times of global crisis that plays out a mode of future-focused scholarship and action for the first half of the twenty-first century.

How does an urban community come to terms with the loss of its future? The former socialist model city of Hoyerswerda is an extreme case of a declining postindustrial city. Built to serve the GDR coal industry, it lost over half its population to outmigration after German reunification and the coal industry crisis, leading to the large-scale deconstruction of its cityscape. This book tells the story of its inhabitants, now forced to reconsider their futures. Building on recent theoretical work, it advances a new anthropological approach to time, allowing us to investigate the postindustrial era and the futures it has supposedly lost.

This book is an in-depth study of the category "stranger" as represented in four contemporary Afrodiasporic novels of female authorship: Chimamanda Ngozi Adichie’s Americanah, Sefi Atta’s A Bit of Difference, NoViolet Bulawayo’s We Need New Names and Imbolo Mbue’s Behold the Dreamers. Examined from an interdisciplinary perspective that brings together different approaches to the figure of the stranger and Affect Theory, the plurality of experiences of estrangement, disorientation and unbelonging portrayed in these texts allows expansion upon Sara Ahmed’s (2000) investigation of "stranger fetishism" and, in so doing, contributes to the recent call for a more nuanced understanding of the idea of "stranger". In particular, the critical and comparative study of the different migration experiences of the protagonists reveals that, within the framework of the contemporary African diaspora to the West, "strange(r)ness" is a situated, embodied and emotional condition that depends on the politics of location and of identity from which it emerges. This book will particularly appeal to scholars and students in the fields of Postcolonial Studies, African Diaspora Studies and Black Women’s Literature, and will also be suitable for students at graduate and advanced undergraduate levels in English Studies.