In Search Of Our Warrior Mothers

The Black Arts Movement (1965–76) consisted of artists across the United States deeply concerned with the relationship between politics and the black aesthetic. In Search of Our Warrior Mothers examines the ways in which black women playwrights in the movement advanced feminist and womanist perspectives from within black nationalist discourses. La Donna L. Forsgren recuperates the careers, artistic theories, and dramatic contributions of four leading playwrights: Martie Evans-Charles, J.e. Franklin, Sonia Sanchez, and Barbara Ann Teer. Using original interviews, production recordings, playbills, and unpublished manuscripts, she investigates how these women, despite operating within a context that equated the collective well-being of black people with black male agency, created works that validated black women's aspirations for autonomy and explored women's roles in the struggle for black liberation. In Search of Our Warrior Mothers demonstrates the powerful contributions of women to the creation, interpretation, and dissemination of black aesthetic theory, thus opening an interdisciplinary conversation at the intersections of theater, performance, feminist, and African American studies and identifying and critiquing the gaps and silences within these fields.

Outstanding Academic Title, CHOICE The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women’s, and theater history. This groundbreaking study documents how black women theater artists and activists—many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors—disseminated the black aesthetic and emboldened their communities. Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare, and three-time Tony-nominated writer and composer Micki Grant, La Donna L. Forsgren centers black women’s cultural work as a crucial component of civil rights and black power activism. Sistuhs in the Struggle is an essential collection for theater scholars, historians, and students interested in learning how black women’s art and activism both advanced and critiqued the ethos of the Black Arts and Black Power movements.

Expanded Third Edition with Marine Martial Art Update. In a top-secret U.S. military experiment, Richard Heckler was invited to teach Eastern awareness disciplines ranging from Aikido to meditation to a group of 25 Green Berets. This account chronicles his experiences in the training program and his attempts to revive traditional warriorship in a technological society. His book provides insight into the nature of war, the meaning of masculinity, and the need for moral values in the military. This new edition includes Heckler's response to 9/11, his connections to the Pentagon and U.S. soldiers in Afghanistan, and his reflections on the movie Black Hawk Down, which depicts the deaths of two of his trainees. The new Marine Corps martial art...is focused as much on the soul as it is on soldiering... --The Wall Street Journal

The war in Iraq has heightened interest in the military mindset and raised questions about whether it’s possible to be a mindful, moral fighter at a time when impersonal, technology based warfare reigns. In Search of the Warrior Spirit confronts this thorny issue with Richard Strozzi-Heckler’s trademark personal, sympathetic style. In a top-secret U.S. military experiment, the author was asked to teach Eastern awareness disciplines ranging from aikido to meditation to a group of twenty-five Green Berets. This account chronicles his experiences in the training program and his attempts to revive traditional warriorship in a technological society. In Search of the Warrior Spirit explores the nature of war, the meaning of masculinity, and the need for moral values in the military. The book includes Heckler’s response to 9/11, his experiences with the Pentagon and U.S. soldiers in Afghanistan, and his poignant reflections on the movie Black Hawk Down, which depicts the deaths of two of his trainees. In this revised edition, the author talks movingly of his visits to Afghanistan with NATO and about the Trojan Warrior Project and Marine Warrior Project, relating the tragic events in a war zone and revelatory conversations with both ordinary soldiers and such leaders as the Supreme Allied Commander of Europe.

This reference identifies key contributors to the Black Arts Movement, the name given to a group of poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. This book also discusses major works produced during the period, as well as significant publications, influential groups, and organizations.

The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.

Warrior Mother is the true story of a mother’s fierce love and determination, and her willingness to go outside the bounds of the ordinary when two of her three adult children are diagnosed with life-threatening diseases. When Sheila Collins’s best friend, dying of breast cancer, asked her to accompany her through what turned out to be the last fourteen days of her life, she didn’t know that the experience was preparing her for what lay ahead with her own children. In the years that followed, Collins had to face both her son’s diagnosis with AIDS and her daughter’s diagnosis with breast cancer. Warrior Mother documents how she faces these challenges and the issues accompanying them—from learning to be the mother of a gay son to visiting a healer in Brazil on her daughter’s behalf when she decides on bone marrow transplant treatment. Experience as a professional social worker and family therapist doesn’t always help Collins to cope with her children’s illnesses—but her relationship with improvisational song, dance, storytelling, and women’s spirituality rituals carries her through. Warrior Mother follows Collins’s family through memorials and celebrations of lives well lived, all the while exploring the impact of grief on those left behind and the rituals that help them heal.

Ernie McClintock and the Jazz Actors Family is a critical biography examining the life and work of Ernie McClintock, the founder of the Jazz Acting Method and 1997 recipient of the Living Legend Award from the National Black Theatre Festival, whose inclusive contributions to acting and actor training have largely remained on the fringes of scholarship and practice. Based on original archival research and interviews with McClintock’s students and peers, this book traces his life from his childhood in Chicago to Harlem in the 1960s at the height of the Black Arts Movement, to Richmond, Virginia in 2003, paying particular attention to his Black Power–influenced, culturally specific acting theory and versatile Black theatrical productions. As a biographical study, this book establishes McClintock as a leading figure of the Black Theatre Movement, proven by the Jazz Acting technique, his critically acclaimed productions, and his leadership positions in organizations such as the Black Theatre Alliance. Ernie McClintock and the Jazz Actors Family explores how the Jazz Acting technique was applied in productions such as N.R. Davidson’s El Hajj Malik, Derek Walcott’s Dream on Monkey Mountain, Cheryl West’s Before It Hits Home, Endesha Mae Holland’s From the Mississippi Delta, and many collectively-authored pieces. The book also investigates why he has been excluded from dominant theatre histories, especially considering how, as a gay Black man, he persistently defied the status quo, questioning practices of administrators of theatres and mainstream theatrical standards. Ernie McClintock and the Jazz Actors Family is situated at the intersection of Black acting theory, Black Arts Movement history, and Black queer studies, and is an illuminating study of an important figure for actors, acting teachers, acting students, and cultural historians. This is an essential resource for readers who are seeking histories and approaches outside of a white, straight, Eurocentric framework.