In The Bishop S Carriage Microform

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"[...]shoulder. That comforted him, too. Hush your laughing, Tom Dorgan; I mean calling him "daddy" seemed to kind of take the cuss off the situation. "My child," he began very gently. "Oh, daddy," I exclaimed, snuggling down close to him, "you kept me waiting so long I went to sleep. I thought you'd never come." He put his arm about my shoulders in a fatherly way. You know, I found out later the Bishop never had had a daughter. I guess he thought he had one now. Such a simple, dear old soul! Just the same, Tom Dorgan, if he had been my father, I'd never be doing stunts with tipsy men's watches for you; nor if I'd had any father. Now, don't get mad. Think of the Bishop with his gentle, thin old arm about my shoulders, holding me for just a second as though I was his daughter! My, think of it! And me, Nance Olden, with that fat man's watch in my waist and some girl's beautiful long coat and hat on, all covered with chinchilla! "There's some mistake, my little girl," he said, shaking me gently to wake me up, for I was going to sleep again, he feared. "Oh, I knew you were kept at the office," I interrupted quickly. I preferred to be farther from the station with that girl's red coat before I got out. "We've missed[...]".

Volume 6.

Contributions by Ryan L. Fletcher, Darren E. Grem, Paul Harvey, Alicia Jackson, Ted Ownby, Otis W. Pickett, Arthur Remillard, Chad Seales, and Randall J. Stephens Over more than three decades of teaching at the University of Mississippi, Charles Reagan Wilson’s research and writing transformed southern studies in key ways. This volume pays tribute to and extends Wilson’s seminal work on southern religion and culture. Using certain episodes and moments in southern religious history, the essays examine the place and power of religion in southern communities and society. It emulates Wilson’s model, featuring both majority and minority voices from archives and applying a variety of methods to explain the South’s religious diversity and how religion mattered in many arenas of private and public life, often with life-or-death stakes. The volume first concentrates on churches and ministers, and then considers religious and cultural constructions outside formal religious bodies and institutions. It examines the faiths expressed via the region’s fields, streets, homes, public squares, recreational venues, roadsides, and stages. In doing so, this book shows that Wilson’s groundbreaking work on religion is an essential part of southern studies and crucial for fostering deeper understanding of the South’s complicated history and culture.

Booker Prize Finalist Here is an extraordinary cross-cultural love story that unfurls across Egypt, England, and the United States over the course of a century. Isabel Parkman, a divorced American journalist, has fallen in love with a gifted and difficult Egyptian-American conductor. Shadowing her romance is the courtship of her great-grandparents Anna and Sharif nearly one hundred years before. In 1900 the recently widows Anna Winterbourne left England for Egypt, an outpost of the Empire roiling with political sentiment. She soon found herself enraptured by the real Egypt and in love with Sharif Pasha al-Baroudi, an Egyptian nationalist. When Isabel, in an attempt to discover the truth behind her heritage, reenacts Anna’s excursion to Egypt, the story of her great-grandparents unravels before her, revealing startling parallels for her own life. Combining the romance and intricate narrative of a nineteenth-century novel with a very modern sense of culture and politics—both sexual and international—Ahdaf Soueif has created a thoroughly seductive and mesmerizing tale.