In The City Of Men

In South Asian urban landscapes, men are everywhere. And yet we do not seem to know very much about precisely what men do in the city as men. How do men experience gender in city spaces? What are the interactional dynamics between different groups of men on city streets? How do men adjudicate between good and bad conduct in urban spaces? Through ethnographic descriptions of copresence on public transport in Kolkata, India, this book brings into sight the gendered logics of cooperation and everyday morality through which masculinities take up space in cities. It follows the labor geographies of auto-rickshaw and taxi operators and their interactions with traffic police and commuters to argue that the gendered fabric of urban life needs to be understood as a product of situational forms of cooperation between different social groups. Such an orientation sheds light on the part played by everyday morality and provisional support in upholding male privilege in the city.

This is the untold story of the men who fed, dressed, protected and advised the cardinals and great nobles of Baroque Rome. Against the background of demographic crisis and a Europe gripped by plague, war and famine, the papal capital lured ambitious gentlemen and hungry commoners to work in service. Mirroring a city where men far outnumbered women, elite households provided jobs for thousands of male immigrants from all over Italy and beyond. Footmen, secretaries, stable boys, cooks and accountants composed an all-male world that fit awkwardly within the paradigm of early modern patriarchy. A gender ideology dependent on the idea that men were innately superior to women had to navigate a society without women and justify the subordination of most men to the few. Rigid domestic hierarchies imposed by employers and implemented by gentlemen servants yielded only the barest subsistence to the robust but unskilled majority. The vagaries of the patron-client relationship doomed even the gentlemen to insecurity. In this context the streets, churches and squares of Rome offered richer, if sometimes dangerous, opportunities than the palaces to enjoy masculine privilege and the experience of egalitarian fraternity. This book mobilizes census records, trials, family account books and household manuals to show both the contradictions and the tenacity of patriarchy in a city of men.

A sprawling, magnificently told epic about the history of gang life in Rio's favelas. THE ORIGINAL NOVEL BEHIND 'THE GREATEST CRIME FILM OF ALL TIME' Cidade de Deus, the City of God ... welcome to one of Rio's most notorious slums. A place where the streets are awash with drugs, where violence can erupt at any moment, over drugs, money ... and love... but also where the samba beat rocks til dawn, where the women are the most beautiful on earth, and where one young man wants to escape his background and become a photographer. Paulo Lins was born in Rio de Janeiro and at age seven moved to the 'City of God' housing project. He escaped the cycle of violence there to become an internationally celebrated writer, and still lives in Rio. This novel is the result of extended research in the housing project where Lins was raised. He spent eight years interviewing people and researching the drug trafficking and gang warfare that marked the history of the neighbourhood in the 1970s and 80s. Based on a true story, this is a sprawling, magnificently told epic about the history of gang life in Rio's favelas. The original novel of the hugely acclaimed film.

For sure this book can not claim that it is a complete, comprehensive history of Chicago's first 100 years, but the publishers believe it contains more important facts concerning the growth of the city during the first century of its existence than many other like publications. The superior arrangement of facts and events mapped out stand for themselves and mirror the condition of the city at the dawn of the 20th century.

The City of God, Volume II Bishop of Hippo Saint Augustine - "The glorious city of God is my theme in this work; which you; my dearest son Marcellinus; suggested; and which is due to you by my promise. I have undertaken its defence against those who prefer their own gods to the Founder of this city;a city surpassingly glorious; whether we view it as it still lives by faith in this fleeting course of time; and sojourns as a stranger in the midst of the ungodly; or as it shall dwell in the fixed stability of its eternal seat; which it now with patience waits for; expecting until "righteousness shall return unto judgment;" and it obtain; by virtue of its excellence; final victory and perfect peace. A great work this; and an arduous; but God is my helper." -an excerpt

The year is 2021. No child has been born for twenty-five years. The human race faces extinction. Under the despotic rule of Xan Lyppiat, the Warden of England, the old are despairing and the young cruel. Theo Faren, a cousin of the Warden, lives a solitary life in this ominous atmosphere. That is, until a chance encounter with a young woman leads him into contact with a group of dissenters. Suddenly his life is changed irrevocably as he faces agonising choices which could affect the future of mankind. NOW A MAJOR MOTION PICTURE